Set in the town of Gruel, S.C., this is the tale of a young man named Novel, a professional snake handler who stumbles across strange doings and a decades-old town secret while he sits in a motel room writing his autobiography.
Calloustown, the seventh collection from master raconteur George Singleton, who's been praised by The Atlanta Journal-Constitution as the unchallenged king of the comic Southern short story,” finds the author at the absolute top of his game as he traces the unlikely inhabitants of the titular Calloustown in all their humanity. Whether exploring family, religion, politics or the true meaning of home, these stories range from deeply affecting to wildly absurd and back again, all in the blink of an eye.
This compilation of smart, hilarious stories from one of the funniest, wisest, and most surprising Southern writers of his generation is peppered with unforgettable characters--people who are trying to make sense of modern absurdities.
A quirky tale of a hard-drinking artist by an author who “writes about the rural South without sentimentality . . . but with plenty of sharp-witted humor” (NPR Morning Edition). Renegade artist Harp Spillman is lower than a bow-legged fire ant. Because of an unhealthy relationship with the bottle, he’s ruined his reputation as one of the South’s preeminent commissioned metal sculptors. And his desperate turn to ice sculpting might’ve led to a posse of angry politicians on his trail. With the help of his sane and practical wife, Raylou, Harp understands that it’s time to get his act together and prove that he can complete a series of twelve-foot-high metal angels—welded completely out of hex nuts—for the city of Birmingham. Is it pure chance that the Elbow Boys, with arms voluntarily fused together so they can’t drink, show up in order to help Harp? And why did his neighbor smuggle anteaters into the desolate little South Carolina town of Ember Glow? Harp is drying out, but somehow being sober isn’t making the world seem any less confusing . . . “Engagingly comic . . . Singleton has a flair for capturing Southern eccentricity, and Raylou’s imperturbable patience is just as funny in its way as Harp’s self-loathing.” —Publishers Weekly “If there is a fiction genre blending the riotous, bleary-eyed excess and absurdity of gonzo journalism with the rather earnest sensitivity of a John Irving hero—who always does right by his wife in the end—Work Shirts belongs to it. . . . It’s a fun read . . . An adventure to be undertaken.” —Newsweek
This second collection of short stories by a bright star in Southern fiction showcases a town so tiny it missed the map, the gleefully off-the-wall Southerners who refuse to be pigeonholed, and a South far removed from big-city Atlanta and proper Charleston. As the author says of his characters, "They're regular people just trying to get by." Among them: a boy whose reputation is ruined when he appears in a head-lice documentary; a lovelorn father who woos his third-grader's teacher with creative show-and-tells; and a former pharmaceuticals salesman who waits for the word of God to tell him what to paint on next the "primitive" canvases he sells for big bucks to an art dealer.
It’s Father’s Day 1972 and a young boy’s dad takes him to visit a string of unimpressive ex-girlfriends that could have been his mother; the unconventional detective work of a koan-speaking, Kung Fu–loving uncle solves a case of arson during a pancake breakfast; and a former geology professor, recovering from addiction, finds himself sharing a taxicab with specters from a Jim Crow–era lynching. Set in and around the fictional town of Steepleburg, South Carolina, the loosely tied stories in George Singleton’s Staff Picks place sympathetic, oddball characters in absurd, borderline surreal situations that slowly reveal the angst of southern history with humor and bite. In the tradition of Donald Barthelme, T. C. Boyle, Flannery O’Connor, and Raymond Carver, Singleton creates lingering, darkly comedic tales by drawing from those places where familiarity and alienation coexist. A remarkable and distinct effort from an acclaimed chronicler of the South, Staff Picks reaffirms Singleton’s gift for crafting short story collections that both deliver individual gems and shine as a whole.
Toddlers—and drunks—bang around hitting walls, tables, chairs, the floor, and other people, trying to find their legs. Writing fiction is a similar process. Sometimes it might take a while before the story gets some balance and moves forward. Sometimes the story takes off as if motor-driven, then crashes into something not foreseen or expected. Learning to be a writer is all about finding your legs, and doing your best to convince onlookers that you know what you're doing and where you're going. In Pep Talks, Warnings & Screeds, acclaimed Southern story writer and novelist George Singleton serves up everything you ever need to know to become a real writer (meaning one who actually writes), in bite-sized aphorisms. It's Nietzsche's Beyond Good & Evil meets Anne Lamott's Bird by Bird. It's cough syrup that tastes like chocolate cake. In other words, don't expect to get better unless you get a good dose of it, maybe two. Accompanied by more than fifty original full-color illustrations by novelist Daniel Wallace, these laugh-out-loud funny, candid, and surprisingly useful lessons will help you find your own writerly balance so you can continue to move forward.
Nineteen tales by the author of The Half-Mammals of Dixie feature South Carolina protagonists in search of money, revenge, meaning, and other elusive goals, from a dermatologist who becomes obsessed with eliminating birthmarks to a father who drives on half-inflated tires to flirt with a cashier. Original. 25,000 first printing.
Take a darkly hilarious trip through a South Carolina town with the “unchallenged king of the comic Southern short story” (The Atlanta Journal-Constitution). “Usually stories about small, quirky, southern towns are full of adorable, quirky characters that share their unusual philosophies with us and teach us how to enjoy life (think Forrest Gump or even Midnight in the Garden of Good and Evil). Gruel may be small, southern, and quirky, but it is also as miserable as its name sounds. The inhabitants are miserable. Even people from as far away as New York who happen to stop by Gruel are miserable . . . Fortunately, the writing is good enough that the misery becomes somehow enjoyable.” —Booklist “George Singleton is a madman. He’s also one of the most talented American writers the South has turned out in decades.” —The Post and Courier
Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
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