Treasures of the Messiah is a personal journey with Yahshua (Jesus) that still continues. Since 2006, G-d opened my eyes to the hidden things of His word. Layer after layer of teaching and revelations, I finally realized that there is no end to the depths of G-d and the Messiah. In fact, I began learning so much that I started to forget the special and valuable treasures which the L-rd had hidden. So I began making notes and shared them with my uncles, George and Brian Herman. The excitement we had when a parable or a hidden word was opened to us. The learning became so vast that I decided to record it in a book and share with others. My uncles and I are pleased to give you the opportunity to receive the treasures the L-rd has so graciously given unto us. May you enjoy it as was have. I hope it is a pleasure for the Jewish reader and non-Jewish reader. The goal is to bridge the gap between both groups so both see the beautiful design and mysteries of the Messiah as a whole.
With unique illustrations based on classical Chinese painting, this multicultural children's story tells a classic folktale that children will love. Long ago, in a far-off land, two tribes shared a common legend — they believed the mountains between them were the home of nine terrible and terrifying dragons. For generations, fear of the dragons kept the two tribes apart, until a catastrophic drought forced them into the mountains in search of food. Nine Dragons tells the story of how the two tribes prepared to go to war over their dwindling resources, and how the oldest and wisest of the nine dragons convinced the others that they had to stop the battle before it started. Based on themes from Asian folklore, and taking place in a mythical Asian setting, Nine Dragons is an inspirational tale about overcoming mistrust and misunderstanding to achieve peace. The vibrant full-color illustrations, along with the timeless story, will appeal to children and their parents.
Florence is at war with Pisa. Leonardo is commissioned to divert the river cutting off Pisa from the sea and thereby protecting Florence. At this time the political and social climate in Florence is unfavorable to Leonardo and he is encouraged to accept the invitation of the French King to come to Milan. The Signoria puts 2000 men to work on the river project. When three workmen are discovered mutilated on the riverbank and a serpent with glowing eyes has been sited Leonardo is recalled from Milan to solve the mystery. With the help of Niccolo da Pavia, Leonardo uses a device of his own to "snare the monster" but this disturbs another serpent of less imposing size but no less lethal. To trap Leonardo Niccolo's wife, Donna Elenora is abducted by the Viper and held in a castle. A plan to rescue her includes the commedia dell'arte troupe I Comici Buffoni.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Set in a mythical small town in Iowa - but rooted in stories and experiences of the author while a professor at Clarke College in Dubuque - these three one-act plays were first published by Samuel French as individual pieces. Now the author has reworked them and added a prologue and epilogue to bind the three into one play that paints a portrait of small-town America that is at once both unique and universal. "Brighten The Corner" tells of the people and places surrounding the death of an old nun at the motherhouse of her order. "A Simple Little Affair" deals with the complex and often comic relationships and the affirmation of faith that is at the heart of every wedding. "An Echo of Wings" calls upon the dead victims of a parochial school fire that claimed the lives of over 90 students and their teachers in an effort to discern a purpose or a meaning behind such a tragedy. Little Rome, Iowa is written in the style of the author's prize-winning play, "A Company of Wayward Saints", a form he calls "phrasing" and which is intended as a guide to the delivery of the actors.
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