I hadn't planned on writing a book when I quit the Hells Angels. After forty years in the Hells Angels, George Christie was ready to retire. As president of the high-profile Ventura charter of the club, he had been the yin to Sonny Barger’s yang. Barger was the reckless figurehead and de facto world leader of the Hells Angels. Christie was the negotiator, the spokesman, the thinker, the guy who smoothed things out. He was the one who carried the Olympic torch and counted movie stars, artists, rock musicians, and police chief captains among his friends. But leaving the Hells Angels isn’t easy, and within two weeks of retirement, he was told he was “out bad”—blackballed by his fellow Angels, prohibited from wearing the club patch, and even told he should remove his Death Head tattoo. Now Christie sets out to tell his story. Exile on Front Street is the tale of how a former Marine gave up a comfortable job with the Department of Defense and swore allegiance to the Hells Angels. In this revealing, hard-hitting memoir, he recounts his life as an outlaw biker with the world’s most infamous motorcycle club.
After forty years in the Hells Angels, George Christie was ready to retire. As the president of the notorious Ventura chapter for the club, he had been the yin to Sonny Barger's yang. Barger was the reckless figurehead and de facto world leader of the Angels. Christie was the negotiator, the spokesman, the thinker, the guy who smoothed things out. He was the one who carried the Olympic torch and counted movie stars, artists, the Grateful Dead and the police chief captains among his friends. But leaving isn't easy, and within two weeks of retirement he was told he was 'out bad', blackballed by his fellow Angels, prohibited from wearing the club patch, even told he should remove his Death Head tattoo.Now, Christie's set out to tell his story. Exile on Front Street is the tale of how a midde-class electrician gave up a comfortable job with the Department of Defense and swore allegiance to the Hells Angels. In this action-packed, hard-hitting memoir, he recounts his life as an outlaw biker with the world's most infamous motorcycle club.
The U.S. Cavalry, which began in the nineteenth century as little more than a mounted reconnaissance and harrying force, underwent intense growing pains with the rapid technological developments of the twentieth century. From its tentative beginnings during World War I, the eventual conversion of the traditional horse cavalry to a mechanized branch is arguably one of the greatest military transformations in history. Through Mobility We Conquer recounts the evolution and development of the U.S. Army’s modern mechanized cavalry and the doctrine necessary to use it effectively. The book also explores the debates over how best to use cavalry and how these discussions evolved during the first half of the century. During World War I, the first cavalry theorist proposed combining arms coordination with a mechanized force as an answer to the stalemate on the Western Front. Hofmann brings the story through the next fifty years, when a new breed of cavalrymen became cold war warriors as the U.S. Constabulary was established as an occupation security-police force. Having reviewed thousands of official records and manuals, military journals, personal papers, memoirs, and oral histories—many of which were only recently declassified—George F. Hofmann now presents a detailed study of the doctrine, equipment, structure, organization, tactics, and strategy of U.S. mechanized cavalry during the changing international dynamics of the first half of the twentieth century. Illustrated with dozens of photographs, maps, and charts, Through Mobility We Conquer examines how technology revolutionized U.S. forces in the twentieth century and demonstrates how perhaps no other branch of the military underwent greater changes during this time than the cavalry.
Contains alphabetically arranged entries that provide biographical and critical information on major and lesser-known nineteenth- and twentieth-century British writers, and includes articles on key schools of literature, and genres.
In the humid dog days of a Pittsburgh summer weekend, Richard Christie, Head of Homicide, faces not one, but two mysterious murders. The victims---a polite woman and an angelic child---do not seem to be connected in any obvious way. Christie is short-handed, the clues don’t stack up, and he’s got a rookie detective, Colleen Greer, to look out for. These are his problems. Colleen has problems, too. Her boyfriend is trying to break up with her, she’s got a serious crush on her mentor, Christie, and it turns out she knew both victims slightly. Early in the investigation, she gets an alarming idea about the perpetrator’s identity, but the man she suspects has no obvious connection to the victims. She has to move carefully with nothing but a gut feeling to go on---all the while disturbed by a series of memories of her own childhood. Kathleen George’s novels have been praised for their subtle rendering of character and relationships---whether those relationships are among detectives or in the families of criminals. Boldly and elegantly written, Afterimage is a startling thriller.
Kathleen George returns with the sequel to The Odds, the Edgar®- nominee for Best Novel The new book in Kathleen George's stunning Pittsburgh-set police procedural series begins when a young mother dies in a hit-and-run accident caused by two young brothers. Desperate and afraid, Jack and Ryan Rutter flee to Sugar Lake, the summer community where they vacationed as children. As Detectives Colleen Greer and Richard Christie search for the brothers, Jack and Ryan create a terrifying hostage situation. As fast-paced and brilliantly plotted as the book that earned her an Edgar® nomination, Hideout is a riveting police procedural like no other.
The child was taken in broad daylight, on a warm June morning, in a crowded shopping area in downtown Pittsburgh. Marina Benedict first saw the baby with his mother. Then, just minutes later, she saw him again, in the arms of a man she was certain was not the child’s father. In a single life-altering act, Marina followed them. What happens next will plunge her into a mystery that is both heartbreaking and chilling. Within hours of the abduction, the city is galvanized by the story: a child, the son of a pitcher for the Pirates, is missing. And soon a community begins to unravel...Detective Richard Christie struggles with his own demons as he tries to solve a baffling mystery. And Marina Benedict, pulled from the safety of her ordinary life by a brutal crime, is at the center of the story. Because once, Marina tried to save a life and it changed her forever. Now she will risk her life again--for a child who is still out there somewhere, still in need of saving.
Following the murder of law student Cassie Price, police arrest Cal, a handyman, who worked in her neighborhood. But, suspicion soon focuses on Cassie's boss, a candidate for the office of governor.
A killer puts a child in danger and sends a police detective on a hunt for justice in a novel that will “appeal to fans of Mary Higgins Clark” (Booklist). Nadal watches for weeks before he first approaches the boy. No matter what Maggie Brown says, he’s sure Matt is his son, and a boy should know his father. After their first confrontation, Maggie should have run. She should have hidden her child. But she underestimated the man who was once her lover. With self-righteous determination, Nadal goes to her house. He demands to spend time with the boy. When she refuses, he reaches for a knife. By the time homicide detective Richard Christie arrives on the scene, all that remains of Maggie Brown is a bloodstain on the floor. The killer has vanished, and Matt is too scared to remember anything but his mother’s fear. As Christie looks for the killer and Maggie’s friends fight to keep Matt out of the hands of Child Services, Nadal watches the news and waits. A boy should be with his father. He’s going to get his son. From the Edgar Award–nominated author of Simple and Hideout, this suspenseful tale with “plenty of hometown flavor and characters worthy of investment” is a gritty tale of crime and justice (Pittsburgh Post-Gazette). Entertainment Weekly raves, “If anyone’s writing better police thrillers than George, I don’t know who it is,” while George Pelecanos says, “I look forward to reading anything Kathleen George writes.”
Distinguished by irony, compassion and the author's own dry wit, these three novels paint a memorable picture of life in the streets, schools and tenements of Glasgow in the 1950s and 60s. With a unique vision of loneliness, old age, sexual longing, hot young blood and youth's casual cruelty, George Friel's books explore a dark comedy of tangled communication, human need and fading community. All these elements come together in the humorous parable of greed, religion and slum youth that is The Boy Who Wanted Peace; in the fate of old and disturbed Miss Partridge who is obsessed with the innocence of young Grace; and in the mental collapse of Mr Alfred, a middle-aged school teacher who is in love with one of his pupils. The humour, realism and moral concern of Friel's work clearly anticipate and stand alongside the novels of Alan Spence, Alasdair Gray, William McIlvanney and James Kelman.
In the late 1940s and early 1950s a new kind of detective story appeared on the scene. This was a story in which the mystery is solved by regular police detectives, usually working in teams and using ordinary police routines. This kind of narrative is customarily called the "police procedural" story. And it is the subject of this book. Though there has been numberless writers of these stories, there has never been a book of criticism before.
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
A man leading a double life is hiding a dark past that threatens to destroy the lives of those around him in the latest suspenseful novel by the author of "Taken." Original.
A current survey and synthesis of the most important findings in our understanding of the neurobiological mechanisms of addiction is detailed in our Neurobiology of Addiction series, each volume addressing a specific area of addiction. Opioids, Volume 4 in the series, explores the molecular, cellular and systems in the brain responsible for opioid addiction using the heuristic three-stage cycle framework of binge/intoxication, withdrawal/negative affect, and preoccupation/anticipation. - Highlights recent advances in opioid addiction - Includes Neurocircuitry, Cellular and Molecular neurobiological mechanisms of opioid addiction - Defines opioid abuse and addiction potential, including biological tolerance
Among the more than 260 American submarines that patrolled the Pacific during World War II, the USS Swordfish in 1941 was the first to sink a Japanese armed merchant ship, marking the beginning of the submarine's colorful history. A series of seven commanders led Swordfish's 13 war patrols. Each skipper had a distinct leadership style. Some were successful in sinking enemy ships; others returned to port empty-handed. Yet all patrols risked dangerously close encounters with the enemy and the unforgiving nature of the open sea. Drawing on archival sources and interviews with veteran sailors, this first full-length history of the Swordfish provides detailed accounts of each patrol and covers the mysterious disappearance of the legendary submarine on its final mission.
The last six words in the Pledge of Allegiance, “With liberty and justice for all,” continue to ring hollow for many Americans and will continue to do so until it becomes clear to all Americans that it is as difficult for the African American community to see justice in the continued murders of unarmed black men at the hands of men and women in blue as it was for white America to see justice in the acquittal of O. J. Simpson in the murder of Nicole Brown Simpson twenty-plus years ago. Silent Terrorism, A Look at American Racism and Hypocrisy was written in hopes of opening dialogue and stimulating conversation about race in America. I have been blessed to travel to many countries outside the United States of America, giving me a very good understanding and appreciation of the benefits of being born a citizen of the greatest country in the world. As great as this nation is as a whole, as honorable as its ideals are, the founding fathers left huge holes in its foundation related to race and racism which continue to divide our nation today. The tactics, techniques, and procedures (TTPs) used by racist men in our society today differ from those of their forefathers. Their TTPs continue to evolve, change and are embedded in every facet of our lives, our justice system and our government which, from its inception, has been a state sponsor of terrorism (racism) within its borders. One can argue that many of the atrocities committed by the founding fathers and other immigrants from Great Britain were necessary to establish and build this nation; that excuse cannot be used to explain the continued racism, voter disenfranchisement, repealing of the Voting Rights Act, many of today's laws, and a grand jury system that continues to allow for the murders of unarmed black Americans. Supreme Court Justice Antonin Scalia, said “most of the black scientists in this country do not come from the most advanced schools” and black students do better at “slower tracked schools.” Scalia continued to express his racist views from the bench when he said students of color are being “pushed into schools that are too advanced for them” due to race-conscious affirmative action policies.
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