George Altman grew up in the segregated South but was able to participate in the sport at more levels of competition than perhaps anyone else who has ever played the game, from the 1940s to the 1970s. Altman played baseball at all the kids' levels, played college baseball at Tennessee State, played for the Kansas City Monarchs during the waning days of the Negro Leagues, played for the U.S. Army in service competition, played winter league ball in Cuba and Panama, spent nine years with the Chicago Cubs, St. Louis Cardinals and New York Mets, a two-time All-Star outfielder--then played in Japan as a regular All-Star. Altman has seen it all and he offers illuminating observations about teams, fans and the game.
George Altman grew up in the segregated South but was able to participate in the sport at more levels of competition than perhaps anyone else who has ever played the game, from the 1940s to the 1970s. Altman played baseball at all the kids' levels, played college baseball at Tennessee State, played for the Kansas City Monarchs during the waning days of the Negro Leagues, played for the U.S. Army in service competition, played winter league ball in Cuba and Panama, spent nine years with the Chicago Cubs, St. Louis Cardinals and New York Mets, a two-time All-Star outfielder--then played in Japan as a regular All-Star. Altman has seen it all and he offers illuminating observations about teams, fans and the game.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1953. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
For over 50 years, Albert R. Broccoli’s Eon Productions has navigated the ups and downs of the volatile British film industry, enduring both critical wrath and acclaim in equal measure for its now legendary James Bond series. Latterly, this family run business has been crowned with box office gold and recognised by motion picture academies around the world. However, it has not always been plain sailing. Changing financial regimes forced 007 to relocate to France and Mexico; changing fashions and politics led to box office disappointments; and changing studio regimes and business disputes all but killed the franchise. And the rise of competing action heroes has constantly questioned Bond’s place in popular culture. But against all odds the filmmakers continue to wring new life from the series, and 2012’s Skyfall saw both huge critical and commercial success, crowning 007 as the undisputed king of the action genre. Some Kind of Hero recounts this remarkable story, from its origins in the early ‘60s right through to the present day, and draws on hundreds of unpublished interviews with the cast and crew of this iconic series.
A rich companion volume to George Stevens, Jr.’s much admired book of American Film Institute seminars with the pioneering moviemakers of Hollywood's Golden Age, this time with a focus on filmmakers of the 1950s to present day. The Next Generation brings together conversations with moviemakers at work from the 1950s—during the studios’ decline—to today’s Hollywood. Directors, producers, writers, actors, cinematographers, composers, film editors, and independent filmmakers appear within these pages, including Steven Spielberg, Nora Ephron, George Lucas, Sidney Poitier, Meryl Streep, David Lynch, Darren Aronofsky, and more. We see how the filmmakers of today and those of Hollywood's Golden Age face the same challenges of both art and craft—to tell compelling stories on the screen. And we see the ways in which actors and directors work together, how each director has his or her own approach, and how they share techniques and theories.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.