The story of humankind begins 13.8 billion years ago when the universe came into being instantly everywhere at the same time. There was only darkness until the stars began to light up. This begins the long journey of humankind, through the formation in supernovae of the elements that will form our bodies to the formation of the sun, the earth, and the moon until our home brings forth life. Our planet has survived numerous events that threatened to extinguish that life, but ultimately our most remote ancestors began to walk the plains, mountains, and valleys of Africa. In remote prehistory, groups of people migrated out of Africa eventually to populate the whole world. The author provides a timeline for the major events that eventually shaped the modern world. In the earliest settlements, humans domesticated plants and animals. Over time, they formed city-states. Civilizations rose and fell, passing along little snippets of knowledge to those who followed. The journey acquaints the reader with these great civilizations and the people who gave us the arts and sciences and the rules of law for living together. The civilizations of Athens and Rome became the foundation of western civilization. In the last two thousand years, world history is dominated by the spread of Christianity. Therefore, the journey takes us through those events in Judea to the kings, queens, popes, and emperors of Europe while events are also unfolding in Africa, the Middle East, Asia, and the Americas. The modern world has been largely shaped by the colonial period beginning about 1500 AD. Much attention is given to events since then which are proximate to the world we experience today. World Wars I and II then shaped most of the modern nation states in which we live. The author allows the reader to stand apart and be an observer of the journey of humankind. We have taken many different paths to arrive in the modern world with wonderfully diverse appearances, languages, and traditions, but we are all one family. The author hopes we will embrace our differences and act together as the family we are while shaping the future.
A guide to the historical coal towns of the Big Sandy River Valley that provides brief histories of each town, descriptions of the buildings and structures that remain, and insight into the town's residents.
The cover phenomenon in popular culture may be viewed as a postmodern manifestation in music as artists revisit, reinterpret and re-examine a significant cross section of musical styles, periods, genres, individual records, and other artists and their catalogues of works. The cover complex, with its multiple variations, issues, contexts, and re-contextualizations comprises an important and rich popular culture text. These re-recordings represent artifacts which embody artistic, social, cultural, historical, commercial, biographical, and novel meanings. Through homage, allusion, apprenticeship, and parody, among other modes, these diverse musical quotations express, preserve, and distribute popular culture, popular music and their intersecting historical narratives. Play it Again represents the first collection of critical perspectives on the many facets of cover songs in popular music.
In his provocative and compelling new book, America’s most widely read and most influential commentator casts his gimlet eye on our singular nation. Moving far beyond the strict confines of politics, George F. Will offers a fascinating look at the people, stories, and events–often unheralded–that make the American drama so endlessly entertaining and instructive. With Will’s signature erudition and wry wit always on display, One Man’s America chronicles a spectacular, eclectic procession of figures who have shaped our cultural landscape–from Playboy founder Hugh Hefner to National Review founder William F. Buckley Jr., from Victorian poet Henry Wadsworth Longfellow to Beat poet Lawrence Ferlinghetti, from cotton picker— turned—country singer Buck Owens to actor-turned-president Ronald Reagan. Will crisscrosses the country to illuminate what it is that makes America distinctive. He visits the USS Arizona memorial in Pearl Harbor and ponders its enduring links to the present. He travels to Milwaukee to celebrate the hundredth anniversary of an iconic brand, Harley-Davidson. In Los Angeles he finds the inspiring future of education, while in New York he confronts the dispiriting didacticism of the avant-garde. He ventures to the Civil War battlefields of Virginia to explore what we risk when we efface our own history. And on the outskirts of Chicago he investigates one of the darkest chapters in American history, only to discover a shining example of resilience and grace–the best the country has to offer. Will’s wide lens takes in much more as well–everything from the “most emblematic novel of the 1930s” (and no, it is not about the Joads) to the cult of ESPN to Brooks Brothers and Ben & Jerry’s. And of course, One Man’s America would not be complete without the author’s insights on the national pastime, baseball–the icons and the cheats, the hapless and the greats. Finally, in a personal and reflective turn, Will writes movingly of his thirty-five-year-old son Jon, born with Down syndrome, and pays loving and poignant tribute to his mother, who died at the age of ninety-eight after a long struggle with dementia. The essays in One Man’s America, even when critiquing American culture, reflect Will’s deep affection and regard for our nation. After all, he notes, when America falls short, it does so only as compared to “the uniquely high standards it has set for itself.” In the end, this brilliantly informative and entertaining book reminds us of the enduring value of “the simple virtues and decencies that can make communities flourish and that have made America great and exemplary.”
When Edmund Wilson died in 1972 he was widely acclaimed as one of America's great literary critics. But it was often forgotten by many of his admirers that he was also a brilliant and penetrating critic of American life. In a literary career spanning half a century, Wilson commented on nearly every aspect of the American experience, and he produced a body of work on the subject that rivals those of Tocqueville and Henry Adams. In this book, George H. Douglas has distilled the essence from Wilson's many writings on America. An active reporter and journalist as much as a scholar, Wilson ranged from Harding to Nixon, from bathtub gin to marijuana. Douglas here surveys Wilson's mordant observations on the roaring twenties, the Great Depression, income tax, suburbia, sex, populist politics, the Vietnam War, the Great Society, the failure of American scholarship, pollution of the landscape, and the breakdown of traditional American values. The Wilson who emerges from this survey is a historical writer with deep and unshakable roots in Jeffersonian democracy. Among his most far-seeing and poignant books are studies of the literature of the American Civil War and of the treatment of the American Indian. Pained by the crumbling moral order, Wilson was never completely at home in the twentieth century. In politics he was neither a liberal nor a conservative as those terms are understood today. He endured those ideologies and their adherents, but his genius was that he could bring them into hard focus from the perspective of the traditional American individualist who was too pained to accept the standardized commercial world that had grown up around him. Edmund Wilson's America offers a distinctive overview of the nation's life and culture as seen and judged by its leading man of letters.
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