George Orwell is a major figure in twentieth-century literature. The author of Down and Out in Paris and London, Nineteen Eighty-four, and Animal Farm, he published ten books and two collections of essays during his lifetime - but in terms of actual words, produced much more than seems possible for someone who died at the age of forty-six and was often struggling against poverty and ill health. His essays, letters, and journalism are among the most memorable, lucid, and intelligent ever written, the work of a master craftsman and a brilliant mind. Taken as a whole they form an essential collection, and read in toto and sequentially, they provide a remarkably literary self-portrait of an engaged, and consistently engaging, writer. Here, in four volumes, is the best selection of his nonfiction writing now available, a trove of letters, essays, reviews, and journalism that is breathtaking in its scope and eclectic passions.
Setting out to demonstrate the effect of politics on the work of T. S. Eliot, T. S. Eliot and Ideology charts first of all the influence of French reactionary thinking on Eliot's prose and poetry, and further argues that this political inheritance provided the intellectual framework he employed throughout his career. Asher's concentration on the specifically ideological separates this book from previous works on Eliot, and sheds light on Eliot's celebrated mid-career conversion to Catholicism. What results is a re-estimation of Eliot's view of literary history and literary theory, and new appraisals of several major poems and plays. Finally, the book discusses at length how Eliot's ideology profoundly influenced the study of literature in the English-speaking world for several decades.
The Manchester Man traces the fall and rise of Jabez Clegg, a foundling swept away in his cradle by the River Irk in flood in 1799. In this politically significant work the narrative is set against the back-drop of the three decades from the Napoleonic Wars to the 1832 Reform Act, crucial years in Manchester's development as the world's first industrial city. It contains a vivid and highly accurate portrayal of the notorious Peterloo Massacre and its aftermath, as well as providing a valuable insight into the roles of some of the city's founding fathers. A riveting read for the casual reader and the serious student of Manchester history alike, complete with original illustrations and Introduction by Malc Cowle. Published in support of the Working Class Movement Library, 51 The Crescent, M5 4WX, in Manchester's twin city - Salford.
Geopolitical shifts, increasing demands for accountability, and growing competition have been driving the need for change within transnational nongovernmental organizations (TNGOs). As the world has changed and TNGOs' ambitions have expanded, the roles of TNGOs have shifted and their work has become more complex. To remain effective, legitimate, and relevant in the future necessitates organizational changes, but many TNGOs have been slow to adapt. As a result, the sector's rhetoric of sustainable impact and social transformation has far outpaced the reality of TNGOs' more limited abilities to deliver on their promises. Between Power and Irrelevance openly explores why this gap between rhetoric and reality exists and what TNGOs can do individually and collectively to close it. George E. Mitchell, Hans Peter Schmitz, and Tosca Bruno-van Vijfeijken argue that TNGOs need to change the fundamental conditions under which they operate by bringing their own "forms and norms" into better alignment with their ambitions and strategies. This book offers accessible, future-oriented analyses and lessons-learned to assist practitioners and other stakeholders in formulating and implementing organizational changes. Drawing upon a variety of perspectives, including hundreds of interviews with TNGO leaders, firsthand involvement in major organizational change processes in leading TNGOs, and numerous workshops, training institutes, consultancies, and research projects, the book examines how to adapt TNGOs for the future.
Globalization is not a new phenomenon in the international system. However, the various phases of globalization have had divergent scopes, actors, dimensions and dynamics - that is, each of the phases of globalization can be differentiated according to these terms. Against this background, this book focuses on the 'new globalization', a phase that emerged when the Cold War ended and which is, significantly, the most expansive and technologically advanced of all the phases of globalization. The contributors identify and discuss many of the frontier issues in Africa that are being impacted by the dynamics of this new globalization - debt, human rights, development, state sovereignty, the environment, and the HIV/AIDS pandemic. The volume will hold particular interest for students, scholars and researchers of African and development politics.
From its inception what came to be known as the Oxford Movement was always intended to be more than just an abstruse dialogue about the theoretical nature of Anglicanism. Instead, it was meant to spread its ideas not only through college common rooms, but also bishop's palaces, and above all the parsonages of the Church of England. The Oxford Movement in Practice presents an analysis of Tractarianism in the generation after Newman's conversion to Roman Catholicism. While much scholarly work has been done on the Oxford Movement between 1833 and 1845, and on a number of specific individuals or aspects of the Movement after this period, this work adopts a different approach. It examines Tractarianism in the parochial setting, and charts the development of the Movement through its influence on the parishes of the Church of England. George Herring offers detailed explanation of the development of ritualism in the 1860's, and shows how the Ritualists diverted the course the Movement had been taking from 1845.
F1 Mavericks is the story of the grandest, most influential, and most fondly remembered era in Formula 1 racing as seen through the lens of master motorsports photographer, Pete Biro. The period from 1960 to 1982 saw the greatest technological changes in the history of Formula 1 racing: the transition from front engines to rear engines, narrow-treaded tires, massive racing slicks, zero downforce, and neck-wrenching ground effects—and, of course, a staggering increase in performance and reduction in lap times. In short, the period saw the creation of the modern Formula 1 car. This is also the time when legendary names who defined F1 were out in full force: Jim Clark, Jack Brabham, Dan Gurney, Sir Jackie Stewart, Graham Hill, Niki Lauda, James Hunt, Bruce McLaren, Jody Scheckter. We’ll see and meet all of them. But F1 Mavericks also focuses on the designers and engineers behind the cars—men like Colin Chapman, Sir Patrick Head, Maurice Philippe, Franco Rochhi, Gordon Murray, and many others. We’ll hear directly from many of them, including a foreword from 1978 F1 World Champion, Mario Andretti. Every chapter is a photographic account of key races throughout the period, supplemented with sidebars featuring key designers and technologies, like wings, ground effects, slick tires, turbochargers, and the Brabham “fan” suction car. F1 Mavericks is an international story, and includes loads of information on designs from Japan (Honda), Britain (McLaren, Tyrrell, Cooper, BRM) Italy (Ferrari, Maserati, Alfa Romeo), France (Matra, Ligier, Renault), Germany (Porsche, BMW) and the United States (Eagle, Shadow, Penske, Parnelli). Strap yourself in for the story of the greatest era in Formula 1 racing—it's all here in F1 Mavericks.
The visitation of the county of Nottingham, made and taken by Will'm Flower, also Norroy king of arms, in 1569. Continued, enlarged with the visitation of the same county made by Richard St. George, Norroy king of arms, in 1614, with many other descents of the same county. Transcript by Richard Mundy (Harl. ms., 1555) Together with The visitation of Nottinghamshire, made by Sr. Richard St. George, Norroy king of arms, in the year of Our Lord God 1614. With other enlargements. With other enlargements. John Within, 1631. (Harl. ms., 1400).
This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
When John Cage opened his compositions to chance sounds in the 1950s, and Andy Warhol began exhibiting paintings of Brillo boxes in the 1960s, the art of the commonplace seemed like something radically, even frighteningly, new. But noting an unprecedented shift, around 1800, away from the idealism of Western aesthetics, Leonard shows that attacks on the art object as outspoken as any made by twentieth-century avant-gardists can be found in the works of Wordsworth, Ruskin, Carlyle, Emerson, and Whitman. From Wordsworth to Cage, a certain kind of artist sought to re-orient humanity's devotion from the next world to this one, to situate paradise in "the simple produce of the common day." "Enough of Science and Art," Wordsworth began his first book of poems. "Come forth into the light of things." Two hundred years later, John Cage would tell us, "We open our eyes and ears seeing life, each day excellent as it is. This realization no longer needs art." By studying artists together with poets, Leonard uncovers the rich tradition that links Wordsworth to Cage and illuminates many figures in between. Into the Light of Things transforms our understanding of modern culture."--Jacket.
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