Evaluating Evidence is based on the grueling lessons learned by a senior scholar during three decades of tutoring by, and collaboration with, Japanese historians. George Akita persisted in the difficult task of reading documentary sources in Japanese, most written in calligraphic style (sôsho), out of the conviction of their centrality to the historian’s craft and his commitment to a positivist methodology to research and scholarship. He argues forcefully in this volume for an inductive process in which the scholar seeks out facts on a subject and, through observation and examination of an extensive body of data, is able to discern patterns until it is possible to formulate certain propositions. In his introduction, Akita relates how and why he decided to adopt a positivist approach and explains what he means by the term as it applies to humanistic studies. He enumerates the difficulties linked with reading primary sources in Japanese by looking at a variety of unpublished and published materials and identifying a major problem in reading published primary sources: the intervention of editors and compilers. He illustrates the pitfalls of such intervention by comparing the recently published seventeen-volume diary of Prime Minister Hara Takashi (1856–1921), a photo reproduction of the diary in Hara’s own hand, and an earlier published version. Using documents related to Yamagata Aritomo (1838–1922), a figure of central importance in Japan’s post-Restoration political history, he demonstrates the use of published and transcribed primary sources to sustain, question, or strengthen some of the themes and approaches adopted by non-Japanese scholars working on modern Japanese history. He ends his inquiry with two "case studies," examining closely the methods of the highly acclaimed American historians John W. Dower and Herbert P. Bix.
Call Me Stranger is a fantasy for adults which retains our childish love of the magickally impossible. Yes. Magick, not Magic is what counts in this romp where Evil takes on Good. The war between Darline and the Cat didn’t really get going for a thousand years after Darline was burned at the stake for Witchcraft. Cat did all a faithful Familiar could, but Time Rules tied his paws as he fought to prevent the newly Evil Darline wreaking havoc. The shy accountant, Norman Boosbeck, didn’t even know he was a Warlock because Magick died off centuries Cat’s team of Witches all carried their own weaknesses – dipsomaniac Erin, kleptomaniac Lydia, or pipe-smoking smelly tramp, Ramona. They were joined by the brattish child-medium Melanie (who was also the lovely adult Alice, sent to inspire Norman) and the dapper Warlock hypnotist, Darren. Irving, a dwarf from an unknown planet, met Cat in Limbo after getting lost in Time. However, Cat appointed him unofficial leader of the eccentric gang intent upon bringing Norman back within the Magickal fold. It was difficult! Today’s world couldn’t even spell ‘magick’, let alone use it. Everything went wrong when the man in Darline’s life, Lord of the Manor, Sir James Hawkney became a pawn in the ambitious schemes of the King’s Prosecutor, Hubert, and Cedricke, the Executioner. Marching sheep, talking rabbits, four-foot frogs, twelve-inch crickets and three very worried Spirits didn’t help much, either. At the centre of it all, though was the vain, enigmatic and unpredictable Cat. Whose side is he really on...?
In 1961, President Kennedy named Edwin O. Reischauer the U.S. Ambassador to Japan. Already deeply intimate with the country, Reischauer hoped to establish a more equal partnership with Japan, which had long been maligned in the American imagination. Reischauer pushed his fellow citizens to abandon caricature and stereotype and recognize Japan as a peace-loving democracy. Though his efforts were often condemned for being "too soft," the immensity of his influence (and the truth of his arguments) can be felt today. Having worked as Reischauer's special assistant in Tokyo, George R. Packard writes the definitive& mdash;and first& mdash;biography of this rare, charismatic talent. Reischauer reset the balance between two powerful nations. During World War II, he analyzed intelligence and trained American codebreakers in Japanese. He helped steer Japan toward democracy and then wrote its definitive English-language history. Reischauer's scholarship supplied the foundations for future East Asian disciplines, and his prescient research foretold America's missteps with China and involvement in Vietnam. At the time of his death in 1990, Reischauer warned the U.S. against adopting an attitude toward Asia that was too narrow and self-centered. India, Pakistan, and North Korea are now nuclear powers, and Reischauer's political brilliance has become more necessary and trenchant than ever.
Seven short stories created through nocturnal recitations into an old tape deck in 1971-72. The surreal social landscapes of possible improbabilities are peppered with magic realism, adolescent puns, and youthful exuberance. They are adventures in silliness and sincerity, hopefully, an inspiration to those who dream in non-linear fashion.
When the lights go down and the film starts to roll, we give ourselves over to the magic of movies. But as George Toles observes, what we experience in this house of light may strike closer to home than we imagine. In eleven essays, Toles combines aesthetic inquiry with a psychology of spectatorship to illuminate the dialogue between sentiment and irony that unfolds in every good movie. Reflecting a literary critic's and professional screenwriter's ongoing love affair with cinema, each essay plunges the reader into the experience of one or more films, inviting us to ponder the nature and implications of that experience. Toles considers a wide variety of film experience, from Frank Capra to the Coen brothers to Alfred Hitchcock. However escapist a trip to the movies might be, says Toles, there is no escaping some version of "home" in every film experience. Toles examines important homes-from the cottage in Random Harvest to the foreboding Bates house in Psycho-to suggest that the house of film is a frame we long to enter in the spirit of homecoming but one that we cannot possess any more securely than the lost home of our beginnings. As film study marks a return to art-centered criticism, A House Made of Light breaks new ground in its assessment of the creation-and enjoyment-of movies.
George Bent, the son of William Bent, one of the founders of Bent's Fort on the Arkansas near present La Junta, Colorado, and Owl Woman, a Cheyenne, began exchanging letters in 1905 with George E. Hyde of Omaha concerning life at the fort, his experiences with his Cheyenne kinsmen, and the events which finally led to the military suppression of the Indians on the southern Great Plains. This correspondence, which continued to the eve of Bent's death in 1918, is the source of the narrative here published, the narrator being Bent himself. Almost ninety years have elapsed since the day in 1930 when Mr. Hyde found it impossible to market the finished manuscript of the Bent life down to 1866. (The Depression had set in some months before.) He accordingly sold that portion of the manuscript to the Denver Public Library, retaining his working copy, which carries down to 1875. The account therefore embraces the most stirring period, not only of Bent's own life, but of life on the Plains and into the Rockies. It has never before been published. It is not often that an eyewitness of great events in the West tells his own story. But Bent's narrative, aside from the extent of its chronology (1826 to 1875), has very special significance as an inside view of Cheyenne life and action after the Sand Creek Massacre of 1864, which cost so many of the lives of Bent's friends and relatives. It is hardly probable that we shall achieve a more authentic view of what happened, as the Cheyennes, Arapahos, and Sioux saw it.
FROM PSYCHE TO SOMA AND BACK Tales of Biopsychosocial Medicine by George Freeman Solomon, M.D. with Ping Ho, M.A. From Psyche to Soma and Back subtitled Tales of Biopsychosocial Medicine is a scientific and personal adventure story, that of George Solomon, a pioneer of psychoneuroimmunology (the fast-growing field that studies interactions among brain, behavior, and immunity), who has always tended to tackle problems that others had not or would not. Dr. Solomon tries to solve mysteries, be they scientific or criminal, in bold, unconventional, and often controversial ways. His odyssey is an expos of conceptual narrowness and ethical shortcomings in clinical medicine, scientific research, criminology, and the military. Stories of real people remain in the forefront throughout. The through-line is the vicissitudes of human aggression. If one cannot stick up for oneself, one is prone to physical illness. If one takes out anger on others, one makes society sick. If one goes against ones own conscience to commit harm against others under social pressure, one may wind up with a mental disorder. All of medicine as well as psychiatry and psychology is complexly biopsychosocial in nature, as Dr. George Engel pointed out in 1960. As might be added, so is criminology. To make more sense to the reader of a varied professional life that moves among these domains, sometimes contemporaneously, the book itself is divided into Biopsycho and Psychosocial sections. However, for the purpose of this outline of content, it makes sense to be descriptive chronologically even though it does not follow the order of the book. A list of chapters is appended. This description will be a first person narrative. The groundwork for my thinking began with graduate and specialty medical education (Stanford, Washington University, UCSF). I repeatedly observed the inseparability of physical from psychological causes of physical and mental illnesses. There were the exceptionally nice unassertive people who, when deeply distressed, were getting sick with rheumatoid arthritis and other autoimmune diseases (when the immune system attacks the bodys own tissues). Could personality factors influence the immune system? Could Stress? (Later, I did quite well in betting my rheumatologist colleagues that, after a 20-minute non-medical chat, I could determine which patients with short term joint symptoms had rheumatoid arthritis over all possible causes.) There was the catatonic schizophrenic, whose three-month cure was triggered by her response to my own emotional grief and ended with my departure. What was going on at the dopamine receptors of her brain neurons during the improvement? It seemed to me that thoughts and feelings can change dopamine just as much as dopamine can change thoughts and feelings. Each clinical case I encountered seemed to solidify my belief in the mind-body connection. I learned quickly that the only way that I would survive a two-year stint in the Army was to disguise my rebellious nature, a skill that has since served me well in academia. Stationed at Ft. McClellan near Anniston, Alabama (which I privately called Anus-town because of its then vicious racism). I was privy to Chemical Corps developments in lethal chemical and biological warfare. (This work was largely carried out by veterinarians because they do not take the Hippocratic Oath.) A main interest at that time was experimentation in the use of psychotomimetic compounds such as LSD as incapacitating agents, leading to my making some startling observations. I also served as psychiatrist to the Womens Army Corps Training Command at Ft. McClellan, where I made special efforts to try to thwart witch-hunts against ab
For hundreds of years, Maya artists and scholars used hieroglyphs to record their history and culture. In the nineteenth and twentieth centuries, archaeologists, photographers, and artists recorded the Maya carvings that remained, often by transporting box cameras and plaster casts through the jungle on muleback. The New Catalog of Maya Hieroglyphs, Volume I: The Classic Period Inscriptions is a guide to all the known hieroglyphic symbols of the Classic Maya script. In the New Catalog Martha J. Macri and Matthew G. Looper have produced a valuable research tool based on the latest Mesoamerican scholarship. An essential resource for all students of Maya texts, the New Catalog is also accessible to nonspecialists with an interest in Mesoamerican cultures. Macri and Looper present the combined knowledge of the most reliable scholars in Maya epigraphy. They provide currently accepted syllabic and logographic values, a history of references to published discussions of each sign, and related lexical entries from dictionaries of Maya languages, all of which were compiled through the Maya Hieroglyphic Database Project. This first volume of the New Catalog focuses on texts from the Classic Period (approximately 150-900 C.E.), which have been found on carved stone monuments, stucco wall panels, wooden lintels, carved and painted pottery, murals, and small objects of jadeite, shell, bone, and wood. The forthcoming second volume will describe the hieroglyphs of the three surviving Maya codices that date from later periods.
This long-awaited biography tells the story of a working-class Sydney boy who left Australian shores in the 1940s and went on to an extraordinary and renowned acting career. In England he become a major Shakespearean actor and made many films. Yet it was the gravelly-voiced, potato-faced Horace Rumpole in the long-running series Rumpole of the Bailey that made him a household name in Britain and Australia.
This volume features fourteen articles on a wide range of subjects in the field of Eygptian studies, including a discussion of the various forms of sixteen different hieroglyphs. -- Metropolitan Museum of Art website.
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