Indiana, a young woman stuck in a loveless marriage, is seduced by a charming neighbor who is not as polished and pure as he appears. She embarks on a journey to find real love, leading to an unexpected discovery about the object of her affection. Indiana is a young woman from French Louisiana who’s married to the much older Colonel Delmare. Their union is strict and often oppressive, leaving her unfulfilled. Indiana shares their home with her cousin Ralph and her loyal maid, Noun. One evening they encounter a handsome young man, Raymon de Ramière, who becomes interested in Indiana. Yet, prior to their meeting, Raymon had already seduced Noun who is pregnant with his child. This complicated dynamic forces Indiana to decide what she really wants: passion or stability? Indiana is a bold commentary on the institution of marriage in France. It examines the implied gender roles and responsibilities pushed upon women. Sand champions the need for passion and true love, regardless of social convention. With an eye-catching new cover, and professionally typeset manuscript, this edition of Indiana is both modern and readable.
Amantine Aurore Lucile Dupin, (1804 - 1876), was a French novelist who wrote under the pseudonym George Sand. She is known as much for her reputation and affairs with famous men of the time as for being the first French female novelist to gain a major reputation. She sported men's clothing in public - which she said was easier to wear and sturdier, the clothes also enabled her to gain access to many places from which women were barred. She also smoked tobacco in public which was not allowed permitted for women, which provoked outrage. This book contains two classic biographies of her life - one by Justin M'Carthy in 1870 and the other by Bertha Thomas in 1883. It also contains three of George Sand's most notable novels - The Devil's Pool, Mauprat and Indiana. Enjoy this book all about this remarkable French woman who refused to be bound by social conventions.
What a brave man she was," said novelist Ivan Turgenev, "and what a good woman." French writer and feminist Amandine Aurore Lucile Dupin, Baroness Dudevant, aka GEORGE SAND (1804-1876), smoked in public and dressed like a man, carried on scandalous romantic affairs and was an intimate of Chopin and Flaubert...and wrote some of the most intriguing works of 19th-century French literature: novels, plays, autobiographies, literary criticism, and political treatises. This three-volume 1886 collection of her correspondence sheds light on her personality, morality, and ideas on religion, all of which molded the philosophies on women's sexuality and women's freedom that she is famous for today, and aids a deeper understanding of her work and her place in the history of feminism. Volume II covers the period of the late 1840s through the mid 1860s, and includes rich details of Sand's involvement in the Republican movements of the day, the story of her life in starving-artist straits, her thoughts on life and art, and much more, offering enthralling insight into the philosophy of a woman whose influence is still felt today.
Amantine-Lucile-Aurore Dupin 1804 – 1876, best known by her pseudonym George Sand was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of celebrities including Frédéric Chopin and Alfred de Musset. She was known well in far reaches of the world, and her social practices, her writings and her beliefs prompted much commentary, often by other luminaries in the world of arts and letters.In this book:The Devil's PoolMauprat
This is George Sand's second novel. Like Indiana, her first, it explores the relationship between men and women. Valentine, an aristocratic girl, falls despearately in love with Benedict, the son of a poor farmer. Again, like Indiana, this novel challenges preconceived masculine assumptions about woman's role in society. In loving Benedict, Valentine rebels against her family and her class.
What a brave man she was, and what a good woman." was once said by the novelist Ivan Turgeney. George sand (1804 1876) is the pseudonym for a leading French novelist. Sand could often be seen around Paris in male clothing. She claimed that men s clothing was cheaper, gave more freedom and was more comfortable. Sand is also known for her affair with the musician Chopin. Gustave Flaubert was a French novelist born in 1821. He played a major role in the realist school in French literature. His best-known work was Madame Bovary, which led to a trial on the novel s alleged immorality. This collection is an exchange of letters between two preeminent nineteenth-century French writers. Sand first wrote a complimentary review of a Flaubert novel, and he responded with a grateful letter. They continued to share their thoughts on the art of writing; on literature; on French culture, society, and politics; and on personal concerns, even though their views were far apart.
This carefully crafted ebook: “The Correspondence of George Sand and Gustave Flaubert” is formatted for your eReader with a functional and detailed table of contents. Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends. Excerpt: “You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it….”
George Sand, ecrivain francaise, est le pseudonyme d'Amantine Aurore Lucile Dupin (1804-1876), plus tard baronne Dudevant. Elle ecrivit des romans, des nouvelles, des contes, des pieces de theatre, une autobiographie, des critiques litteraires et des textes politiques. Elle est nee a Paris, mais a passe la plus grande partie de son enfance a Nohant dans l'Indre. En 1831 paraut son premier roman Rose et Blanche qu'elle a ecrit en collaboration avec Jules Sandeau, de qui elle s'inspire pour son pseudonyme Sand. Dans ses premiers romans, autobiographies transposees, elle assimile la quete du bonheur personnel a une regeneration sociale. Autres oeuvres comprennent: Indiana (qu'elle signe pour la premiere fois du pseudonyme de George Sand, 1832), Lelia (1833) et Elle et Lui (1859).
You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it…." Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends.
George Sand (1804-1876) "À quelque distance du chef-lieu de préfecture, dans un beau vallon de la Marche, on remarque, au-dessus d’un village nommé Fougères, un vieux château plus recommandable par l’ancienneté et la solidité de sa construction que par sa forme ou son étendue. Il paraît avoir été fortifié. Sa position sur la pointe d’une colline assez escarpée à l’ouest, et les ruines d’un petit fort posé vis-à-vis sur une autre colline, semblent l’attester. En 1820, on voyait encore plusieurs bastions et de larges pans de murailles former une dentelure imposante autour du château ; mais ces débris encombrant les cours de la ferme, les propriétaires en vendaient chaque année les matériaux, et même les donnaient à ceux des habitants qui voulaient bien prendre la peine de les emporter. Ces propriétaires étaient de riches fermiers qui habitaient une maison blanche à un étage et couverte en tuiles, à deux portées de fusil du château. Quelques portions de bâtiment, qui avaient été les communs et les écuries du châtelain, servaient désormais d’étables pour les troupeaux et de logement pour les garçons de ferme. Quant aux vastes salles du manoir féodal, elles étaient vides, délabrées, et seulement bien munies de portes et de fenêtres, car elles servaient de greniers à blé. Ce n’est pas que le pays produise beaucoup de grains ; mais les cultivateurs qui avaient acheté les terres de Fougères comme biens nationaux, avaient amassé une assez belle fortune en s’approvisionnant, dans le Berry, de céréales qu’ils entassaient dans leur château, et revendaient dans leur province à un plus haut prix. C’est une spéculation dont le peuple se trouverait bien, si le spéculateur consentait à subir avec lui le déficit des mauvaises années. Mais alors, au contraire, sous prétexte du grand dommage que les rats et les charançons ont fait dans les greniers, il porte ses denrées à un taux exorbitant, et s’engraisse des derniers deniers que le pauvre se laisse arracher au temps de la disette." Sous la Restauration, dans la Marche, le comte de Fougères revient avec sa fille Fiamma, après un long exil en Italie. Il a racheté son château et ses terres. La première personne rencontrée est Simon, fils de paysan et républicain, devenu avocat grâce à son parrain Me Parquet...
Set in the French countryside of George Sand’s childhood and narrated in the unique voice of a Berrichon peasant, La Petite Fadette is a beloved 1848 novel about identical twin brothers and Fadette, the mysterious waif with whom they both fall in love. The brothers, Landry and Sylvinet, belong to a highly respected farm family. When young Landry meets Fadette, whose very name suggests that she is a witch, he is captivated by the girl despite her lowly status and disreputable family. Sylvinet soon follows suit. Fadette’s relationship with the twins defies the patriarchal norms of French society as well as the expectations of the village, resulting in a tale of love, courage, and clever strategy winning out over superstition and prejudice. Often regarded as a simple country tale, Sand’s novel is layered with meaning, including subtle nods to the burgeoning desire for political and sexual equality in nineteenth-century France. This thoughtful critical translation by Gretchen van Slyke brings the complexity of the original story to life. Her introduction explores the autobiographical and political dimensions of the novel, and her translation preserves the rustic charm and archaic flavor of Sand’s language. An invaluable contribution to French literary studies and nineteenth-century literature studies, this new edition ensures that La Petite Fadette will be read by generations to come.
Best known as a novelist, George Sand (1804–1876) was also arguably the most successful woman dramatist in history. More than twenty of her plays were staged in major Paris theaters to widespread popular and critical acclaim. Translated here for the first time into English are her two most famous full-length comedies, The Marquis de Villemer and Françoise, as well as her three major one-act plays, The Paving Stone, The Japanese Lily, and A Good Deed Is Never Wasted. Noted for their lively characterization, sparkling dialogue, and deft constructions, her plays reflect the passion and generosity of her own character, as well as a quick-witted sense of humor. The translations are preceded by an introduction outlining Sand's theatrical career, the main themes and characteristics of her plays, and critical appraisals from her own generation to the present day. The translations are followed by notes and a bibliography.
Graham Anderson's translations of both Sand's and Colet's novels are faithful and highly readable, with short but helpful introductions. Anderson's translation is far better [than the previous]: his prose is tighter, better paced, more natural sounding, modern without being anachronistic." -Raymond N. MacKenzie in The London Review of Books George Sand's fictionalised account of her notorious affair with the poet Alfred de Musset caused a sensation on its publication two years after his death, in 1859. It also prompted a volley of claim and counter-claim: two more novels rapidly appeared in the following months, Lui Et Elle, by Musset’s brother, defending his reputation; and Lui, by Louise Colet, Flaubert’s former mistress and briefly Musset’s. Then the journalists and commentators of the day joined in, with Eux, by Gaston Lavalley, and Eux Et Elles, by Adolphe de Lescure, satirising the whole sordid business
Urbain, the Marquis de Villemer is the younger brother of Duke d'Aleria, and is eager to clear his family's debt to ensure his mother's happiness. The siblings have drastically different views on the purpose of money and marriage. A marchioness is eager to marry off her two sons: Duke d'Aleria and Urbain, the Marquis de Villemer. The former is the eldest, a charming playboy whose gambling addiction has saddled the family with debt. Urbain is the younger, more responsible son, who's willing to sacrifice his happiness for his mother's security. The men interact with several women, including Caroline, a secretary and companion to their mother. She is pulled into a strange world that hinges on marriage arrangements and social capital. The Marquis de Villemer is a nineteenth century novel that embodies popular elements of that time. It's fueled by class disparity, mismatched romance and financial strain. It also highlights family legacy and the desire to keep up appearances. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Marquis de Villmer is both modern and readable.
Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends. Excerpt: "You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it....
George Sand, ecrivain francaise, est le pseudonyme d'Amantine Aurore Lucile Dupin (1804-1876), plus tard baronne Dudevant. Elle ecrivit des romans, des nouvelles, des contes, des pieces de theatre, une autobiographie, des critiques litteraires et des textes politiques. Elle est nee a Paris, mais a passe la plus grande partie de son enfance a Nohant dans l'Indre. En 1831 paraut son premier roman Rose et Blanche qu'elle a ecrit en collaboration avec Jules Sandeau, de qui elle s'inspire pour son pseudonyme Sand. Dans ses premiers romans, autobiographies transposees, elle assimile la quete du bonheur personnel a une regeneration sociale. Autres oeuvres comprennent: Indiana (qu'elle signe pour la premiere fois du pseudonyme de George Sand, 1832), Lelia (1833) et Elle et Lui (1859).
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
George Sand, ecrivain francaise, est le pseudonyme d'Amantine Aurore Lucile Dupin (1804-1876), plus tard baronne Dudevant. Elle ecrivit des romans, des nouvelles, des contes, des pieces de theatre, une autobiographie, des critiques litteraires et des textes politiques. Elle est nee a Paris, mais a passe la plus grande partie de son enfance a Nohant dans l'Indre. En 1831 paraut son premier roman Rose et Blanche qu'elle a ecrit en collaboration avec Jules Sandeau, de qui elle s'inspire pour son pseudonyme Sand. Dans ses premiers romans, autobiographies transposees, elle assimile la quete du bonheur personnel a une regeneration sociale. Autres oeuvres comprennent: Indiana (qu'elle signe pour la premiere fois du pseudonyme de George Sand, 1832), Lelia (1833) et Elle et Lui (1859).
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.