Several restaurant workers are murdered by a robber, whose brother is killed by police during the chaotic event. As everyone struggles to heal after the incident, the gunman is determined to kill everyone involved in his brother's death.
George Pelecanos's Washington, D.C., is a far cry from the upwardlymobile, tourist-attraction-speckled enclave of Margaret Truman (Murder at the National Cathedral, Murder in Georgetown). Pelecanos's capital is a haunting terrain of drugs and death, a no man's land of posturing dealers and skeletal warehouses that shelter their buyers:A rat scurried into a dim side room, and a withered black face receded into the darkness. The face belonged to a junkie named Tonio Morris. He was one of the many bottom-of-the-food-chain junkies, near death and too weak to cut out a space of their own on the second floor; later, when the packets were delivered to those with cash, they'd trade anything they had, anything they'd stolen that day, or any orifice on their bodies for some rock or powder.When PI Derek Strange is hired by Chris Wilson's mother to find out why her son, a black cop, was killed by a white cop, Terry Quinn, on a dark night inthat no man's land, Strange figures that the answer is painfully clear: a typical case of mistaken identity, fueled by the assumptions and preconceptions of Quinn's innate racism. But what Strange finds is a tentative kinship with Quinn, who is desperate to proclaim himself "color-blind." Kicked off the force and convinced that there's more to his own story, Quinn asks to join Strange in his investigation. As the two pry into the past, drifting through the neighborhoods both men have known all their lives, they find themselves enmeshed in a tangle of cold-blooded competition and heated personal enmity.Pelecanos generally has a light touch with the treacherous quagmire of -isms, veering only occasionally into sententious meanderings about the consequences of an economically and racially divided society. His wry humor, particularly in his descriptions of Earl and Ray, the heroin middlemen who bring the concept of white trash to a depressingly low level, leavens the novel's noir bleakness. And Strange himself is a compelling character: a middle-aged black man who has seen more of life'scallousness than he cares to admit, and whose jitteriness about personalcommitment speaks volumes about his own expectations for happiness. A strong character and a good read--Pelecanos fans can settle in and look forward to Strange's next appearance. --Kelly Flynn
One of the 1990s' rising stars of crime fiction delivers a bold, brilliant tale of mystery, revenge, and survival in the 1980s, when cocaine and money ruled the city streets and even the good guys wanted a piece of the action.
Derek Strange is a black ex-cop in Washington D.C. who now makes a living running his own private detective agency. He is hired to investigate the killing of an off-duty black policeman by a white police officer -- a killing that was supposedly accidental, but that has opened difficult questions about racism on the force. In the course of that investigation the white officer, Terry Quinn, becomes Strange's friend and then his partner. Together they try to uncover what really happened that night, when Quinn came upon a confusing and treacherous crime scene. Along the way they confront the kingpins of a flourishing drug trade and some of the most implacable, dead-eyed killers ever to grace the pages of a novel.
A novel on two immigrant boys growing up in 1940s Washington--their friendship, their loves and their crimes. One Greek, the other Italian, they are involved in collection work for loan sharks who prey on immigrants. By the author of Nick's Trip.
Derek Strange and Terry Quinn, the team of private investigators who made their stunning debut in Right As Rain, are hired to find a 14-year-old white girl from the suburbs who's run away from home and is now working as a prostitute. The two ex-cops think they know D.C.'s dangers, but nothing in their experience has prepared them for Worldwide Wilson, the pimp whose territory they're intruding upon. Combining inimitable neighborhood flavor, action scenes that rank among the best in fiction, and a clear-eyed view of morality in a world with few rules, Hell to Pay is another Pelecanos masterpiece for his ever-expanding audience to savor.
Bleak, gritty and moving, Soul Circus superbly brings to life a devastating story of life and death in Washington's black ghettos. Private Investigator Derek Strange and his partner, Terry Quinn, are running a detective business in the seedy underbelly of Washington, DC when they are approached by a young man asking them to find his girlfriend who has gone missing. And so Strange and Quinn find her. Just another day? Not quite. In the grimy underworld inhabited by Strange, nothing is that simple. For Strange and Quinn's efforts have led to a young mother being brutally murdered -- a devastating discovery that causes them both to question the morality by which they live. And yet at the same time they need to continue the search for another missing girl, a teenage runaway who shows up in a porn video. And who hasn't been seen since. Step by step, Strange and his partner are drawn into the darkness, confronting gunrunners, crime lords, drug dealers, and ordinary people caught up in the ruthless violence of the business. Soul Circus is a heart-stopping thriller that could only have been written by George Pelecanos, the writer who "has gone from cult favorite to acknowledged master" (Booklist).
In the summer of 1976, the nation's capital is gearing up for the Bicentennial. Captain Beefheart's on the eight-track, and the hot new film "King Suckerman" has everyone talking. Two knockaround guys named Clay and Karras are out looking for trouble when they stumble onto a drug deal gone bad and end up with a pile of money that isn't theirs. When the well-armed dealer starts spilling blood to get to the cash, Clay and Karras must take a stand, go straight, and get justice--or maybe just sweet revenge.
Christopher Flynn is trying to get it right. After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past. One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.
In this epic showdown from "one of the best crime novelists alive" (Dennis Lehane), police officer Derek Strange hunts his brother's killer through a city erupting with rage.
On a hot summer afternoon in 1972, three teenagers drove into an unfamiliar neighborhood and six lives were altered forever. Thirty-five years later, one survivor of that day reaches out to another, opening a door that could lead to salvation. But another survivor is now out of prison, looking for reparation in any form he can find it. The Turnaround takes us on a journey from the rock-and-soul streets of the '70s to the changing neighborhoods of D.C. today, from the diners and auto garages of the city to the inside of Walter Reed Army Medical Hospital, where wounded men and women have returned to the world in a time of war. A novel of fathers and sons, wives and husbands, loss, victory and violent redemption, The Turnaround is another compelling, highly charged novel from George Pelecanos, "the best crime novelist in America." -Oregonian
Gus Ramone is "good police," a former Internal Affairs investigator now working homicide for the city's Violent Crime branch. His new case involves the death of a local teenager named Asa whose body has been found in a local community garden. The murder unearths intense memories of a case Ramone worked as a patrol cop twenty years earlier, when he and his partner, Dan "Doc" Holiday, assisted a legendary detective named T. C. Cook. The series of murders, all involving local teenage victims, was never solved. In the years since, Holiday has left the force under a cloud of morals charges, and now finds work as a bodyguard and driver. Cook has retired, but he has never stopped agonizing about the "Night Gardener" killings.The new case draws the three men together on a grim mission to finish the work that has haunted them for years. All the love, regret, and anger that once burned between them comes rushing back, and old ghosts walk once more as the men try to lay to rest the monster who has stalked their dreams. Bigger and even more unstoppable than his previous thrillers, George Pelecanos achieves in The Night Gardener what his brilliant career has been building toward: a novel that is a perfect union of suspense, character, and unstoppable fate.
You already been a punk. Least you can do is go out like a man." Then a dull popping sound and a quiet splash. In his third appearance in George Pelecanos's acclaimed series, Nick Stefanos has been spending too much time with bad women and bad booze. Which is why he wakes up one blurry morning on the banks of the Anacostia River, hungover and miserable -- and now a witness to a murder. With the help of a partner as straight-arrow as Nick is bent, Nick decides to track down the killer, an investigation that leads them through the roughest part of the nation's capital, and into the blackest parts of the human soul.
From "the poet laureate of the D.C. crime world" (Esquire) comes this powerful early novel--the noirish story of how a Washington, D.C., liquor store heist shows a drifter named Constantine what it means to be a shoedog.
In the summer of 1976, the nation's capital is gearing up for the Bicentennial. Captain Beefheart's on the eight-track, and the hot new film "King Suckerman" has everyone talking. Two knockaround guys named Clay and Karras are out looking for trouble when they stumble onto a drug deal gone bad and end up with a pile of money that isn't theirs. When the well-armed dealer starts spilling blood to get to the cash, Clay and Karras must take a stand, go straight, and get justice--or maybe just sweet revenge.
Lorenzo Brown loves his work. In his job as an officer for the Humane Society, he cruises the city streets, looking for dogs that are being mistreated - underfed, unclean, trained to kill. He takes pride in making their lives better. And that pride helps Lorenzo resist the pull of easier money doing the kind of work that got him a recent prison bid. Rachel Lopez loves her work, too. By day she is a parole officer, helping people - Lorenzo Brown among them - along a path to responsibility and advancement. At night she heads for the city's hotel bars, where she can always find a man who will let her act out her damage. She loses herself in sex and drink and more. But Rachel's nights are taking a toll on her days. Lorenzo knows the signs. The trouble is, he truly needs her right now. There's an eruption coming in the streets he left behind, the kind of territorial war that takes down everyone even near it. Lorenzo needs every shred of support he can get to keep from being sucked back into that battleground. He reaches out to Rachel - but she may be too far gone to help either of them. Writing with the grace and force that have earned him praise as "the poet laureate of the crime world," George Pelecanos has created a novel about two scarred and fallible people who must navigate one of life's most brutal passages. It is an unforgettable, moving, even shocking story that will leave no reader unchanged.
When Thomas Flynn leaves his son, seventeen year old Chris, at Pine Ridge, a juvenile prison near Washington D.C., his heart is broken but his mind is made up: Chris will have to pay for the mistakes he's made. A decade later, Chris seems reformed. But when he's inadvertently caught up in a burglary, old habits and worse instincts rise to the surface...
Crime fiction writer George Pelecanos introduces Spero Lucas, an anti-hero making his place in the world one battle at a time. Includes a bonus work of short fiction focusing on Spero's early life. Spero Lucas has a new line of work. Since he returned home to Washington, D.C. after serving in Iraq, he has been doing special investigations for a defense attorney. He's good at it, and he has carved out a niche: recovering stolen property, no questions asked. His cut is forty percent. A high-profile crime boss who has heard of Lucas's specialty hires him to find out who has been stealing from his operation. It's the biggest job Spero has ever been offered, and he quickly gets a sense of what's going on. But before he can close in on what's been taken, he tangles with a world of men whose amorality and violence leave him reeling. Is any cut worth your family, your lover, your life? The first in a series of thrillers featuring Spero Lucas, The Cut is the latest confirmation of why George Pelecanos is "perhaps America's greatest living crime writer."-Stephen King
As the advertising director of Nutty Nathan's, Nick Stefanos knows all the tricks of the electronics business. Blow-out sales and shady deals were his life. When one of the stockboys disappears, it's not news: just another metalhead who went off chasing some dream of big money and easy living. But the kid reminded Nick of himself twelve years ago: an angry punk hooked on speed metal and the fast life. So when the boy's grandfather begs Nick to find the kid, Nick says he'll try. A Firing Offense, Nick Stefanos' debut, shows why, as Barry Gifford puts it, "To miss out on Pelecanos would be criminal.
In this superbly crafted DC noir, hard-drinking Nick Stefanos is hired to find a friend's missing wife -- if he doesn't hit rock bottom first. Nick Stefanos has given up his job in sales to tend bar at the Spot, where drinks and women are both a bit too easily available, and the routine is starting to feel as dead-end as his last gig. But things are about to change. First, his high-school friend Billy Goodrich asks him to find his wife April, who he says left him for small-time crime boss Joey DiGeordano. In fact, April has taken off with hog farmer/bondage freak Tommy Crane and, it turns out, with $200,000 of DiGeordano family money. There are powerful enemies on her trail -- and now on Nick's trail, too. Discover the early work of the Emmy-nominated writer from The Wire and The Deuce, whose authentic sense of place, sharp musical references, and hardboiled style make him one of the most acclaimed in the mystery genre.
Four blistering novellas, drawn together by themes of strife, violence, and humanity, from esteemed crime fiction writer George Pelecanos; "Like his hero Elmore Leonard, Pelecanos finds the humanity in the lowest of lowlifes."(Chicago Tribune) When the son of the Carusos is involved in a hold up, the family home comes under siege in the form of a no-knock warrant. Months after the cops destroyed their home, the Carusos struggle to return to normal. Elsewhere, two former inmates reunite by chance on the set of a TV production. Both have found their way on the straight and narrow path, that is, until one sees the potential for an easy grift. A teenage boy must step into the man he'd like to be as a hostage crisis grips his hometown. A woman adrift meets a man tied to her grandmother's past, an encounter that awakens her to a bloody history that undergirds the place she grew up. Pelecanos' portraits are characterized by shades of grey, resisting the mold of heroes and villains, victims and perpetrators, good and evil. At once streetwise and full of heart, Owning Up grapples with random chance, the bind of consequence, and the forked paths a life can take.
Derek Strange and Terry Quinn, the team of private investigators who made their stunning debut in Right As Rain, are hired to find a 14-year-old white girl from the suburbs who's run away from home and is now working as a prostitute. The two ex-cops think they know D.C.'s dangers, but nothing in their experience has prepared them for Worldwide Wilson, the pimp whose territory they're intruding upon. Combining inimitable neighborhood flavor, action scenes that rank among the best in fiction, and a clear-eyed view of morality in a world with few rules, Hell to Pay is another Pelecanos masterpiece for his ever-expanding audience to savor.
Crime fiction writer George Pelecanos introduces Spero Lucas, an anti-hero making his place in the world one battle at a time. Includes a bonus work of short fiction focusing on Spero's early life. Spero Lucas has a new line of work. Since he returned home to Washington, D.C. after serving in Iraq, he has been doing special investigations for a defense attorney. He's good at it, and he has carved out a niche: recovering stolen property, no questions asked. His cut is forty percent. A high-profile crime boss who has heard of Lucas's specialty hires him to find out who has been stealing from his operation. It's the biggest job Spero has ever been offered, and he quickly gets a sense of what's going on. But before he can close in on what's been taken, he tangles with a world of men whose amorality and violence leave him reeling. Is any cut worth your family, your lover, your life? The first in a series of thrillers featuring Spero Lucas, The Cut is the latest confirmation of why George Pelecanos is "perhaps America's greatest living crime writer."-Stephen King
George Pelecanos's Washington, D.C., is a far cry from the upwardlymobile, tourist-attraction-speckled enclave of Margaret Truman (Murder at the National Cathedral, Murder in Georgetown). Pelecanos's capital is a haunting terrain of drugs and death, a no man's land of posturing dealers and skeletal warehouses that shelter their buyers:A rat scurried into a dim side room, and a withered black face receded into the darkness. The face belonged to a junkie named Tonio Morris. He was one of the many bottom-of-the-food-chain junkies, near death and too weak to cut out a space of their own on the second floor; later, when the packets were delivered to those with cash, they'd trade anything they had, anything they'd stolen that day, or any orifice on their bodies for some rock or powder.When PI Derek Strange is hired by Chris Wilson's mother to find out why her son, a black cop, was killed by a white cop, Terry Quinn, on a dark night inthat no man's land, Strange figures that the answer is painfully clear: a typical case of mistaken identity, fueled by the assumptions and preconceptions of Quinn's innate racism. But what Strange finds is a tentative kinship with Quinn, who is desperate to proclaim himself "color-blind." Kicked off the force and convinced that there's more to his own story, Quinn asks to join Strange in his investigation. As the two pry into the past, drifting through the neighborhoods both men have known all their lives, they find themselves enmeshed in a tangle of cold-blooded competition and heated personal enmity.Pelecanos generally has a light touch with the treacherous quagmire of -isms, veering only occasionally into sententious meanderings about the consequences of an economically and racially divided society. His wry humor, particularly in his descriptions of Earl and Ray, the heroin middlemen who bring the concept of white trash to a depressingly low level, leavens the novel's noir bleakness. And Strange himself is a compelling character: a middle-aged black man who has seen more of life'scallousness than he cares to admit, and whose jitteriness about personalcommitment speaks volumes about his own expectations for happiness. A strong character and a good read--Pelecanos fans can settle in and look forward to Strange's next appearance. --Kelly Flynn
On a hot summer afternoon in 1972, three teenagers drove into an unfamiliar neighborhood and six lives were altered forever. Thirty-five years later, one survivor of that day reaches out to another, opening a door that could lead to salvation. But another survivor is now out of prison, looking for reparation in any form he can find it. The Turnaround takes us on a journey from the rock-and-soul streets of the '70s to the changing neighborhoods of D.C. today, from the diners and auto garages of the city to the inside of Walter Reed Army Medical Hospital, where wounded men and women have returned to the world in a time of war. A novel of fathers and sons, wives and husbands, loss, victory and violent redemption, The Turnaround is another compelling, highly charged novel from George Pelecanos, "the best crime novelist in America." -Oregonian
Christopher Flynn is trying to get it right. After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past. One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.
From "the poet laureate of the D.C. crime world" (Esquire) comes this powerful early novel--the noirish story of how a Washington, D.C., liquor store heist shows a drifter named Constantine what it means to be a shoedog.
One of the 1990s' rising stars of crime fiction delivers a bold, brilliant tale of mystery, revenge, and survival in the 1980s, when cocaine and money ruled the city streets and even the good guys wanted a piece of the action.
Spero Lucas is George Pelecanos' greatest creation, a young man making his place in the world one battle and one mission at a time. Spero Lucas has a new line of work. Since he returned home after serving in Iraq, he has been doing special investigations for a defence attorney. He's good at it, and he has carved out a niche: recovering stolen property, no questions asked. His cut is forty percent. A high-profile crime boss who has heard of Lucas's specialty hires him to find out who has been stealing from his operation. But before Lucas can close in on what's been taken, he tangles with a world of men whose amorality and violence leave him reeling. Is any cut worth your family, your lover, your life?
Thirty-five years after a devastating accident that irrevocably shapes the lives of six people, a pair of redemption-seeking survivors reaches out to one another in an effort that is compromised by a fellow survivor's release from prison and the changing neighborhoods of modern Washington, D.C.
Hired to find a fourteen-year-old girl who has run away from home and started working as a prostitute, Derek Strange and Terry Quinn are forced to confront a dangerous adversary in pimp Worldwide Wilson.
Constantine is a drifter with a lot of miles behind him, a lot more ahead and plenty of jobs in between that never showed up on anyone's books. Back in his home town, he hitches a ride on a bright spring morning with a little man named Polk. There's one stop Polk needs to make, and it changes Constantine's life forever. Like the kind of cars they don't make anymore and the kind of songs they don't sing, Shoedog has the style, rhythm and muscle of a classic.
This is a wonderful powerful novel that deserves to win an Oscar' TIME OUT It's the spring of 1968, the sun shines down on an America on the brink of civil war. Martin Luther King preaches in vain for non-violent protest and the ghettos of Washington DC seethe with anger. In the middle of this powder-keg is thrust a young black cop, barely out of school himself. Derek Strange believes passionately that he can make a difference, but his friends and family think he's a traitor and a patsy of the white establishment. On April 4th, 1968, Dr King is assassinated on the balcony of his motel in Memphis, Tennessee. And black America rises as one to condemn the slaying of their hero. For one week, it seems that the whole country will fall. And Derek, his brother, his father, his mother and his whole community find themselves at the heart of a battle for the heart and soul of the new world.
The first in the Nick Stefanos trilogy from one of the acclaimed writers of THE WIRE. Advertising director Nick Stefanos is well acquainted with the seedy side of the electronics business - blow-out sales and shady deals were his life on the shop floor. So when a stockboy disappears, it's not news. Just another metalhead off chasing a dream of big money and easy living. But the boy's grandfather asks Nick for help, and as Nick starts digging, he quickly uncovers a much darker and more violent truth. One that will lead him to the alcohol-soaked and drug-riddled underbelly of Washington DC.
Washington, D.C., 1972. Derek Strange has left the police department and set up shop as a private investigator. His former partner, Frank "Hound Dog" Vaughn, is still on the force. When a young woman comes to Strange asking for his help recovering a cheap ring she claims has sentimental value, the case leads him onto Vaughn's turf, where a local drug addict's been murdered, shot point-blank in his apartment. Soon both men are on the trail of a ruthless killer: Red Fury, so called for his looks and the car his girlfriend drives, but a name that fits his personality all too well. Red Fury doesn't have a retirement plan, as Vaughn points out - he doesn't care who he has to cross, or kill, to get what he wants. As the violence escalates and the stakes get higher, Strange and Vaughn know the only way to catch their man is to do it their own way. Rich with details of place and time - the cars, the music, the clothes - and fueled by non-stop action, this is Pelecanos writing in the hard-boiled noir style that won him his earliest fans and placed him firmly in the ranks of the top crime writers in America.
Perhaps the greatest living American crime writer' STEPHEN KING Washington, D.C., 1995. What should have been a straightforward restaurant robbery goes horribly wrong. Several workers are shot in cold blood; the gunman's brother is killed by the police; a young boy is run over by a careering getaway car. Three years pass. Victims and their relatives gather in the aftermath, still trying to come to terms with their grief. But gunman Frank Farrow has other ideas. Now the heat has died down, he is on his way back to Washington, determined to avenge his lost brother - by killing everyone involved in his death.
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