In 1965 George Gmelch signed a contract to play professional baseball with the Detroit Tigers organization. Growing up sheltered in an all-white, affluent San Francisco suburb, he knew little of the world outside. Over the next four seasons, he came of age in baseball’s Minor Leagues through experiences ranging from learning the craft of the professional game to becoming conscious of race and class for the first time. Playing with Tigers is not a typical baseball memoir. Now a well-known anthropologist, Gmelch recounts a baseball education unlike any other as he got to know small-town life across the United States against the backdrop of the Vietnam War, civil rights protests, and the emergence of the counterculture. The social and political turmoil of the times spilled into baseball, and Gmelch experienced the consequences firsthand as he played out his career in the Jim Crow South. Playing with Tigers captures the gritty, insular, and humorous life and culture of Minor League baseball during a period when both the author and the country were undergoing profound changes. Drawing from journals he kept as a player, letters, and recent interviews with thirty former teammates, coaches, club officials, and even former girlfriends, Gmelch immerses the reader in the life of the Minor Leagues, capturing—in a manner his unique position makes possible—the universal struggle of young athletes trying to make their way.
Behind the Smile is an inside look at the world of Caribbean tourism as seen through the lives of the men and women in the tourist industry in Barbados. The workers represent every level of tourism, from maid to hotel manager, beach gigolo to taxi driver, red cap to diving instructor. These highly personal accounts offer insight into complex questions surrounding tourism: how race shapes interactions between tourists and workers, how tourists may become agents of cultural change, the meaning of sexual encounters between locals and tourists, and the real economic and ecological costs of development through tourism. This updated edition updates the text and includes several new narratives and a new chapter about American students' experiences during summer field school and home stays in Barbados.
Anthropologists George and Sharon Gmelch have been studying the quasi-nomadic people known as Travellers since their fieldwork in the early 1970s, when they lived among Travellers and went on the road in their own horse-drawn wagon. In 2011 they returned to seek out families they had known decades before—shadowed by a film crew and taking with them hundreds of old photographs showing the Travellers' former way of life. Many of these images are included in this book, alongside more recent photos and compelling personal narratives that reveal how Traveller lives have changed now that they have left nomadism behind.
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
For this latest edition, the authors returned to Barbados to update the changing face of life in St. Lucy, the parish behind Gods backthe islands most rural district. After discussing Barbadoss colonial history as a plantation society based on slavery and the economys recent conversion from sugar to tourism, they turn to everyday life in St. Lucy: patterns of work, gender relations, religion, and the meaning of community. The book concludes by examining the global forces and mediatelevision, tourism, travel, and the Internetthat connect villagers to the outside and most directly affect their lives. Written with students in mind, this highly readable, illustrated, and thought-provoking account is ideal for courses in cultural anthropology and Caribbean studies. An appendix describes the changes North American students experienced as a result of participating in the anthropology field schools the authors ran in Barbados over a twenty-year period.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself. Hence his Christ-like union of tenderness and severity. Nowhere else outside the New Testament have I found terror and comfort so intertwined ..." (C. S. Lewis of George MacDonald) " "it is a striking indication of the trend and shallowness of the modern reading public that George MacDonald's books have been so neglected". -- Oswald Chambers In his C.S Lewis's introduction to George MacDonald: An Anthology, he speaks highly of MacDonald's theology: "This collection, as I have said, was designed not to revive MacDonald's literary reputation but to spread his religious teaching. Hence most of my extracts are taken from the three volumes of Unspoken Sermons. My own debt to this book is almost as great as one man can owe to another: and nearly all serious inquirers to whom I have introduced it acknowledge that it has given them great help-sometimes indispensable help toward the very acceptance of the Christian faith. ... I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself. Hence his Christ-like union of tenderness and severity. Nowhere else outside the New Testament have I found terror and comfort so intertwined. ... In making this collection I was discharging a debt of justice. I have never concealed the fact that I regarded him as my master; indeed I fancy I have never written a book in which I did not quote from him. But it has not seemed to me that those who have received my books kindly take even now sufficient notice of the affiliation. Honesty drives me to emphasize it." This collection brings together three of George MacDonald's writings: "Unspoken Sermons by George Macdonald Series i, ii, iii in One Volume" - expositions revealing his profound theology. "A Book of Strife in the Form of the Diary of an Old Soul" - a book of poems remarkable for their stirring portrayal of human emotions. And "The Hope of the Gospel" - MacDonald writes about the gospel and about what it means to be a Christian with great wisdom and understanding.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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