The author asks you: Is this a story of the longest standing oppression in the history of humanity? ...thy desire shall be to thy husband, and he shall rule over thee. – Genesis 3:16 – c. 1600 BCE. ...the male is by nature superior, and the female inferior... – Aristotle – c. 340 BCE. ...even the most undeserving case will win if there is no one to testify against it. – Christine de Pizan. 1405 CE. ...have they not all violated the principle of equality of rights by quietly depriving half of mankind of the right to participate in the formation of the laws...? – Nicolas de Condorcet – 1790 CE. ...the adoption of this system of inequality never was the result of deliberation, or forethought, or any social ideas, or any notion whatever of what conduced to the benefit of humanity or the good order of society. – J.S. Mill – 1869 CE. ...All human beings are born free and equal in dignity and rights. – Declaration of Human Rights – 1948 CE. The format of the book is encyclopaedic. Each chapter follows on from the previous one but also is an episode in its own right. ... that our descendants, by becoming more learned, may become more virtuous and happier, and that we do not die without having merited being part of the human race. – Denis Diderot – 1750 CE.
This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a 'cheap coat of paint'. Victoria George pulls together several histories: of the colour white from the biblical period to the present, and ideas about the colour white in philosophy, theology, art, and architecture from antiquity to the present. She links them to case studies of the ways in which reformers Huldrych Zwingli and John Calvin thought about colour in a careful analysis of the role of colour-thinking in their theological writings. The social meanings embodied in the word, 'whitewash' as it entered the printed media in the 17th century is explored as part of a chapter on the history of whitewashing itself. The long-term symbolic and aesthetic implications of the practice of whitewashing are examined in the larger context of material culture; in terms of their value as a metaphor, for both the Reformed Protestant and the Catholic in opposition to them; and for the uses to which whitewash has been put over time. George proposes that the practice was not only visually transformative but held importance for religious aesthetics as an agent of change, and for an aesthetics of minimalism generally, especially evident in the twentieth and twenty-first centuries. Victoria George received an MFA from the Royal College of Art (London), an MA from The Architectural Association, and a Ph.D. from Cambridge. She has taught religion and the arts at the University of Richmond in Virginia.
The travel journals and letters of Matthew and George Culley give a fresh and practical picture of agriculture and related conditions in England and Scotland in the late eighteenth century, as seen by two successful farmers who pioneered and spread improved methods and livestock breeds in Northumberland and beyond. These down-to-earth journals are worthy to stand alongside such famous contemporary works as Arthur Young's Tours and John Byng's Diaries.
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