Four years. That's how long it took Californian playboy Michael Vickers to regain his memory and come home. Four years. That's how long Vickers spent battered, bruised and south of the border, following the attack which sought to end his life - all because he'd mistaken a mortal enemy for a friend. Or a lover. And now Vickers is looking for four years' worth of payback from the devil responsible for his near-demise. But within days of Vickers' return, a murder attempt is made on one of his suspects - and this time it succeeds. Enter a very shrewd detective, whose eyes are on everyone. Especially Vickers. In Stranger at Home, the second George Sanders mystery novel, we are taken to a world removed from the backstage comic mystery of Crime on My Hands, but nonetheless a milieu very familiar to the actor - Southern California in the 1940's. A world of stars and millionaires, but also vice, organized crime and shattered dreams. And Michael Vickers himself is a hero very much after the mould of Sanders' irresistibly attractive screen persona - gilded and charming, languid and pleasure-seeking... but with a steely, remorseless core.
This book follows a year in the life of a young boy from his ninth birthday until his tenth birthday. A mix of humor, drama, sadness, and enlightenment tie the story together. The period runs from April 6, 1963, through April 6, 1964. The story is set in the small northeast Georgia town of Toccoa. The author uses actual events and experiences to help develop a fictional story that incorporates subtle, positive values when practical. It is an intriguing book for growing ten-year-olds as well as for anyone who has ever turned ten years old.
What might we dare to expect from an actor's autobiography, even one from a star as personable as George Sanders? In the case of Memoirs of a Professional Cad, we possibly get more than we deserve. George Sanders undoubtedly led a colourful, glamorous and even action-packed life, spanning the peak years of Hollywood's golden age. But the greatest joy of his memoirs is how funny they are, and how penetrating their author's wit. Endlessly quotable, every chapter shows that the sardonic charm and intelligence he lent to the silver screen were not merely implied. George's early childhood was spent in Tsarist Russia, before he was obliged to flee with his family to England on the eve of the Russian Revolution. He survived two English boarding schools before seeking adventure in Chile and Argentina where he sold cigarettes and kept a pet ostrich in his apartment. We can only be grateful that George was eventually asked to leave South America following a duel of honour (very nearly to the death), and was forced to take up acting for a living instead. Memoirs of A Professional Cad has much to say about Hollywood and the stars George Sanders worked with and befriended, not to mention the irrespressible Tsa Tsa Gabor who became his wife. But at heart it is less a conventional autobiography, and more a Machiavellian guide to life, and the art of living, from a man who knew a thing or two on the subject. So we are invited to share George's thought-provoking views on women, friendship, the pros and cons of therapy, ageing, possessions, and the necessity of contrasts ( Sanders' maxim: 'the more extreme the contrast, the fuller the life'). Previously out of print for many decades, Memoirs of A Professional Cad stands today as one of the classic Hollywood memoirs, from one of its most original, enduring and inimitable stars. This edition also features a new afterword by George Sanders' niece, Ulla Watson. 'Even when asking a hatcheck girl for his coat, he conveyed the impression of a malevolent cat fastidiously licking its chops over the prospect of a particularly toothsome mouse.' Salon
Indisputably the leading, best-established, and most widely publicized autograph guide available, The Sanders Price Guide to Autographs lists more than 50,000 current prices, by far the most comprehensive guide of its type around. All names are listed alphabetically instead of by category.Photos. 512 p p.
From the #1 New York Times bestselling author of the Man Booker Prize-winning novel Lincoln in the Bardo and the story collection Tenth of December, a 2013 National Book Award Finalist for Fiction. Talking candy bars, baby geniuses, disappointed mothers, castrated dogs, interned teenagers, and moral fables—all in this hilarious and heartbreaking collection from an author hailed as the heir to Kurt Vonnegut and Thomas Pynchon. "The first thing you ought to know is that Saunders is the funniest writer in America... [But] Saunders's laughs are a cover, a diversion, beneath which reside some profoundly serious intentions regarding the morality of how we live and the power of love and immanent death to transform us into vastly better creatures... I can't think of another writer who would try to do what Saunders is doing, or anything close to it. This is an important book."—The Nation "Saunders is a hilarious, wicked, and pitch-perfect satirist of our times, of course, but for a satirist he has a whole lot of heart."—Esquire
NEW YORK TIMES BESTSELLER • From the Booker Prize–winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves—and our world today. LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Time, San Francisco Chronicle, Esquire, Milwaukee Journal Sentinel, Town & Country, The Rumpus, Electric Lit, Thrillist, BookPage • “[A] worship song to writers and readers.”—Oprah Daily For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times. In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.
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