Tactics and Ethics collects Georg Lukács’s articles from the most politically active time of his life, a period encompassing his stint as deputy commissar of education in the Hungarian Soviet Republic. Including his famed essay on parliamentarianism—which earned Lukács the respectful yet severe criticism of Lenin—this book is a treasure chest of valuable insights from one of history’s great political philosophers.
How Western philosophy lost its innocence: from Enlightenment to fascism The Destruction of Reason is Georg Lukács’s trenchant criticism of certain strands of philosophy after Marx and the role they played in the rise of National Socialism: ‘Germany’s path to Hitler in the sphere of philosophy,’ as he put it. Starting with the revolutions of 1848, his analysis spans post-Hegelian philosophy and sociology. The great pessimist Arthur Schopenhauer, neo-Hegelians such as Leopold von Ranke and Wilhelm Dilthey, and the phenomenologists Edmund Husserl, Karl Jaspers, and Jean-Paul Sartre come in for a share of criticism, but the principal targets are Friedrich Nietzsche and Martin Heidegger. Through these thinkers he shows in an unsparing analysis that, with almost no exceptions, the post-Hegelian tradition prepared the ground for fascist thought. Originally published in 1952, the book has been unjustly overlooked despite its centrality in Lukács’s work and its being one of the key texts in Western Marxism. This new edition features a historical introduction by Enzo Traverso, addressing the current rise of the far right across the world today.
History and Class Consciousness was the most important of Georg Lukcs's early theoretical writings, published in Germany in 1923. The subject of high praise and passionate criticism, it had a major impact on all the Marxist debates that followed, introducing key new concepts such as 'totality', 'reification' and 'imputed class consciousness'. This centenary edition, with a new preface by Michael Lwy, comprises a series of essays exploring, among other topics, the definition of orthodox Marxism, the question of legality and illegality, Rosa Luxemburg as a Marxist, the changing function of historic Marxism, and the substantiation and consciousness of the proletariat. This classic book has influenced many key philosophers of the twentieth and twenty-first centuries, including Adorno, Debord, Heidegger, Lefebvre, Merleau-Ponty and Zizek, and it can lay claim to being one of the cornerstones of contemporary thought.
Out of the chaos following Lenin's death and the mounting fury against Lukcs and his freshly penned History and Class Consciousness (1923), this book bears an assessment of Lenin as "the only theoretical equal to Marx." Lukcs shows, with unprecedented clarity, how Lenin's historical interventions-from his vanguard politics and repurposing of the state to his detection of a new, imperialist stage of capitalism-advanced the conjunction of theory and practice, class consciousness and class struggle. A postscript from 1967 reflects on how this picture of Lenin, which both shattered failed Marxism and preserved certain prejudices of its day, became even more inspirational after the oppressions of Stalin. Lukcs's study remains indispensable to an understanding of the contemporary significance of Lenin's life and work.
How Western philosophy lost its innocence: from Enlightenment to fascism The Destruction of Reason is Georg Lukács’s trenchant criticism of certain strands of philosophy after Marx and the role they played in the rise of National Socialism: ‘Germany’s path to Hitler in the sphere of philosophy,’ as he put it. Starting with the revolutions of 1848, his analysis spans post-Hegelian philosophy and sociology. The great pessimist Arthur Schopenhauer, neo-Hegelians such as Leopold von Ranke and Wilhelm Dilthey, and the phenomenologists Edmund Husserl, Karl Jaspers, and Jean-Paul Sartre come in for a share of criticism, but the principal targets are Friedrich Nietzsche and Martin Heidegger. Through these thinkers he shows in an unsparing analysis that, with almost no exceptions, the post-Hegelian tradition prepared the ground for fascist thought. Originally published in 1952, the book has been unjustly overlooked despite its centrality in Lukács’s work and its being one of the key texts in Western Marxism. This new edition features a historical introduction by Enzo Traverso, addressing the current rise of the far right across the world today.
Georg Lukács was one of the most controversial Marxist philosophers of this century. In this book, however, he appears in another guise: as a literary historian in the tradition of Sainte-Beuve and Belinsky, offering an advanced introduction to one of the richest periods of European literature. These previously untranslated essays - on Heinrich von Kleist, Joseph Eichendorff, Georg Büchner, Heinrich Heine, Gottfried Keller, Wilhelm Raabe, and Theodor Fontane - were written between 1936 and 1950. They illuminate Lukács's enduring love of German literature and his faith in the humanist tradition. In all of them, moreover, he can be seen actively intervening in the cultural debates of the time - on the role of literature, on the literary tradition in society, and on the relationship between literature and politics. Although his defense of realism against the crudities of socialist realism is implicit throughout these essays, Lukács's main purpose was to illuminate the intellectual, historical, and literary context in which these great writers worked, to attain a fuller understanding of what they wrote, and also to settle accounts with contemporary German critics who were attempting to create a fascist pantheon.
Georg Lukacs's The Process of Democratization provides indispensable reading for an understanding of the revolution that swept Russia and Eastern Europe during 1989-1990. Lukacs, a spokesman for anti-Bolshevik communism, was the advance guard of anti-Stalinist reform. Written in the aftermath of the Prague Spring, his book was a precursor to many of the Gorbachev reforms. Lukacs was the leading communist intellectual in the world until his death. During his last 15 years, he embarked upon a massive effort to revive Marxism as philosophy, as aesthetics, and as politics. The Process of Democratization was part of this attempt at a Marxist renaissance. He would probably be surprised to find that the Second Russian Revolution of 1989-1990 moved far beyond his reformism, overthrowing even the anti-Stalinist communism that he fought to retain.
An intense and lively debate on literature and art between thinkers who became some of the great figures of twentieth-century philosophy and literature. With an afterword by Fredric Jameson No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
This work is commonly held to be the foundational text for Western Marxism. As Stalinism took over in Russia, Lukacs was subjected to attacks for deviation. In the 1920s he wrote this response.
History and Class Consciousness was the most important of Georg Lukcs's early theoretical writings, published in Germany in 1923. The subject of high praise and passionate criticism, it had a major impact on all the Marxist debates that followed, introducing key new concepts such as 'totality', 'reification' and 'imputed class consciousness'. This centenary edition, with a new preface by Michael Lwy, comprises a series of essays exploring, among other topics, the definition of orthodox Marxism, the question of legality and illegality, Rosa Luxemburg as a Marxist, the changing function of historic Marxism, and the substantiation and consciousness of the proletariat. This classic book has influenced many key philosophers of the twentieth and twenty-first centuries, including Adorno, Debord, Heidegger, Lefebvre, Merleau-Ponty and Zizek, and it can lay claim to being one of the cornerstones of contemporary thought.
Tactics and Ethics collects Georg Lukcs's articles from the most politically active time of his life, a period encompassing his stint as deputy commissar of education in the Hungarian Soviet Republic. Including his famed essay on parliamentarianism-which earned Lukcs the respectful yet severe criticism of Lenin-this book is a treasure chest of valuable insights from one of history's great political philosophers.
György Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukács laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Lukács wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukács's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukácsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.
This is the first time one of the most important of Lukács' early theoretical writings, published in Germany in 1923, has been made available in English. The book consists of a series of essays treating, among other topics, the definition of orthodox Marxism, the question of legality and illegality, Rosa Luxemburg as a Marxist, the changing function of Historic Marxism, class consciousness, and the substantiation and consciousness of the Proletariat. Writing in 1968, on the occasion of the appearance of his collected works, Lukács evaluated the influence of this book as follows: "For the historical effect of History and Class Consciousness and also for the actuality of the present time one problem is of decisive importance: alienation, which is here treated for the first time since Marx as the central question of a revolutionary critique of capitalism, and whose historical as well as methodological origins are deeply rooted in Hegelian dialectic. It goes without saying that the problem was omnipresent. A few years after History and Class Consciousness was published, it was moved into the focus of philosophical discussion by Heidegger in his Being and Time, a place which it maintains to this day largely as a result of the position occupied by Sartre and his followers. The philologic question raised by L. Goldmann, who considered Heidegger's work partly as a polemic reply to my (admittedly unnamed) work, need not be discussed here. It suffices today to say that the problem was in the air, particularly if we analyze its background in detail in order to clarify its effect, the mixture of Marxist and Existentialist thought processes, which prevailed especially in France immediately after the Second World War. In this connection priorities, influences, and so on are not particularly significant. What is important is that the alienation of man was recognized and appreciated as the central problem of the time in which we live, by bourgeois as well as proletarian, by politically rightist and leftist thinkers. Thus, History and Class Consciousness exerted a profound effect in the circles of the youthful intelligentsia.
A classic of twentieth century sociology that has reprinted many times and become a landmark text With its insights into the fetishisation of money and the impact of extremes of wealth and poverty, it is now seen as prophetic in a credit driven, globalised world economy Anticipates many of the insights of later theorists such as Habermas, Baudrillard and Zizek Foresess the links between money and the growth of cities and urbanisation New foreword by Charles Lemert
Georg Lukács (1885–1971) is now recognized as one of the most innovative and best-informed literary critics of the twentieth century. Trained in the German philosophic tradition of Kant, Hegel, and Marx, he escaped Nazi persecution by fleeing to the Soviet Union in 1933. There he faced a new set of problems: Stalinist dogmatism about literature and literary criticism. Maneuvering between the obstacles of censorship, he wrote and published his longest work of literary criticism, The Historical Novel, in 1937. Beginning with the novels of Sir Walter Scott, The Historical Novel documents the evolution of a genre that came to dominate European fiction in the years after Napoleon. The novel had reached a point at which it could be socially and politically critical as well as psychologically insightful. Lukács devotes his final chapter to the anti-Nazi fiction of Germany and Austria.
Georg Lukács wrote The Theory of the Novel in 1914-1915, a period that also saw the conception of Rosa Luxemburg's Spartacus Letters, Lenin's Imperialism: The Highest Stage of Capitalism, Spengler's Decline of the West, and Ernst Bloch's Spirit of Utopia. Like many of Lukács's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl. The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukács's last great work before he turned to Marxism-Leninism.
Georg Lukács was one of the most controversial Marxist philosophers of this century. In this book, however, he appears in another guise: as a literary historian in the tradition of Sainte-Beuve and Belinsky, offering an advanced introduction to one of the richest periods of European literature. These previously untranslated essays - on Heinrich von Kleist, Joseph Eichendorff, Georg Büchner, Heinrich Heine, Gottfried Keller, Wilhelm Raabe, and Theodor Fontane - were written between 1936 and 1950. They illuminate Lukács's enduring love of German literature and his faith in the humanist tradition. In all of them, moreover, he can be seen actively intervening in the cultural debates of the time - on the role of literature, on the literary tradition in society, and on the relationship between literature and politics. Although his defense of realism against the crudities of socialist realism is implicit throughout these essays, Lukács's main purpose was to illuminate the intellectual, historical, and literary context in which these great writers worked, to attain a fuller understanding of what they wrote, and also to settle accounts with contemporary German critics who were attempting to create a fascist pantheon.
History and Class Consciousness: Studies in Marxist Dialectics is a 1923 book by the Hungarian philosopher Georg Lukács, in which the author re-emphasizes the philosopher Georg Wilhelm Friedrich Hegel's influence on Karl Marx, analyses the concept of "class consciousness", and attempts a philosophical justification of Bolshevism. Lukács attempts a philosophical justification of Bolshevism, stressing the distinction between actual class consciousness and "ascribed" class consciousness, the attitudes the proletariat would have if they were aware of all of the facts. Marx's idea of class consciousness is seen as a thought which directly intervenes into social being. Claiming to return to Marx's methodology, Lukács re-emphasizes the philosopher Georg Wilhelm Friedrich Hegel's influence on the philosopher Karl Marx, emphasizes dialectics over materialism, makes concepts such as alienation and reification central to his theory, and argues for the primacy of the concept of totality. Lukács depicts Marx as an eschatological thinker. He develops a version of Hegelian Marxism that contrasted with the emerging Soviet interpretations of Marxism based on the work of the philosopher Georgi Plekhanov and the dialectics of nature inspired by the philosopher Friedrich Engels. While reading, it is important to note that later in his life Lukács believed he misunderstood Marx's conception of alienation and conflated it with Hegel's conception. It is important to understand, too, that Lukács believed orthodox marxism "refers exclusively to method." As such, this book should not be read to keep one foot into the ivory tower but to understand this as another addition to a long historical conversation had on the philosophical implications of class consciousness, not so much a radical history of it as the title may be interpreted as.
This work is commonly held to be the foundational text for Western Marxism. As Stalinism took over in Russia, Lukacs was subjected to attacks for deviation. In the 1920s he wrote this response.
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