Which Side Are You On? tells the story of the classic union song that was written in 1931 by Florence Reece in a rain of bullets. It has been sung by people fighting for their rights all over the world. Florence's husband Sam was a coal miner in Kentucky. Many of the coal mines were owned by big companies, who kept wages low and spent as little money on safety as possible. Miners lived in company houses on company land and were paid in scrip, good only at the company store. The company owned the miners sure as sunrise. That's why they had to have a union. Miners went on strike until they could get better pay, safer working conditions, and health care. The company hired thugs to attack union organizers like Sam Reece. George Ella Lyon tells this hair-raising story through the eyes of one of Florence's daughters, a dry-witted, pig-tailed gal whose vantage point is from under the bed with her six brothers and sisters. The thugs' bullets hit the thin doors and windows of the company house and the kids lying low wonder whether they're going to make it out of this alive; wonder exactly if this strike will make their lives better or end them, but their mother keeps scribbling and singing. "We need a song," she tells her kids. That's not at all what they think they need. Graphic novelist Christopher Cardinale brings Florence's triumphant story to life in true rip-roaring union style. Selected as an IRA Notable Book for a Global Society and a 2012 Skipping Stones Honor Book.
From George Ella Lyon comes a dynamic and humorous collection examining the transformations of one woman's life as she tries on, takes on, and peels off identities learned from family stories, gender, fairy tales, and myths. She Let Herself Go spirals through girlhood, wifehood, motherhood, and writerhood, through the poet's evolution, casting a discerning-and often irreverent-eye on the cultural expectations that have shaped her. Claiming Virginia Wolf as word-mother, these poems converse with powerful feminist poets, including Muriel Rukeyser, Ruth Stone, and Grace Paley.
The powerful poems in this poignant collection weave together multiple voices to tell the story of the March on Washington, DC, in 1963. From the woman singing through a terrifying bus ride to DC, to the teenager who came partly because his father told him, "Don't you dare go to that march," to the young child riding above the crowd on her father's shoulders, each voice brings a unique perspective to this tale. As the characters tell their personal stories of this historic day, their chorus plunges readers into the experience of being at the march—walking shoulder-to-shoulder with strangers, hearing Martin Luther King Jr.'s famous speech, heading home inspired.
Golden Kite Award winner, 1989 Booklist , Editor's Choice School Library Journal , Best Books of 1988 Publisher's Weekly , Best Books of 1988 Twelve-year-old Amanda Perritt is pitched head-first into adult responsibilities when she has to quit school to care for her newborn brother and invalid mother. She gets an excape, she thinks, when she's offered a trip to stay with her grandmother and her sophisticated Aunt Laura in Memphis. But during the visit, she discovers unexpected parallels between her mother's childhood and her own and comes to understand her own individuality as well as what it means to be part of a family.
Acclaimed poet George Ella Lyon returns with a brilliant new collection that traces the arc of a woman's life from girlhood to mature womanhood. In answer to the first poem, "Little Girl Who Knows Too Much," Lyon embarks on a journey from a child who was silenced to "Some Big Loud Woman" who claims the right to a voice. Along the way she meets allies and guides including Dickinson, Woolf, Mary Travers, Grace Paley, and the giver of dreams. As sailors once navigated by the stars, so Lyon navigates by these luminaries. They are not distant, though. Their light is always near. Alternately witty, tender, shocking, and visionary, Back to the Light reveals the reunion of body and spirit, truth and story. In the process, it demonstrates the power of poetry to liberate and to heal.
With a Hammer for My Heart is the story of Lawanda, a precocious, poverty-stricken fifteen-year-old girl from Cardin, Kentucky, who dreams of attending college. When Lawanda's friendship with an alcoholic World War II veteran named Garland is misinterpreted by their fellow townspeople, a tragedy calls her future into question.
Born in the small, eastern Kentucky coal-mining town of Harlan, George Ella Lyon began her career with Mountain, a chapbook of poems. She has since published many more books in multiple genres and for readers of all ages, but poetry remains at the heart of her work. Many-Storied House is her fifth collection. While teaching aspiring writers, Lyon asked her students to write a poem based on memories rooted in a house where they had lived. Working on the assignment herself, Lyon began a personal journey, writing many poems for each room. In this intimate book, she strives to answer lingering questions about herself and her family: "Here I stand, at the beginning," she writes in the opening lines of the volume, "with more questions than / answers." Collectively, the poems tell the sixty-eight-year-long story of the house, beginning with its construction by Lyon's grandfather and culminating with the poet's memories of bidding farewell to it after her mother's death. Moving, provocative, and heartfelt, Lyon's poetic excavations evoke more than just stock and stone; they explore the nature of memory and relationships, as well as the innermost architecture of love, family, and community. A poignant memoir in poems, Many-Storied House is a personal and revealing addition to George Ella Lyon's body of work.
Through ghostly visitation and a diary that seems mysteriously to write itself with twelve-year-old Abby's hands, a Civil War nurse asks for help with medical supplies across an abyss of 133 years.
A bold, lyrical collection of poems that highlight some of the most celebrated activists from around the world and throughout history. In the face of injustice, the world has always looked to brave individuals to speak up and spark change. Nelson Mandela used his voice to bring down Apartheid. Jane Goodall, Dian Fossey, and Birutè Galdikas gave a voice to the primates who couldn’t speak for themselves. The Women of Greenham Common used their collective voice to fight against preparations for nuclear war. And today’s youth—like Xiuhtezcatl Martinez, the students of Stoneman Douglas High School, and Greta Thunberg—unite their voices to stop gun violence, save the planet, and so much more. Through enlightening poems by award-winning poet and author George Ella Lyon and stunning portraits by artist Jennifer M. Potter, Voices of Justice introduces young readers to the groundbreaking work of people who fought—and continue to fight—to make the world a better place. Featuring those mentioned above along with Virginia Woolf, Dolores Huerta, Shirley Chisholm, Jasilyn Charger, Jeannette Rankin, and more, each portrait offers a vision of action and love that gets up and does something, no matter the forces ranged against it, no matter the odds.
Sonny is only one of the spies at the Bradshaw house in Mozier, Alabama. But as a child he saw a tray full of dinner come flying across the front hall at his father. His mother's aim was dead on. And Daddy's departure promptly followed. Loretta, Sonny's older sister, spies by eavesdropping. As she tells him, "How else am I going to survive in a family tight-lipped as tombs?" But the kids' spying only scratches the surface of what's really going on in this 1950s family in the deep South. While Deaton, the youngest, worries about pirates and vampires, and Uncle Marty, family protector, serves up scripture with every bite at the Circle of Life donut shop, somebody is watching. Somebody unsuspected by Sonny. But at thirteen he knows something's fishy, and he intends to find out what. That's why one Friday after Uncle Marty pays him for dishwashing at the Circle of Life, he sneaks out of town, first by bike and then by bus. Selma, his mama; Mamby; Nissa; Uncle Sink; Aunt Roo; his sister and brother -- nobody from that all-too-serious but often hilarious crew has a clue where he's gone. And even Sonny can't say exactly what he's after, until those tight-lipped tombs start talking, and life in the house on Rhubarb changes for good.
The rhyming verse presents all sorts of "appetizing" meals to be had outdoors, including "puddle ink to drink," "gravel crunch for lunch, and "worms and dirt for dessert.
Having been forced to act as mother and housekeeper during Mama's illness, twelve-year-old Amanda has a holiday in Memphis, far removed from the Depression drudgery of her Kentucky mountain family, and finds her world expanding even as she grows to understand and appreciate her own background.
A loved book lifts you -- comforts, excites, entices. Book, in words and paintings, captures the feeling of opening to page one -- for the first or the fiftieth time - and entering the worlds of drama, imagination, and fun promised beyond it. A girl in red flannel pj's reaches toward a panel in the night sky. The panel, one of four, bears a B. Light floods the girl's face, all anticipation, for she is all readers. And then she is inside, inside the B-O-O-K, words streaming toward her, beckoning, circling her, music in their meaning and their sound A castle, a cave - its walls dancing with wild ponies, one of which joins the girl on her journey -- these are passing wonders on the way to the source. Writer and reader meet "as the gate of the book swings wide, " a culmination caught in a breathtaking sequence of spreads. Look at the girl on the jacket for a hint of how Book feels, a sensory adventure that ends with a benediction: "May it hold you. May it set you free.
When Sumi's brother leaves for boarding school, her best friend moves away, her grandfather dies, and her mother withdraws into grief, Sumi finds herself facing the beginning of adolescence alone and afraid.
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