Through the letters and commentary in this volume, the Irish writer George Moore is revealed as a man and artist far more complex and important than most works on him suggest, one who played a significant role in the Irish Literary Renaissance.
Best known as a novelist and man of letters, George Moore (1852-1933) is the author of such works as Esther Waters, A Drama in Muslin, The Untilled Field, The Brook Kerith, and his masterpiece, Hail and Farewell. Edward Martyn (1859-1923) was a distant cousin of Moore's, and, for a time, the two were close friends. Martyn, a man of considerable wealth, devoted his energies to a wide variety of activities, particularly the Church and political activism. His interest in playwriting, like Moore's, was of a secondary nature. Nevertheless, the two pooled and concentrated their talents to make important contributions at a critical juncture of the Irish literary renaissance. In 1899, aiming to provide a platform for the work of serious native dramatists, Martyn, W. B. Yeats, and Lady Gregory together founded the Irish Literary Theatre, Martyn soon brought Moore on board to lend his experience and notoriety to the venture. The great success of the Theatre's first season was Martyn's The Heather Field, republished here, which later enjoyed brief revivals in England, Germany, and the United States. Top billing in the second season was to have gone to Martyn's fast-paced, caustic satire, The Tale of the Town, but Yeats thought the play crude and not at all suitable for a serious, literary theater. When Moore reluctantly agreed, Martyn turned the play over to them to do with as they wished. Moore then rewrote it as The Bending of the Bough. Here the plays are published together for the first time. This volume also includes Moore's The Strike at Arlingford, The Passing of the Essenes, and The Coming of Gabrielle. This last is based on his correspondence with an Austrian countess he never met, and much of the dialogue in the play is taken directly from her letters. Martyn's Maeve, written for the Irish Literary Theatre, and An Enchanted Sea, a short lyrical play first produced in 1904, are also found here. The plays in this volume were selected by David B. Eakin and Michael Case, who have contributed a critical introduction. Helpful bibliographical checklists of Moore's and Martyn's works, both published and unpublished, are also included.
A Mummer's Wife tells the story of Kate Ede, a bored Midlands housewife unhappily married to an asthmatic draper. When a handsome travelling actor comes to lodge with her family, she succumbs to temptation, with disastrous consequences. This scholarly edition includes a critical introduction, author biography, explanatory footnotes, and a wealth of contextual material.
Confessions of a Young Man (1888) is a memoir by George Moore. Originally written in French, it is a record of his life in Paris as a young man with money and dreams to spare. Controversial for its depictions of bohemianism and pointed critique of Victorian morality, Confessions of a Young Man has been recognized as an invaluable portrait of nineteenth century Paris and the geniuses who struggled to reshape art in their image. Degas. Renoir. Monet. Zola. Their names are now immortal, instant reminders of their influence on the visual and literary arts. In the 1870s, however, and throughout their lifetimes, they were artists struggling to hone their craft and gain recognition for their work. Into their world came the young George Moore, an Irishman who thought he was a painter and would eventually make his own name as a pioneering modernist writer. In Confessions of a Young Man, he offers his experience and impressions of bohemian life in Paris, a place where the temptations of flesh, drugs, and alcohol led many a young artist astray. In this murky world, he will draw inspiration for his groundbreaking stories and novels in the realist style. With a beautifully designed cover and professionally typeset manuscript, this edition of George Moore’s Confessions of a Young Man is a classic of Irish literature reimagined for modern readers.
A Modern Lover (1883) is a novel by George Moore. His debut novel marked a turning point in Moore’s early career, characterized to that point by poorly written French poetry and a failed attempt at becoming a painter. Although less acclaimed than such novels as Esther Waters (1894), A Modern Lover is credited with being the first English novel to employ the experimental methods of Moore’s French contemporaries. Like much of Moore’s work, A Modern Lover shows the influence of French naturalist writer Émile Zola, who sought to portray the influence of heredity and social environment on the lives of his characters without shying away from poverty, sex, disease, and suffering. Lewis Seymour is a young artist who moves to London in search of fame and achievement. Although he shows promise, he quickly falls into a pattern of social climbing rather than focusing on honing his craft. As he uses one wealthy, well-connected woman after the next in a tireless journey upward, he begins to lose sight of his artistic dreams. Eventually, he settles on three women whose affection and support allow him to make a name for himself—Gwinnie, a shopgirl; Mrs. Bethan, a middle-class divorcee; and Lady Helen, a powerful aristocrat. A Modern Lover is a story of sexuality and ambition from a pioneering figure in the formation of the modern English novel. With a beautifully designed cover and professionally typeset manuscript, this edition of George Moore’s A Modern Lover is a classic of Irish literature reimagined for modern readers.
Upon its publication, George Seldes's The Great Thoughts instantly took its place as a classic--a treasure house of the seminal ideas that have shaped the intellectual history of the world down through the ages. Seldes, a pivotal figure in the history of American journalism and a tireless researcher, spent the better part of his extraordinary lifetime compiling the thoughts that rule the world, casting his net widely and wisely through the essential works of philosophy, poetry, psychology, economics, politics, memoirs, and letters from the ancient Greeks to the modern Americans. Now Seldes's splendid and important work has been revised and updated to include the great thoughts that have changed our world in the decade since the book's first appearance. Quotations from leaders as varied as Nelson Mandela, Lech Walesa, Yitzak Rabin, Newt Gingrich, and Jesse Jackson reflect the radical shifts in the world political scene. Toni Morrison and Cornel West speak out on the enduring vitality of African-American culture. Alvin Toffler and Arthur C. Clarke give us a glimpse into the future. Gloria Steinem and Monique Wittig define the motives and the goals of late twentieth-century feminism. Rachel Carson, Aldo Leopold, and Wallace Stegner ponder the meaning of wilderness in an increasingly populated and industrialized world. These and scores of other thinkers in all major disciplines have added their voices to this new edition of The Great Thoughts. USA Today praised the first edition of The Great Thoughts as "a browser's delight." The work of a lifetime, brought up-to-date to reflect the global upheaval of the past decade, The Great Thoughts stands alone as an enduring achievement and an invaluable resource.
Esther Waters (1894) is a novel by George Moore. Considered his best novel, it was an immediate critical and commercial success, and has since been adapted several times for theater, film, and television. Like much of Moore’s work, Esther Waters shows the influence of French naturalist writer Émile Zola, who sought to portray the influence of heredity and social environment on the lives of characters without shying away from poverty, sex, disease, and suffering. Following her father’s death and her mother’s marriage to an abusive Londoner, Esther Waters arrives at the home of the Barfield family in Shoreham to work as a kitchen maid. There, she tries to work hard to support herself, but is soon seduced by a footman named William Latch. When he elopes with his employer’s niece, Esther is left to hide her pregnancy for as long as possible. Discovered, she is dismissed, and soon thereafter gives birth to a healthy boy. Unmarried and poor, she makes the decision to raise Jackie as a single mother while seeking employment in London. Tragic and truthful, Esther Waters is the story of a woman who defies Victorian convention and suffers for nothing more than being born into poverty. With a beautifully designed cover and professionally typeset manuscript, this edition of George Moore’s Esther Waters is a classic of Irish literature reimagined for modern readers.
The manuscript materials included in the Cornell Yeats edition of "Diarmuid and Grania" provide a full record of the disputes and revisions that culminated in the final draft of the play, which opened at the Gaiety Theatre in Dublin on October 21, 1901.
L. Mencken and George Sterling - by turns amusing, outrageous, and illuminating - casts a vivid light into the literary, social, and cultural milieu of the Jazz Age, as seen through the eyes of two of its most distinctive figures."--BOOK JACKET.
A collection of literary criticism from the Nobel Prize–winning playwright behind such classics as Saint Joan and Pygmalion. The Critical Shaw: On Literature is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw’s ideas and opinions on a wide range of literary forms of expression, from Shakespearean drama to ghost stories, from naturalist novels to philosophical essays. Shaw meticulously applied his comprehensive knowledge of the intricacies of writing and publishing (composition, typesetting, style, themes, censorship) and in the process produced an extensive array of critical works spanning more than fifty years. Always with an axe to grind—whether aesthetic, ethical, or otherwise—Shaw tested the boundaries of satire in his critical essays, occasionally locking horns as a result with some of the most prominent authors of his lifetime. Displaying wit and wisdom in equal proportions, some of his reviews remain fresh even though the authors and books they appraised have long since fallen into oblivion. Shaw’s views about literature challenged established conventions of the canon and helped to shape a renewed collective concept of literature. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw’s voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw’s life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.
Following a rigorous academic training as a young man, Edgar Degas (1834–1917) brought the traditional methods of a classical history painter to bear on the life and society of his own day in works treating a range of subjects, prominently including the world of dance. This engaging volume brings together intimate portraits of the artist by two of his earliest and most important champions. The Irish writer George Moore (1852–1933) and the German-born English painter Walter Sickert (1860–1942) belonged to a network of British and French writers and artists; through this circle they became friends with Degas, whose Paris haunts and studios they both frequented. Long difficult to find in print, their groundbreaking accounts represent some of the most vivid responses to Impressionism in English and offer fascinating insight into the life and personality of one of the late nineteenth century’s most important painters. An introduction by the art historian Anna Gruetzner Robins situates their memoirs, which are supplemented here by vivid color illustrations and historical photographs, in the context of their time.
The Collected Works of W. B. Yeats, Volume IV: Early Essays is part of a fourteen-volume series under the general editorship of eminent Yeats scholars George Bornstein and George Mills Harper. These volumes include virtually all of the Nobel laureate's published work, in authoritative texts with extensive explanatory notes. Early Essays, edited by the internationally esteemed Yeats scholars George Bornstein and the late Richard J. Finneran, includes the contents of the two most important collections of Yeats's critical prose, Ideas of Good and Evil(1903) and The Cutting of an Agate(1912, 1919). Among the seminal essays are considerations of Blake, Shakespeare, Shelley, Spenser, and Synge, as well as an extended discussion of the Japanese Noh theatre. The first scholarly edition of these materials, Early Essays offers a corrected text and detailed annotation of all allusions. Several appendices gather materials from early printings which were later excluded, as well as illuminating black-and-white illustrations. Early Essays is an essential sourcebook for understanding Yeats's career as both writer and literary critic, and for the development of modern poetry and criticism. Here, Yeats works out many of his key ideas on poetry, politics, and the theater. He gives interpretations of writers critical to his development and presents a compelling vision of Ireland and the modern world during the last decade of the nineteenth century and first two decades of the twentieth. As T. S. Eliot remarked, Yeats "was one of those few whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them." This volume displays a crucial part of that history.
This book traces how iconic writers - including Arthur Conan Doyle, J.M. Barrie, Rudyard Kipling, Virginia Woolf, Wilfred Owen, and Aldous Huxley - shaped their response to the loss of loved ones in the First World War through their embrace of mysticism.
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