First published in 1971, Prelude to the Enlightenment is a study of the attitudes of French writers during the transition from the Classical Age to the Enlightenment. Professors Atkinson and Keller investigate the increasing vogue for emotionalism, weeping, and confession and attitudes towards love and morality. On a more intellectual plane, the approaches of authors of the time to literary questions and their treatment of the world of reality. This book presents wide range of quotations from many writers of the period 1690 to 1740 – among them Mativaux; l’Abbé Prévost; Saint-Evremond; the novelists Robert Chasles, Mme Aubin, Mme de Tencin and la Comtesse d’Aulnoy; the remarkable and little-known writer Jean Buvat, who worked as a copyist in the Royal Library and wrote the Journal de la Régence; and l’Abbé Pluche, author of Le Spectacle de la Nature. Some of these are well known, some virtually unheard of, but all provide clues to the character of the age. By combining their own comments with contemporary quotations, Professors Atkinson and Keller give modern readers a feeling for the atmosphere of the period that followed the Golden Age and a deeper appreciation of the literature of the Enlightenment itself.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
First published in 1971, Prelude to the Enlightenment is a study of the attitudes of French writers during the transition from the Classical Age to the Enlightenment. Professors Atkinson and Keller investigate the increasing vogue for emotionalism, weeping, and confession and attitudes towards love and morality. On a more intellectual plane, the approaches of authors of the time to literary questions and their treatment of the world of reality. This book presents wide range of quotations from many writers of the period 1690 to 1740 – among them Mativaux; l’Abbé Prévost; Saint-Evremond; the novelists Robert Chasles, Mme Aubin, Mme de Tencin and la Comtesse d’Aulnoy; the remarkable and little-known writer Jean Buvat, who worked as a copyist in the Royal Library and wrote the Journal de la Régence; and l’Abbé Pluche, author of Le Spectacle de la Nature. Some of these are well known, some virtually unheard of, but all provide clues to the character of the age. By combining their own comments with contemporary quotations, Professors Atkinson and Keller give modern readers a feeling for the atmosphere of the period that followed the Golden Age and a deeper appreciation of the literature of the Enlightenment itself.
Introduction -- Part I. Musical Privilege. Legal Privilège and Musical Production ; Social Privilège and Musician-Masons -- Part II. Property. Private Property : Music and Authorship ; Public Servants ; Cultural Heritage : Music as Work of Art ; National Industry : Music as a "Useful" Art and Science -- Postlude : A "Detractor" Breaks his "Silence" -- Conclusion : Privilege by Any Other Name.
Vernon Lee was the pen name of Violet Paget – a prolific author best known for her supernatural fiction, her support of the Aesthetic Movement and her radical polemics. She was an active correspondent who included many well-known figures among her circle. This scholarly edition of her letters makes a selection from more than 30 archives worldwide.
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