This vintage book contains a collection of notable nineteenth century plays. The purpose of this volume is to assemble a representative selection of the plays which served as acceptable material in that century. The nineteenth century saw the emergence of the modern stage as we understand it: a stage framed by the proscenium arch, lit by electricity, and boxed by canvas flats; and the evolution of this stage cannot be followed without a reference to the plays that were written for it. The plays contained herein are: Black Eyed Susan, Money, Masks and Faces, The Colleen Bawn, Lad Audley's Secret, The Ticket-Of-Leave Man, Two Roses, The Bells, and A Pair of Spectacles. Many antiquarian texts such as this are increasingly hard-to-come-by and expensive, and it is with this in mind that we are republishing this volume now in an affordable, modern edition complete with a new prefatory biography of the author.
Home of opera in English, as well as British ballet. Above all it was the birthplace of the world-famous Old Vic Company and saw the first appearances of Britain's National Theatre Company, directed by Laurence Olivier. Among the actors to perform at the Old Vic were John Gielgud, Ralph Richardson, Charles Laughton, Laurence Olivier and Vivien Leigh. The book contains numerous illustrations from the early years of the Theatre and of important productions. It includes a.
This is an account of the origins, development and current state of the repertory theatre movement in Britain. The movement had its roots in ideas, experiments and traditions stretching back into the nineteenth century, and first found its voice in 1907 with Miss Horniman's company in Manchester. Since then it has played a vital - often a dominant - role in British twentieth-century theatre. As a method of theatre organisation, repertory refers to those theatres based primarily in the regions, housing a resident acting company and seeking to maintain each season a programme of plays catering for the tastes of the whole community. But the theory has never been dogmatic and the movement has evolved from a gamut of complex factors, not least the visions of particular personalities. Major landmarks in the history include the effects of the two World Wars, the advent of substantial state funding for the Arts, the growth of cinema and television and the renewal of theatre's link with the community in the form of such initiatives as Theatre- in-Education. The history concludes with a detailed study of six representative regional theatres: The Nottingham Playhouse; The Citizens' Theatre, Glasgow; The Salisbury Playhouse; The Victoria Theatre, Stoke; The Everyman, Liverpool; and The Royal Exchange, Manchester. Appendixes include a Chronology, sample repertory programmes from the period, audience attendance figures and some comparative statistics about funding. Interspersed through the text are photographs of selected theatre exteriors, auditoria, stages and productions.
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