Alice Sycamore, a young woman from a happy, but very eccentric family, has second thoughts about her relationship with her wealthy boss's son, Tony, after a meeting between the two families goes terribly wrong.
A routine assignment gets a PI killed, and Kent Murdock dives into the caseDIVA thirty-eight year veteran of the Boston police force, Tom Brady has recently retired, and is beginning a new life as a private investigator. Struggling to make ends meet, he turns to newspaper photographer Kent Murdock, who recommends him to a society woman who is willing to pay big for his services. Brady’s just wrapping up the case when he asks Murdock for a favor: photographing fourteen pages of important documents for safekeeping. Murdock agrees not to look too closely while he takes the pictures—a decision he regrets when the negatives are stolen and Tom Brady is found dead./divDIV /divDIVNormally Murdock stays out of the way of the Boston police, but he gave Brady the assignment. To atone, he must unravel the mystery that cost his friend his life./div
Long before sound became an essential part of motion pictures, Westerns were an established genre. The men and women who brought to life cowboys, cowgirls, villains, sidekicks, distressed damsels and outraged townspeople often continued with their film careers, finding success and fame well into the sound era--always knowing that it was in silent Westerns that their careers began. More than a thousand of these once-silent Western players are featured in this fully indexed encyclopedic work. Each entry includes a detailed biography, covering both personal and professional milestones and a complete Western filmography. A foreword is supplied by Diana Serra Cary (formerly the child star "Baby Peggy"), who performed with many of the actors herein.
Southern Workers and the Search for Community is the first major effort to interpret the enduring legacy of the southern textile industry, company-owned mill villages, and the union struggles of the 1930s. Focusing on Spartanburg County, South Carolina, G. C. Waldrep offers an eloquent study of the hopes and fears that define patterns of labor activism.Revealing a complex meshing of community ties and traditions with the goals and ideals of unionism, Waldrep shows how unions fed into a social vision of mutuality, equality, and interdependency already established in mill villages. This powerful sense of community, however, ultimately rested on sand. Because the villages themselves were the property of management, any labor conflict involved not only issues of wages, hours, and working conditions inside the mill but also virtually every other aspect of life. Most important, the mill owners held the trump card of eviction.Waldrep looks beyond official versions of union activity in Spartanburg County to explain the episodic and apparently erratic eruptions of labor tensions and intervening periods of calm. Drawing on private records of textile workers, their employers, and their unions during the 1930s and 1940s, as well as more than a hundred oral interviews with workers, Waldrep reinterprets the periods of ""quiescence"" that have long puzzled historians. Documenting the high stakes of labor protest in mill villages, Waldrep shows how the erosion or outright destruction of community systematically undermined the ability of workers to respond to the assaults of employers overwhelmingly supported by government agencies and agents.Beautifully written and persuasively argued, Southern Workers and the Search for Community opens the gates of southern company towns to illuminate the human issues behind the mechanics of labor.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Everybody has heard of the beautiful Countess of Cressett, who was one of the lights of this country at the time when crowned heads were running over Europe, crying out for charity's sake to be amused after their tiresome work of slaughter: and you know what a dread they have of moping. She was famous for her fun and high spirits besides her good looks, which you may judge of for yourself on a walk down most of our great noblemen's collections of pictures in England, where you will behold her as the goddess Diana fitting an arrow to a bow; and elsewhere an Amazon holding a spear; or a lady with dogs, in the costume of the day; and in one place she is a nymph, if not Diana herself, gazing at her naked feet before her attendants loosen her tunic for her to take the bath, and her hounds are pricking their ears, and you see antlers of a stag behind a block of stone. She was a wonderful swimmer, among other things, and one early morning, when she was a girl, she did really swim, they say, across the Shannon and back to win a bet for her brother Lord Levellier, the colonel of cavalry, who left an arm in Egypt, and changed his way of life to become a wizard, as the common people about his neighbourhood supposed, because he foretold the weather and had cures for aches and pains without a doctor's diploma. But we know now that he was only a mathematician and astronomer, all for inventing military engines. The brother and sister were great friends in their youth, when he had his right arm to defend her reputation with; and she would have done anything on earth to please him.
Features almost 300 colour photographs and brings together more than 60 years of research by a leading voice in British woodland ecology. Trees define woodland. They provide a complex, multi-layered habitat for a great range of wildlife, yet they are wildlife themselves, reacting to their circumstances and each other. Woodlands are important to people, supplying timber, food and fuel, accumulating carbon, and offering places of refuge and refreshment. But they are also under threat: some stand in the way of 'progress' and all are becoming increasingly vulnerable to neglect, disease and climate change. Trees and Woodlands brings together decades of research to explore the ecology, nature conservation and wider cultural value of our native trees and shrubs, and the various ways they have combined as woodland. Incorporating personal experiences from 60 years as a forest ecologist, Peterken describes the long history of use and management; how this has influenced woodland wildlife and our art, beliefs and social attitudes. He concludes that most woods should be managed, their timber and small wood being put to good use, but recognises that this is all part of a larger question: the future of ourselves. Containing nearly 300 photographs, and interspersed with box texts describing the history and ecology of representative woods across Britain, this is a commentary on trees, woodlands and our relationship with them from one of our most highly regarded forest ecologists.
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