Born to a Danish seamstress and a black West Indian cook in one of the Western Hemisphere's most infamous vice districts, Nella Larsen (1891-1964) lived her life in the shadows of America's racial divide. She wrote about that life, was briefly celebrated in her time, then was lost to later generations--only to be rediscovered and hailed by many as the best black novelist of her generation. In his search for Nella Larsen, the "mystery woman of the Harlem Renaissance," George Hutchinson exposes the truths and half-truths surrounding this central figure of modern literary studies, as well as the complex reality they mask and mirror. His book is a cultural biography of the color line as it was lived by one person who truly embodied all of its ambiguities and complexities. Author of a landmark study of the Harlem Renaissance, Hutchinson here produces the definitive account of a life long obscured by misinterpretations, fabrications, and omissions. He brings Larsen to life as an often tormented modernist, from the trauma of her childhood to her emergence as a star of the Harlem Renaissance. Showing the links between her experiences and her writings, Hutchinson illuminates the singularity of her achievement and shatters previous notions of her position in the modernist landscape. Revealing the suppressions and misunderstandings that accompany the effort to separate black from white, his book addresses the vast consequences for all Americans of color-line culture's fundamental rule: race trumps family.
This book provides a meticulous examination of the work of playwright Robert Serumaga and the Golden Age of Uganda’s theatre (1968-1978). It considers the question of individualism—or its extreme form, solipsism—on the one hand, and activism or a social conscience on the other. Theatrical innovation is another key concern. It deconstructs the ruling histories, historiography and performance analysis of the time as irremediably tainted by a ferocious post-independence nation-statism. This is a study of a theatre of commitment, dissidence, resistance, resilience, struggle, signification and survival; a theatre born under the unrelenting glare of severe, scorching censorship, and incarceration. For the very first time, Serumaga’s work is examined in its entirety and afforded the room, complexity and scope it requires and deserves. For the very first time, too, scholars of the Golden Age of Uganda’s theatre will have to make no more than a single stop in their search for what were hitherto scattered tidbits and sources of Uganda’s theatre history.
In Marx and Social Justice, George E. McCarthy presents a detailed and comprehensive overview of the ethical, political, and economic foundations of Marx’s theory of social justice in his early and later writings. What is distinctive about Marx's theory is that he rejects the views of justice in liberalism and reform socialism based on legal rights and fair distribution by balancing ancient Greek philosophy with nineteenth-century political economy. Relying on Aristotle’s definition of social justice grounded in ethics and politics, virtue and democracy, Marx applies it to a broader range of issues, including workers’ control and creativity, producer associations, human rights and human needs, fairness and reciprocity in exchange, wealth distribution, political emancipation, economic and ecological crises, and economic democracy. Each chapter in the book represents a different aspect of social justice. Unlike Locke and Hegel, Marx is able to integrate natural law and natural rights, as he constructs a classical vision of self-government ‘of the people, by the people’.
“Ms. George proves that the classiest crime writers are true novelists.”—The New York Times Award-winning author Elizabeth George gives us an early glimpse into the lives of Detective Inspector Thomas Lynley, forensic scientist Simon Allcourt-St. James, and Lady Helen Clyde in a superlative mystery that is also a fascinating inquiry into the crimes of the heart. Lynley, the eighth earl of Asherton, has brought to Howenstow, his family home, the young woman he has asked to be his bride. But the savage murder of a local journalist is the catalyst for a lethal series of events that shatters the calm of a picturesque Cornwall village and embroils Lynley and St. James in a case far outside their jurisdiction—and a little too close to home. When a second death follows closely on the heels of the first, Lynley finds he can't help taking the investigation personally—because the evidence points to a killer within his own family. Praise for A Suitable Vengeance “Elizabeth George reigns as queen of the mystery genre. The Lynley books constitute the smartest, most gratifying complex and impassioned mystery series now being published.”—Entertainment Weekly “Ms. George can do it all, with style to spare.”—The Wall Street Journal “George goes to the head of the genre, with class.”—People
For some time I have been preparing a general work on primitive superstition and religion. Among the problems which had attracted my attention was the hitherto unexplained rule of the Arician priesthood; and last spring it happened that in the course of my reading I came across some facts which, combined with others I had noted before, suggested an explanation of the rule in question. As the explanation, if correct, promised to throw light on some obscure features of primitive religion, I resolved to develop it fully, and, detaching it from my general work, to issue it as a separate study. This book is the result. Now that the theory, which necessarily presented itself to me at first in outline, has been worked out in detail, I cannot but feel that in some places I may have pushed it too far. If this should prove to have been the case, I will readily acknowledge and retract my error as soon as it is brought home to me. Meantime my essay may serve its purpose as a first attempt to solve a difficult problem, and to bring a variety of scattered facts into some sort of order and system. A justification is perhaps needed of the length at which I have dwelt upon the popular festivals observed by European peasants in spring, at midsummer, and at harvest. It can hardly be too often repeated, since it is not yet generally recognised, that in spite of their fragmentary character the popular superstitions and customs of the peasantry are by far the fullest and most trustworthy evidence we possess as to the primitive religion of the Aryans. Indeed the primitive Aryan, in all that regards his mental fibre and texture, is not extinct. He is amongst us to this day. The great intellectual and moral forces which have revolutionised the educated world have scarcely affected the peasant. In his inmost beliefs he is what his forefathers were in the days when forest trees still grew and squirrels played on the ground where Rome and London now stand.
You may be told perhaps that there is no good to be obtained from tales of fighting and bloodshed—that there is no moral to be drawn from such histories. Believe it not. War has its lessons as well as Peace. You will learn from tales like this that determination and enthusiasm can accomplish marvels, that true courage is generally accompanied by magnanimity and gentleness, and that if not in itself the very highest of virtues, it is the parent of almost all the others, since but few of them can be practiced without it. The courage of our forefathers has created the greatest empire in the world around a small and in itself insignificant island; if this empire is ever lost, it will be by the cowardice of their descendants. At no period of her history did England stand so high in the eyes of Europe as in the time whose events are recorded in this volume. A chivalrous king and an even more chivalrous prince had infected the whole people with their martial spirit, and the result was that their armies were for a time invincible, and the most astonishing successes were gained against numbers which would appear overwhelming. The victories of Cressy and Poitiers may be to some extent accounted for by superior generalship and discipline on the part of the conquerors; but this will not account for the great naval victory over the Spanish fleet off the coast of Sussex, a victory even more surprising and won against greater odds than was that gained in the same waters centuries later over the Spanish Armada. The historical facts of the story are all drawn from Froissart and other contemporary historians, as collated and compared by Mr. James in his carefully written history. They may therefore be relied upon as accurate in every important particular.
A biography of a seemingly forgotten yet singularly important eighteenth century figure, this book includes revealing insights into the business and political landscape of his day, and explores both his professional and personal life, essential for histories of Britain and the Empire. Laurence Sulivan embodied the East India Company. He lived at the Company's heart in the city of London and controlled a vast commercial and political empire during Britain's 'Commercial Revolution', in the late eighteenth century, and rise to superpower status and supremacy in India and South and Southeast Asia. He was 'kingmaker', politician, manipulator and negotiator, deeply involved in British and Indian affairs, friend and confident of Chatham, Clive, Burke and Pitt the Younger and - very importantly - protector of Warren Hastings. George K. McGilvary paints a vivid and convincing picture of a supremely influential and colourful business figure as he controlled the most powerful private company of his day - and at the centre of the eighteenth century public-private nexus in business and government.
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