“Folklore as an Historical Science" is an ancient nonfiction historical story book written by George Laurence Gomme. In "Folklore as a Historical Science," George Laurence Gomme dives into the complicated relationship amongst folklore and information, creating a compelling case for folklore's relevance as a tool for facts the beyond. Gomme demonstrates how folklore serves as a repository of cultural memory, preserving conduct, attitudes, and practices that provide precious insights into civilization's records. Gomme believes that folklore ought to nolonger be disregarded as easy fantasy or superstition, but as an alternative as a probable deliver of historical statistics. Drawing on an expansion of folkloric property, along with myths, reminiscences, nonpublic stories, and practices, he demonstrates how those narratives reproduce social, political, and monetary dynamics in unique ancient situations. Gomme dreams internet site users to reconsider their belief of statistics via clarity and comprehension, and encourages them to truly receive folklore as a crucial part of the observation of information. "Folklore as a Historical Science" reveals Gomme's groundbreaking research and prolonged-reputation influence in folklore and anthropology.
A collection of literary criticism from the Nobel Prize–winning playwright behind such classics as Saint Joan and Pygmalion. The Critical Shaw: On Literature is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw’s ideas and opinions on a wide range of literary forms of expression, from Shakespearean drama to ghost stories, from naturalist novels to philosophical essays. Shaw meticulously applied his comprehensive knowledge of the intricacies of writing and publishing (composition, typesetting, style, themes, censorship) and in the process produced an extensive array of critical works spanning more than fifty years. Always with an axe to grind—whether aesthetic, ethical, or otherwise—Shaw tested the boundaries of satire in his critical essays, occasionally locking horns as a result with some of the most prominent authors of his lifetime. Displaying wit and wisdom in equal proportions, some of his reviews remain fresh even though the authors and books they appraised have long since fallen into oblivion. Shaw’s views about literature challenged established conventions of the canon and helped to shape a renewed collective concept of literature. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw’s voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw’s life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.
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