This second volume of plays by Georg Kaiser contains five plays ranging from his early work through the time of his prolific maturity in the 1920s to his last period as an exile in Switzerland, where he died in 1945.David and Goliath is set in Denmark and deals with the power of money over men. The President, set in France, is ironical in tone and revolves around a lottery and, once again, the power of money. The Flight to Venice was written at the height of the Expressionist movement in 1922, and is one of the principal plays of the period. One Day in October is highly complex, using nineteenth-century French literary personalities to make points about literary creation and the relationship between art and life. The final play, The Raft of the Medusa, takes its title from Gericault's painting, and concerns the regeneration of man overlaid with the pessimism of the European struggle.
After Expressionism had run its feverish course, its foremost exponent Georg Kaiser (1878-1945) ‑‑ The Burghers of Calais, From Morn to Midnight, Gas ‑‑ proved equally adept at the lighter fare demanded by post-war audiences. Of some nine hundred comedies premièred in the Weimar era, his Pulp Fiction was an early triumph, often revived and played now as parody of a contagious literary genre, now as critique of Old World pieties. The New Woman emerged even more clearly towards the end of the ‘Roaring Twenties’ in Clairvoyance ‑‑ though now also as antagonist, from whose vampish sophistication the loving wife emancipates both self and wayward husband. Between these two comedies, in One Day in October (acclaimed especially in Gustav Gründgens’s gripping production) focus shifts to psychological wrestling in deadly earnest over the parentage of a child. A parallel dilemma underlies the compelling plot, rising tension and searing climax of Agnete ‑‑ an uncanny precursor of the ‘Heimkehrer’ literature inspired by soldiers and captives returning home after 1945. This was indeed a fitting play to mark the rebirth of the Federal Republic of Germany in 1949. Kaiser had died in exile, though not before taking leave, like Prospero, with another wry comedy, The Gordian Egg.
This early work, originally published in 1922, is both expensive and hard to find in its first edition. Written by the German dramatist Georg Kaiser, one the most successful Expressionist dramatists of his age. This play, among the most frequently performed German Expressionist works, charts the life of a cashier who steals money from the bank and flees to Berlin. The un-named protagonist's bid to escape his middle class daily life is ultimately frustrated. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Contents are the theological conceptions of the authors of the New Testament, considered from systematic viewpoints, in the following sequence: Paul, the synoptics (Jesus, the saying-source), the Johannine literature (including the Apocalypse of John), the deutero-Pauline writings, the catholic epistles.
How biomedical research using various animal species and in vitro cellular systems has resulted in both major successes and translational failure. In Model Systems in Biology, comparative neurobiologist Georg Striedter examines how biomedical researchers have used animal species and in vitro cellular systems to understand and develop treatments for human diseases ranging from cancer and polio to Alzheimer’s disease and schizophrenia. Although there have been some major successes, much of this “translational” research on model systems has failed to generalize to humans. Striedter explores the history of such research, focusing on the models used and considering the question of model selection from a variety of perspectives—the philosophical, the historical, and that of practicing biologists. Striedter reviews some philosophical concepts and ethical issues, including concerns over animal suffering and the compromises that result. He traces the history of the most widely used animal and in vitro models, describing how they compete with one another in a changing ecosystem of models. He examines how therapies for bacterial and viral infections, cancer, cardiovascular diseases, and neurological disorders have been developed using animal and cell culture models—and how research into these diseases has both taken advantage of and been hindered by model system differences. Finally, Striedter argues for a “big tent” biology, in which a diverse set of models and research strategies can coexist productively.
The primary aim of this dissertation is to present an analysis for so-called optative constructions, clauses that express a wish, hope or desire without containing a lexical item that means 'wish', 'hope' or 'desire'. A secondary aim is to contrast optative constructions with so-called polar exclamatives, clauses that express surprise, shock or dismay at a given fact without containing a lexical item that means 'surprise', 'shock' or 'dismay'. The goal is to better understand the way in which syntax, semantics and pragmatics interact in order to yield the meanings and uses that these constructions have. The core claim is that we can understand optative constructions by virtue of exploring three properties that they share. First, I argue that optatives (and polar exclamatives) contain a generalized exclamation operator EX, which serves to express an emotion towards the status of the modified proposition on a contextually provided scale. Second, I argue that semantic mood (including factivity and counterfactuality) is encoded in a distinguished Mood head, the content of which co-determines both morphological mood and the material that overtly surfaces in the position of C. Third, I argue for a generalized analysis of prototypical particles, including non-exclusive ONLY, concessive AT LEAST and unstressed DOCH. My analysis treats these particles as truth-conditionally vacuous presupposition triggers, which interact with optativity in three different ways. First, they convey additional information with respect to the modified proposition. Second, they eliminate alternative readings for an ambiguous clause, due to incompatibility. Third, this disambiguating role makes them ideal licensors for a marked utterance type. Chapter 1 of this dissertation is an introductory chapter that presents the core proposal in a nutshell. After this coarse overview, chapter 2 reviews some basic definitions and background on optatives and polar exclamatives. Subsequently, I proceed to a presentation of my entire system in chapter 3. The following chapters discuss each of the three core parts in turn, starting with the EX operator in chapter 4, followed by semantic mood in chapter 5 and finally I discuss particles in chapter 6. Chapter 7 concludes.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
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