This book traces how iconic writers - including Arthur Conan Doyle, J.M. Barrie, Rudyard Kipling, Virginia Woolf, Wilfred Owen, and Aldous Huxley - shaped their response to the loss of loved ones in the First World War through their embrace of mysticism.
The greater Chicagoland area of the Midwest--Illinois, Indiana, Wisconsin, Michigan, and Iowa--well represented the profuse pop rock playlist of the mid-1960s. This prolific area produced a significant soundtrack from late 1965 into 1972 that reverberated across the country. The vibrant suburban scene produced nearly 40 singles that reached the record charts locally and regionally, with several of the 45s placing on the national listings. Some of the Chicagoland hits include "Kind of a Drag," "Vehicle," "Bend Me, Shape Me," and "Gloria," recorded by the Buckinghams, Ides of March, American Breed, and Shadows of Knight. This book, a geomusicultural chronicle, documents a multitude of Chicagoland bands and their music. They sounded across neighborhoods, thriving teen clubs, television dance and variety shows, renowned recording studios, local independent and major record labels--and through the pervasive AM airwaves of two 50,000-watt downtown radio stations, WLS and WCFL, featuring lineups of dynamic disc jockeys. This period piece portrays a momentous mark within "that toddlin' town's" rich music heritage.
The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a visionary force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own distinguished career in Hollywood and Washington. Fascinating people, priceless stories and a behind-the-scenes view of some of America's major cultural and political events grace this riveting memoir. George Stevens, Jr. grew up in Hollywood and worked on film classics with his father and writes vividly of his experience on the sets of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). He explores how the magnitude of his father's talent and achievements left him questioning his own creative path. The younger Stevens began to forge his unique career when legendary broadcaster Edward R. Murrow recruited him to elevate the Motion Picture Service at the United States Information Agency in John F. Kennedy's Washington. Stevens' trailblazing efforts initiated what has been called the "golden era" of USIA filmmaking and a call to respect motion pictures as art. His appointment as founding director of the American Film Institute in 1967 placed him at the forefront of culture and politics, safeguarding thousands of endangered films and training a new generation of filmmakers. Stevens' commitment to America's cultural heritage led to envisioning the prestigious Kennedy Center Honors and propelled a creative life of award-winning films and television programs that heightened attention to social justice, artistic achievement, and the American experience. Stevens provides a rare look at a pioneering American family spanning five generations in entertainment: from the San Francisco stage in the 19th century to silent screen comedies, Academy Award-winning films, Emmy Award-winning television programs and a Broadway play in the 21st century. He reveals the private side of the dazzling array of American presidents, first ladies, media moguls, and luminaries who cross his path, including Elizabeth Taylor, Sidney Poitier, the Kennedys, Yo-Yo Ma, Cary Grant, James Dean, Bruce Springsteen, Barack and Michelle Obama, and many more. In My Place in the Sun, George Stevens, Jr. shares his lifelong passion for advancing the art of American film, enlightening audiences, and shining a spotlight on notable figures who inspire us. He provides an insightful look at Hollywood's Golden Age and an insider's account of Washington spanning six decades, bringing to life a sparkling era of American history and culture.
You’re invited to pull up a chair to a year of meals, friends, and fun with the Partons, as Dolly and her sister (and favorite cook) Rachel share beloved, crowd-pleasing recipes and family stories. “Hey, good lookin’—what ya got cookin’?” This is what Dolly Parton sings to her sister Rachel Parton George whenever she walks into her kitchen. It’s what you do when a love for good music and good food runs in the family. In Good Lookin’ Cookin’ Dolly and Rachel share tips for hosting events all year long, including twelve multi-course menus of cherished recipes for New Year’s Day, Easter, Mother’s Day, Thanksgiving, Christmas, and more. You’ll learn how much butter or whipped cream goes into a “Dolly Dollop,” what condiment is almost always on the table at Parton family meals, and what special dish Rachel makes at Dolly’s request every year for her birthday. Recipes include American classics such as Country Ham and Biscuits, Barbecue Spare Ribs, Family Favorite Meatloaf, Slaw of Many Colors, Watermelon Fruit Salad, Mac and Cheese, and Strawberry Shortcake. Filled with more than 80 delicious dishes as well as photographs of Dolly and Rachel cooking and hosting all year long, Good Lookin’ Cookin’ is a treasured cookbook that will make you feel like part of the Parton family. With their trademark warmth and sisterly love, Dolly and Rachel remind you that cooking doesn’t need to be serious—it should be fun! And always good lookin’!
Have you ever wondered how your favourite rock stars get inspired? How they write a song? How an album is put together? What made them choose a life devoted to music? In this exciting, original and inspiring book, 75 of the world's most iconic musicians - including Eric Clapton, George Harrison, Julian Lennon, Jackson Browne, David Crosby, Stephen Stills, Graham Nash, Don Henley, Hank Marvin, Keith Richards, Ravi Shankar, Ringo Starr, Steve Winwood, Mick Fleetwood, Stevie Nicks, Joni Mitchell - reveal their thoughts on creating music, and their key to success. Psychologist Jenny Boyd has probed the minds and souls of these artists and has delved into the drive to create, the importance of nurturing creativity, the role of unconscious influences and the effects of chemicals and drugs on the creative process. This is the perfect gift for any music lover and rock 'n' roll fan.
Dundee. To football fans, it has been the subject of great curiosity for as long as the game has been played professionally. How does a relatively small and economically challenged city manage to sustain two senior clubs which, perversely, play across the road from one another? And why has this rivalry not suffered the scourge of sectarianism which has blighted football elsewhere in Scotland? When Dundee United reached the semi-final of the 1983-84 European Cup it meant that, with the exception of Glasgow, Dundee was the only British city to have provided two semi-finalists in that great competition. Since then Dundee United have gone on to reach a UEFA Cup final and to win the Scottish Cup. For Dundee FC, things have been slightly different. There are many fans with long enough memories to recall their glory days, and the silence of their suffering has been punctuated only by boardroom upheaval and the threat of closure. It is only recently that the club's fortunes have taken an upturn, with an influx of exciting, tenacious foreigners. Things are changing. The economic, cultural and academic life of the City of Dundee has flourished in recent years. Meanwhile, as revolution sweeps the international footballing world, the scales of success - which determine the balance of soccer power on Tayside - are showing faltering signs of movement. The Jim McLean era has ended, but will Dundee's Italian risorgimento succeed? Should there be only one team? First published in 1984, Across the Great Divide has been revised to update the historical perspective on professional football in the City of Discovery.
This is a facsimile reprint of Colonial families of the United States of America, Vol. VI, in which is given the history, genealogy and armorial bearings of colonial families who sttled in the American colonies from the time of the settlement of Jamestown, 13th May, 1607, to the Battle of Lexington, 19th April 1775. Edited by George Norbury MacKenzie, LL.G., member of the Society of Genealogists of London, England; National Geographical Society; Old North-West Genealogical Society; Maryland Historical Society.
The cover phenomenon in popular culture may be viewed as a postmodern manifestation in music as artists revisit, reinterpret and re-examine a significant cross section of musical styles, periods, genres, individual records, and other artists and their catalogues of works. The cover complex, with its multiple variations, issues, contexts, and re-contextualizations comprises an important and rich popular culture text. These re-recordings represent artifacts which embody artistic, social, cultural, historical, commercial, biographical, and novel meanings. Through homage, allusion, apprenticeship, and parody, among other modes, these diverse musical quotations express, preserve, and distribute popular culture, popular music and their intersecting historical narratives. Play it Again represents the first collection of critical perspectives on the many facets of cover songs in popular music.
Drawing on untapped new sources, the first global history of the Indian Expeditionary Forces in World War I While their story is almost always overlooked, the 1.5 million Indian soldiers who served the British Empire in World War I played a crucial role in the eventual Allied victory. Despite their sacrifices, Indian troops received mixed reactions from their allies and their enemies alike-some were treated as liberating heroes, some as mercenaries and conquerors themselves, and all as racial inferiors and a threat to white supremacy. Yet even as they fought as imperial troops under the British flag, their broadened horizons fired in them new hopes of racial equality and freedom on the path to Indian independence. Drawing on freshly uncovered interviews with members of the Indian Army in Iraq and elsewhere, historian George Morton-Jack paints a deeply human story of courage, colonization, and racism, and finally gives these men their rightful place in history.
George Williams' monumental The Radical Reformation has been an essential reference work for historians of early modern Europe, narrating in rich, interpretative detail the interconnected stories of radical groups operating at the margins of the mainline Reformation. In its scope—spanning all of Europe from Spain to Poland, from Denmark to Italy—and its erudition, The Radical Reformation is without peer. Now in paperback format, Williams' magnum opus should be considered for any university-level course on the Reformation.
(Book). The late Lowell George is best known as the lead singer, slide guitarist, songwriter and producer of Little Feat. George's humor and surreal lyrics became a Little Feat trademark, making songs like "Fat Man in the Bathtub" and "Dixie Chicken" unforgettable. Rock and Roll Doctor explores the genius that animated Little Feat from George's early bands to his work with Frank Zappa, landmark albums such as Feats Don't Fail Me Now and The Last Record Album , and his later production work with Linda Ronstadt and the Grateful Dead. George's colorful childhood is covered in depth as is his solo career after Little Feat that was cut short tragically. Each Little Feat album is treated to a separate chapter that examines the development of every song how it was conceived, recorded and produced. The analysis of Little Feat's complex rhythms will fascinate musicians and fans alike. "Lowell George was the best singer, songwriter and guitar player I have ever heard, hands down, in my life." Bonnie Raitt
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. George Plasketes adapts the iconic "A-side/B-side" dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered "B-sides"”overlooked, underappreciated, and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular culture, music and media during the past 40 years. The underappreciated yet enduring contributions of a variety of creative individuals in music, television and film are a centerpiece of this volume: actress Doris Day's son, Terry Melcher, a 1960s music producer whose imprint is on the surf, country blues, garage pop and most importantly the folk rock genre; Hans Fenger's kid chorus cover project, a musical variation of "outsider art" that became representative of the tribute wave that began in the 1990s and continues today; versatile guitarist virtuoso Ry Cooder's extensive film soundtrack work; World Music "missionary efforts" of American artists beyond Paul Simon's Graceland, including Neil Diamond's precursor with Tap Root Manuscript in the 1970s and the exotic adventures of Henry Kaiser and David Lindley in Madagascar and Norway”to name just a few examples. These B-sides represent undercurrents, but they resonate as overtones in the mainstream of music and culture, many as historical hinges. Collectively, these B-sides are an A-side antidote of outskirt observations, individual snapshots of artists, artifacts and rituals, genres and generations, producers and musical productions in television, film and video. They constitute an important connect-the-dots cultural chronicle with a multi-layered context”social, legal, historic, economic, technological, generational, aesthetic”for interpreting the interrelations between creators and institutions, the music market place, the production of culture and important connections between the peripheral and the popular.
Scottish Puritanism, 1590-1638, is a portrait of Protestantism in the two generations leading to the National Covenant of 1638. This book investigates the construction of a puritan community embracing 'godly' ministers along with significant numbers of lay men and women willing to engage in the practice of a piety which confronted the inner person and the external world, seeking the reformation of both. Topics include attitudes towards the Bible and the sacraments, the nature of the Christian life, the place of the feminine in Scottish divinity, and the development of ideas about predestination, covenanting, and the relationship between church and state. The book addresses the tensions inherent in puritanism, such as those associated with the nature of the church and the extent of freedom, and provides a perspective on the relationship between Scottish and English religious developments.
Reforming French Culture is a ground-breaking work on the literary genre of Reformation satire—colloquial, obscene, scatological—designed to mock the excesses as well as the essence of the Roman Catholic rite and hierarchy. Enticingly, Hoffmann proposes that while romance, with its episodic, heroic narrative, is the literary genre of Counter-Reformation, satire is the genre of Reformation. This minor category of Renaissance French literature is an unstudied continent that plays a key role, not only in French literature, but also in French history, and in the evolution of French culture more generally. From this deceptively small focus, the volume opens up huge vistas: on the Reformation, on French history, and on the symbiosis of spirituality and estrangement to which it views modern French culture as heir. Rather than using literature to illustrate history, or contextualizing literature through historical background, this book brings literary understanding (what satire is and what it does) to bear on historical understanding. Situated at the crossroads of religion, literature, and cultural history, it explores how France, in this period, became a culturally Protestant country while remaining confessionally Catholic.
Divorce is a psychological stress test that captures predictable variations in personality. Personality, not intelligence, shapes relationships. Relational health is difficult to understand when professionals and partners skip over core dynamics of personality. This book defines personality agendas that reside beneath our surface diversity. Many adults are fascinated with medical death. Maturing adults want to know why their relationships are dying. Interpersonal mystery may have some initial appeal, yet it confounds relationships and prolongs painful losses. Dr. Withers is a psychologist who reduces the knowledge gap between what clients and practitioners know regarding personality and how it shapes lives. Personality influences perception, reasoning and thus relational health. Each year millions unknowingly grapple with maladaptive personality. Adults have been abusing institutions such as marriage and Congress throughout history. Individuals who have tried to salvage a close relationship will have their instincts validated. Most adults want relationships, but many resist having their interpersonal motives scrutinized by others. Relationships do not mysteriously die. Interpersonal decline promotes both adaptive and maladaptive anxiety. Separating fact from fiction has tormented great thinkers throughout history. Our founding fathers worried about the longevity of their fledgling union and the generational emergence of evil. Dr. Martin Luther King, Jr. challenged us to improve the validity of our social judgments. Maturing adults frequently find themselves interacting with others who fictionalize interpersonal reality. This elitism drives needless aggression and social decay.
This study puts the thought of Evagrius Ponticus, a fourth-century theologian, into dialogue with modern cognitive science in regard to the topic of evil, specifically moral evil. Evagrius, in his writings about prayer and the ascetic life, addressed the struggle with personal moral evil in terms of the eight "thoughts" or "demons." These "thoughts" were transmitted by John Cassian to the Western church, and later recast by Gregory the Great as the Seven Deadly Sins. Though present understandings of evil appear to differ greatly from those of Evagrius, his wisdom concerning the battle against evil may prove to be of great help even today. Using the work of Pierre Hadot to recover Evagrius's context, and the work of Paul Ricoeur to discuss how we construct descriptions and myths of evil, Evagrius is brought into dialogue with the cognitive sciences. Using current research, especially the work of Eugene d'Aquili and Andrew Newberg, this study reveals the contemporary relevance of Evagrius' approach to combating evil. In addition, the interdisciplinary study of patristics and cognitive science opens the pathway to a better understanding between Christian tradition and the modern sciences.
The inner magnetosphere plasma is a very unique composition of different plasma particles and waves. It covers a huge energy plasma range with spatial and time variations of many orders of magnitude. In such a situation, the kinetic approach is the key element, and the starting point of the theoretical description of this plasma phenomena which requires a dedicated book to this particular area of research.
Warren Zevon was one of the most original songwriters to emerge from the prolific 1970s Los Angeles music scene. Beyond his most familiar song—the rollicking 1978 hit “Werewolves of London”—Zevon’s smart, often satirical songbook is rich with cinematic, literary, and comic qualities; dark narratives; complex characters; popular culture references; and tender, romantic ballads of parting and longing. Warren Zevon: Desperado of Los Angeles is the first book-length, critical exploration of one of popular music’s most talented and tormented antiheroes. George Plasketes provides a comprehensive chronicle of Zevon’s 40-year, 20-record career and his enduring cultural significance. Beginning with Zevon’s classical training and encounters as a youth with composers Robert Craft and Igor Stravinsky, Plasketes surveys Zevon’s initiation into the 1960s through the Everly Brothers, the Turtles, and the film Midnight Cowboy. Plasketes then follows Zevon from his debut album with Asylum Records in 1976, produced by mentor Jackson Browne, through his successes and struggles from a Top Ten album to record label limbo during the 1980s, through a variety of music projects in the 1990s, including soundtracks and scores, culminating with a striking trio of albums in the early 2000s. Despite his reckless lifestyle and personal demons, Zevon made friends and alliances with talk show host David Letterman and such literary figures as Hunter S. Thompson and Carl Hiaasen. It was only after his death in 2003 that Zevon received Grammy recognition for his work. Throughout this book, Plasketes explores the musical, cinematic, and literary influences that shaped Zevon’s distinctive style and songwriting themes and continue to make Zevon’s work a telling portrait of Los Angeles and American culture.
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