It is impossible to overstate the importance of English poet GEOFFREY CHAUCER (c. 1343 c. 1400) to the development of literature in the English language. His writings which were popular during his own lifetime with the nobility as well as with the increasingly literate merchant class marked the first celebration of the English vernacular as a tongue worthy of literary endeavor, most notably in his unfinished narrative poem The Canterbury Tales, the format and structure of which continues to be imitated by writers today. But the impact of Chaucer s work was felt even into the 16th and 17th centuries, when the first major collections of his writings set a high standard for how authors should be presented to the reading public. This widely esteemed seven-volume set first published in the 1890s by British academic WALTER WILLIAM SKEAT (1835 1912), Erlington and Bosworth Professor of Anglo-Saxon at Cambridge University is based solely on Chaucer s original manuscripts and the earliest available published works (with any significant variations or deviations between versions highlighted in the extensive notes), and comes complete with Skeat s informative commentary on many passages. Volume IV features all extant material for The Canterbury Tales, including: The Knightes Tale The Milleres Tale The Cokes Tale The Prioresses Tale The Monkes Tale The Tale of the Wyf of Bathe and all the rest.
Postmodernism and Notions of National Differenceexamines the critical construction of postmodern fiction raising the question of whether the construction of postmodernism has sufficiently accounted for national difference. Geoffrey Lord argues that current meta-national conceptions of postmodernism need serious reconsideration to take national cultural contexts into account. Through a comparative investigation of the theoretical debate, literary traditions and close textual reading of a number of postmodern texts, Lord makes a persuasive case for his broad claim that national cultural differences are more persistent and powerful than usually allowed by established theories of postmodernity which claim a general collapse of traditional cultural orders and the meta-narratives that justify them.
Geoffrey Lampe learned in August 1980 that he had only a few days to live. One of the last things that he did was to note down the papers to be included in this collection, which had been planned some time beforehand. Now, edited by George Newlands, it stands as a fitting memorial. The material included makes a good theological portrait. `Faith and "The Faith" ' reflects a life-long concern for the openness and freedom of Christian faith; 'Salvation' stresses a concern for the central issues in Christian doctrine. Two contrasting pieces offer different perspectives on the place of the Trinity in Christian faith, critical of the orthodox position yet affirming the divinity of Christ. Then come three exegetical studies, on 'The Two Swords' in Luke, The Spirit of Prophecy' in Revelation, and 'Martyrdom and Inspiration'. Finally, 'Women and the Ministry of Priesthood' is a measured but passionate plea for the ordination of women as a recognition of God's purpose for mankind, while Mere's Commemoration Sermon on 'Preparation for Death' forms a deeply moving conclusion. Geoffrey Lampe was Regius Professor of Divinity in the University of Cambridge.
Described by Pope Pius XII as the most important theologian since Thomas Aquinas, the Swiss pastor and theologian, Karl Barth, continues to be a major influence on students, scholars and preachers today. Barth's theology found its expression mainly through his closely reasoned fourteen-part magnum opus, Die Kirchliche Dogmatik. Having taken over 30 years to write, the Church Dogmatics is regarded as one of the most important theological works of all time, and represents the pinnacle of Barth's achievement as a theologian.
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