This volume comprises the complete poetic works of Byron. As well as including such works as "Childe Harold", "Don Juan", "The Two Foscari", "The Lament of Tasso" and "The Vision of Judgement", it also contains his shorter lyrical poems.
Byron was a superb letter-writer: almost all his letters, whatever the subject or whoever the recipient, are enlivened by his wit, his irony, his honesty, and the sharpness of his observation of people. They provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. In addition, they offer a mirror of his own time. This first collected edition of all Byron's known letters supersedes Prothero's incomplete edition at the turn of the century. It includes a considerable number of hitherto unpublished letters and the complete text of many that were bowdlerized by former editors for a variety of reasons. Prothero's edition included 1,198 letters. This edition will have more than 3,000, over 80 percent of them transcribed entirely from the original manuscripts. Byron's epistolary saga continues con brio in this volume. At the start of 1818 he sends off the last canto of Childe Harold and abandons himself to the debaucheries of the Carnival in Venice. At the close of 1819 he resolves to return to England but instead follows Teresa Guiccioli to Ravenna. In the meantime he writes three long poems and two cantos of Don Juan, whose bowdlerization he violently protests; he breaks off with Marianna Segati, copes with his amorous "tigress" Margarita Cogni, then falls passionately in love with the young Countess Guiccioli; he thinks seriously of emigrating to South America; he takes custody of his little daughter Allegra and becomes increasingly fond of the child. The Shelleys visit him, as does Thomas Moore, to whom he entrusts his memoirs (burned after his death). The letters to friends are a marvelous outpouring of funny anecdotes, practical talk, discussions of his poems, statements of his beliefs. The love letters are in a class by themselves.
A selection of poetry by Lord Byron, a poet considered amongst the most treasured and influential in English literature. The poet George Gordon Byron, commonly known as Lord Byron, was a leading figure of the Romantic movement in England and one of the most influential writers of verse in English literature. Whilst his poetry was considered scandalous and shocking by Victorian society, it has now reclaimed its rightful place in the canon of definitive English verse. However, the excesses and vicissitudes of Byron himself continue to provoke disbelief and awe in even the most hardened readers. In this selection of poetry, readers are given a taste for the astonishing variety in Byron's work. From drama to introspection, risqué sexual comedy to social commentary, this Everyman edition collates verse for seasoned readers of poetry as well as newcomers to the genre.
George Gordon Byron, later Noel, 6th Baron Byron FRS (1788-1824) was an English poet and a leading figure in Romanticism. Amongst Byron's best-known works are the brief poems She Walks in Beauty, and So We'll Go no More a-Roving, and the narrative poems Childe Harold's Pilgrimage (1812-1818) and Don Juan (1819-1824), although the latter remained incomplete on his death. He is regarded as one of the greatest European poets and remains widely read and influential, both in the Englishspeaking world and beyond. Byron served as a regional leader of Italy's revolutionary organization the Carbonari in its struggle against Austria. He later travelled to fight against the Ottoman Empire in the Greek War of Independence, for which Greeks revere him as a national hero. He died from a fever in Messolonghi in Greece. Amongst his other works are: Fugitive Pieces (1806), Hours of Idleness (also titled Juvenilia) (1807), English Bards and Scotch Reviewers (1809), Hebrew Melodies (1815), The Prisoner of Chillon (1816), Manfred (1817) and The Works of Lord Byron (7 volumes) (1898).
Bestselling series of portable anthologies, contains selected poetry and prose from some of the most famous English and Scottish poets. An attractive six-pocket display pack is also available.
George Gordon, Lord Byron (1788-1824) epitomized the Romantic poet. His bold, vibrant poetry reflected the sentimental values of his era. The 43 poems of this collection spand the development of Byron's lyrics of love. The women to whom he dedicated many of these verses appear in the etchings that illustrate this delightful collector's edition.
George Gordon Byron was born in 1788. In 1816 he left England forever and went to live in Italy where he wrote instalments of Don Juan, the epic ottava rima poem which his friends, publisher and mistress thought too shocking to publish. Not only in this late satirical work, but throughout his career, Byron's poetic and dramatic writing offers his readers an astonishing variety. His death in 1824 while active in the struggle to liberate Greece allowed him to be claimed as a Romantic hero. Book jacket.
George Gordon Byron was born on 22 January 1788 and he inherited the barony in 1798. He went to school in Dulwich, and then in 1801 to Harrow. In 1805 he went up to Trinity College, Cambridge, later gaining a reputation in London for his startling good looks and extravagant behaviour. His first collection of poems, Hours of Idleness (1807), was not well received, but with the publication of the first two cantos of Childe Harold's Pilgrimage (1812) he became famous overnight and increased this fame with a series of wildly popular 'Eastern Tales'. In 1815 he married the heiress Annabella Milbanke, but they were separated after a year. Byron shocked society by the rumoured relationship with his half-sister, Augusta, and in 1816 he left England for ever. He eventually settled in Italy, where he lived for some time with Teresa, Contessa Guiccioli. He supported Italian revolutionary movements and in 1823 he left for Greece to fight in its struggle for independence, but he contracted a fever and died at Missolonghi in 1824." "Byron's contemporary popularity was based first on Childe Harold and the 'Tales', and then on Don Juan (1819-24), his most sophisticated and accomplished writing. He was one of the strongest exemplars of the Romantic movement, and the Byronic hero was a prototype widely imitated in European and American literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The demerits of Childe Harold lie on the surface; but it is difficult for the modern reader, familiar with the sight, if not the texture, of "the purple patches," and unattracted, perhaps demagnetized, by a personality once fascinating and always "puissant," to appreciate the actual worth and magnitude of the poem. We are "o'er informed;" and as with Nature, so with Art, the eye must be couched, and the film of association removed, before we can see clearly.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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