A journey of reckoning and renewal, this story of family history and future dreams is an examination of the individual imagination as a catalyst for social change Whatever the ideological slant of our information feeds, nowadays we all share a sense of binge-watching the apocalypse. Facing so much uncertainty, we need a language for thinking about the unknown not simply as a threat but also as a space of fertile possibility. George Prochnik has chosen to reflect on these urgent themes through the lens of a personal narrative: an account of his own family’s decision to leave the United States. I Dream with Open Eyes begins with an exploration of Prochnik’s ancestral past: the pilgrimage of his mother’s family, who were among the first English settlers in the New World. In the aftermath of the 2016 election, a parallel migration unfolds as Prochnik, along with his wife and their son, makes the decision to uproot their lives in New York to move to England. A deep critique of this current moment, Prochnik takes the words of nineteenth-century poet Heinrich Heine, “I dream with open eyes, and my eyes see,” as an inspiration to ask how, as a society, we might use art and literature to refract and expand our vision of the future, while simultaneously generating a new focus on present realities.
A rich, provocative, and lyrical study of one of Germany's most important, world-famous, and imaginative writers "A concise, fast-paced biography of the German poet, critic, and essayist. . . . A discerning portrait of the writer and his times."--Kirkus Reviews "Prochnik provides a jaunty narrative of Heine's schooldays in Bonn and Göttingen, journalistic career in Berlin, and twenty-five-year exile in Paris, detailing his literary feuds, scraps with censors, and unwavering belief in political liberty."--New Yorker Heinrich Heine (1797-1856) was a virtuoso German poet, satirist, and visionary humanist whose dynamic life story and strikingly original writing are ripe for rediscovery. In this vividly imagined exploration of Heine's life and work, George Prochnik contextualizes Heine's biography within the different revolutionary political, literary, and philosophical movements of his age. He also explores the insights Heine offers contemporary readers into issues of social justice, exile, and the role of art in nurturing a more equitable society. Heine wrote that in his youth he resembled "a large newspaper of which the upper half contained the present, each day with its news and debates, while in the lower half, in a succession of dreams, the poetic past was recorded fantastically like a series of feuilletons." This book explores the many dualities of Heine's nature, bringing to life a fully dimensional character while also casting into sharp relief the reasons his writing and personal story matter urgently today.
Winner of the 2007 Gradiva Award An innovative work of biography that traces the lasting impact of the friendship between Sigmund Freud and pioneering American psychologist James Jackson Putnam. In 1909 Sigmund Freud made his only visit to America, which included a trip to "Putnam Camp”–the eminent American psychologist James Jackson Putnam's family retreat in the Adirondacks. "Of all the things that I have experienced in America, this is by far the most amazing," Freud wrote of Putnam Camp. Putnam, a Boston Unitarian, and Freud, a Viennese Jew, came from opposite worlds, cherished polarized ambitions, and promoted seemingly irreconcilable visions of human nature–and yet they struck up an unusually fruitful collaboration. Putnam's unimpeachable reputation played a crucial role in legitimizing the psychoanalytic movement. By the time of Putnam's death in 1918, psychoanalysis had been launched in America, where–in large part thanks to the influence of Putnam, and in a development Freud had not anticipated–it went on to become a practice that moved beyond the vicissitudes of desire to cultivate the growth and spiritual aspirations of the individual as a whole. Putnam Camp reveals details of Putnam's and Freud's personal lives that have never been fully explored before, including the crucial role Putnam's muse, Susan Blow–founder of America's first kindergarten, pioneering educator and philosopher in the American Hegelian movement–played in the intense debate between these two great thinkers. As the great-grandson of Putnam, author George Prochnik had access to a wealth of personal firsthand material from the Putnam family–as well as from the James and Emerson families–all of which contribute to a new and intimate vision of the texture of daily life at a moment when America was undergoing a cultural and intellectual renaissance.
**Winner of the National Jewish Book Award for Biography** Now in paperback, the biography of Austrian writer Stefan Zweig, the inspiration behind The Grand Budapest Hotel, Wes Anderson’s award-winning film By the 1930s, Stefan Zweig had become the most widely translated living author in the world. His novels, short stories, and biographies were so compelling that they became instant best sellers. Zweig was also an intellectual and a lover of all the arts, high and low. Yet after Hitler’s rise to power, this celebrated writer who had dedicated so much energy to promoting international humanism plummeted, in a matter of a few years, into an increasingly isolated exile—from London to Bath to New York City, then Ossining, Rio, and finally Petrópolis—where, in 1942, in a cramped bungalow, he killed himself. The Impossible Exile tells the tragic story of Zweig’s extraordinary rise and fall while it also depicts, with great acumen, the gulf between the world of ideas in Europe and in America, and the consuming struggle of those forced to forsake one for the other. It also reveals how Zweig embodied, through his work, thoughts, and behavior, the end of an era—the implosion of Europe as an ideal of Western civilization.
Taking his lead from his subject, Gershom Scholem—the 20th century thinker who cracked open Jewish theology and history with a radical reading of Kabbalah—Prochnik combines biography and memoir to counter our contemporary political crisis with an original and urgent reimagining of the future of Israel. In Stranger in a Strange Land, Prochnik revisits the life and work of Gershom Scholem, whose once prominent reputation, as a Freud-like interpreter of the inner world of the Cosmos, has been in eclipse in the United States. He vividly conjures Scholem’s upbringing in Berlin, and compellingly brings to life Scholem’s transformative friendship with Walter Benjamin, the critic and philosopher. In doing so, he reveals how Scholem’s frustration with the bourgeois ideology of Germany during the First World War led him to discover Judaism, Kabbalah, and finally Zionism, as potent counter-forces to Europe’s suicidal nationalism. Prochnik’s own years in the Holy Land in the 1990s brings him to question the stereotypical intellectual and theological constructs of Jerusalem, and to rediscover the city as a physical place, rife with the unruliness and fecundity of nature. Prochnik ultimately suggests that a new form of ecological pluralism must now inherit the historically energizing role once played by Kabbalah and Zionism in Jewish thought.
A rich, provocative, and lyrical study of one of Germany's most important, world-famous, and imaginative writers "A concise, fast-paced biography of the German poet, critic, and essayist. . . . A discerning portrait of the writer and his times."--Kirkus Reviews "Prochnik provides a jaunty narrative of Heine's schooldays in Bonn and Göttingen, journalistic career in Berlin, and twenty-five-year exile in Paris, detailing his literary feuds, scraps with censors, and unwavering belief in political liberty."--New Yorker Heinrich Heine (1797-1856) was a virtuoso German poet, satirist, and visionary humanist whose dynamic life story and strikingly original writing are ripe for rediscovery. In this vividly imagined exploration of Heine's life and work, George Prochnik contextualizes Heine's biography within the different revolutionary political, literary, and philosophical movements of his age. He also explores the insights Heine offers contemporary readers into issues of social justice, exile, and the role of art in nurturing a more equitable society. Heine wrote that in his youth he resembled "a large newspaper of which the upper half contained the present, each day with its news and debates, while in the lower half, in a succession of dreams, the poetic past was recorded fantastically like a series of feuilletons." This book explores the many dualities of Heine's nature, bringing to life a fully dimensional character while also casting into sharp relief the reasons his writing and personal story matter urgently today.
An original study of exile, told through the biography of Austrian writer Stefan Zweig By the 1930s, Stefan Zweig had become the most widely translated living author in the world. His novels, short stories, and biographies were so compelling that they became instant best sellers. Zweig was also an intellectual and a lover of all the arts, high and low. Yet after Hitler’s rise to power, this celebrated writer who had dedicated so much energy to promoting international humanism plummeted, in a matter of a few years, into an increasingly isolated exile—from London to Bath to New York City, then Ossining, Rio, and finally Petrópolis—where, in 1942, in a cramped bungalow, he killed himself. The Impossible Exile tells the tragic story of Zweig’s extraordinary rise and fall while it also depicts, with great acumen, the gulf between the world of ideas in Europe and in America, and the consuming struggle of those forced to forsake one for the other. It also reveals how Zweig embodied, through his work, thoughts, and behavior, the end of an era—the implosion of Europe as an ideal of Western civilization.
A journey of reckoning and renewal, this story of family history and future dreams is an examination of the individual imagination as a catalyst for social change Whatever the ideological slant of our information feeds, nowadays we all share a sense of binge-watching the apocalypse. Facing so much uncertainty, we need a language for thinking about the unknown not simply as a threat but also as a space of fertile possibility. George Prochnik has chosen to reflect on these urgent themes through the lens of a personal narrative: an account of his own family’s decision to leave the United States. I Dream with Open Eyes begins with an exploration of Prochnik’s ancestral past: the pilgrimage of his mother’s family, who were among the first English settlers in the New World. In the aftermath of the 2016 election, a parallel migration unfolds as Prochnik, along with his wife and their son, makes the decision to uproot their lives in New York to move to England. A deep critique of this current moment, Prochnik takes the words of nineteenth-century poet Heinrich Heine, “I dream with open eyes, and my eyes see,” as an inspiration to ask how, as a society, we might use art and literature to refract and expand our vision of the future, while simultaneously generating a new focus on present realities.
Taking his lead from his subject, Gershom Scholem—the 20th century thinker who cracked open Jewish theology and history with a radical reading of Kabbalah—Prochnik combines biography and memoir to counter our contemporary political crisis with an original and urgent reimagining of the future of Israel. In Stranger in a Strange Land, Prochnik revisits the life and work of Gershom Scholem, whose once prominent reputation, as a Freud-like interpreter of the inner world of the Cosmos, has been in eclipse in the United States. He vividly conjures Scholem’s upbringing in Berlin, and compellingly brings to life Scholem’s transformative friendship with Walter Benjamin, the critic and philosopher. In doing so, he reveals how Scholem’s frustration with the bourgeois ideology of Germany during the First World War led him to discover Judaism, Kabbalah, and finally Zionism, as potent counter-forces to Europe’s suicidal nationalism. Prochnik’s own years in the Holy Land in the 1990s brings him to question the stereotypical intellectual and theological constructs of Jerusalem, and to rediscover the city as a physical place, rife with the unruliness and fecundity of nature. Prochnik ultimately suggests that a new form of ecological pluralism must now inherit the historically energizing role once played by Kabbalah and Zionism in Jewish thought.
In this compelling human event story, Dapra takes us on a fascinating life journey, beginning with his childhood growing up in a large Italian-American family with immigrant parents. From the military, college, and employment at the world-famous Hotel Plaza, Dapra shares vignettes of all life’s emotions. The climax is Dapra’s employment as an Inspector with the United States Marshal’s Witness Security Program in New York City—at the height of the government’s war against organized crime. Dapra also describes other protective details including the much-publicized Elian Gonzalez case. Non-Disclosure is the first sneak peek authorized by the United States Department of Justice into the secret government program, so fasten your seat belts, and don’t forget to pass the parmesan! An absolutely riveting account of the U.S. Marshal Service’s Witness Security Division during the tumultuous final decades of the twentieth century. George Dapra’s first-hand experience as a United States Marshal in the battle against the Organized Crime Syndicate and al Qaeda is as compelling as it is engaging. A truly masterful read. Colonel Cole C. Kingseed, co-author of the New York Times best-selling Beyond Band of Brothers: The War Memoirs of Major Dick Winters.
Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.
Feast of Excess is an engaging and accessible portrait of "The New Sensibility," as it was named by Susan Sontag in 1965. The New Sensibility sought to push culture in extreme directions: either towards stark minimalism or gaudy maximalism. Through vignette profiles of prominent figures-John Cage, Patricia Highsmith, Allen Ginsberg, Andy Warhol, Anne Sexton, John Coltrane, Bob Dylan, Erica Jong, and Thomas Pynchon, to name a few-George Cotkin presents their bold, headline-grabbing performances and places them within the historical moment.
In the Shadow of Infamy is born out of life experiences in the shadow of "Communist paradise" created by the Stalinist dictatorship. Author George Farmos was born in Slovakia during a time when Darwinism would be unleashed in the most unanticipated way. Not to believe what the Communist Party championed was considered ignorant, reactionary, and deserving of punishment. Individuals were forced to sacrifice their rights on the altar of "collective fairness". Farmos writes this book to illustrate a chilling parallel between Communism and progressive liberalization of America, under government's leadership, in the name of "science".
Examining the strategies employed by Mikhail Gorbachev and Boris Yeltsin to build leadership authority, George Breslauer focuses on the power of ideas, as leaders use them to mobilize support and to craft an image as effective problem solvers, indispensable consensus builders, and symbols of national unity. Throughout the book, Breslauer compares Gorbachev and Yeltsin, and Khrushchev and Brezhnev, analyzing the changes in policy, the strategies, and the political dilemmas that are common to all four administrations. He addresses such questions as: Could Yeltsin have pursued a more beneficial path to a market economy, despite Western advisors and actions of the International Monetary Fund? For the chapters about Gorbachev, Breslauer was able to interview former members of the leader's politburo, including those who plotted Gorbachev's overthrow. Interested in how leaders make changes, Breslauer looks at how these leaders justified their actions and outflanked their opponents. Breslauer sheds new light on the end of Soviet communism and Russia's transition to a market economy. George W. Breslauer, is Dean of Social Sciences and Professor at the University of California, Berkeley. He has written and edited ten books about Soviet and post-Soviet politics and foreign policy, including Counterfactual Thought Experiments in World Politics (Princeton University Press, 1996) and Khrushchev and Brezhnev as Leaders (London: Allen and Unwin, 1982). In 1998, he was awarded the Chancellor's Professorship for combining excellence in research, teaching, and university service and was most recently appointed Dean of Social Sciences at Berkeley.
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