In Opera at the Bandstand: Then and Now, George W. Martin surveys the role of concert bands during the nineteenth and early twentieth centuries in making contemporary opera popular. He also chronicles how in part they lost their audience in the second half of the twentieth century by abandoning operatic repertory. Martin begins with the Dodworth bands in New York City from the 1850s and moves to the American tour of French conductor and composer Louis Antoine Jullien, bandmaster Patrick S. Gilmore’s jubilee festivals, the era of John Philip Sousa from 1892 to 1932, performances of the Goldman Band of New York City from 1920 to 2005, and finally the wind ensembles sparked by Frederick Fennell. He illustrates the degree to which operatic material comprised these bands’ overall repertory and provides detailed programs in the appendixes. Opera at the Bandstand describes how the technological advancements sweeping the country, such as radio, automobiles, recordings, television, and air conditioning, along with changes in demographics, affected the country’s musical life. It will appeal to bandmasters and their players, as well as those with an interest in American history, music, popular culture, and opera.
A biography of the great Hungarian violinist Edouard Remenyi, an illustrious musical figure of the 19th century, a court violinist to Queen Victoria and Louis Napoleon, a lifelong friend of Franz Liszt, and the man credited with bringing the talents of Johannes Brahms, to light after discovering the impoverished, barely 18 year old genius, playing in a sailor's saloon on the Hamburg waterfront.This contains detailed sketches of his life and career by his friends and contemporaries, and has critical reviews of his playing and selections from his literary papers and correspondence. Contributors include: Madame Remenyi, Colonel Henry J. Kowalsky, E.T. Cornelis, Morris Cukor, Dr. Alexander Rixa and others.This book also features nine illustrated portraits of Remenyi including one of his with Brahms, one with Maximillian Vogrich, his death mask, a portrait of Remenyi with Stradivarius and a few others. This is certainly more than a simple biography. It is a collection of biographical documents, many of them entrusted by Remenyi, others (mainly friends and associates) contributed by solicitation of the editor.
Contested Terrains and Constructed Categories brings together intellectuals from a variety of fields, backgrounds, generations, and continents to deepen and reinvigo-rate the theoretical and intellectual integrity of African studies. Building on recent debate within African studies that has revolved around the role of Africanists in the United States as “gatekeepers” of knowledge about Africa and Africans, this volume of interdisciplinary essays focuses on the contested character of the production of knowledge itself. In every chapter, case studies and ethnographic materials, drawn from such regions as South Africa, Mozambique, Zimbabwe, the Malagasy Republic, Angola, Ghana, and Senegal, demonstrate the application of theory to concrete situations.
A renowned Verdi authority offers here the often-astounding first history of how Verdi's early operas -- including one of his great masterpieces, Rigoletto -- made their way into America's musical life.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.