A truly remarkable achievement." —Barry Unsworth In the tradition of Seamus Heaney’s Beowulf and Marie Borroff’s Sir Gawain and the Green Knight, Sheila Fisher’s The Selected Canterbury Tales is a vivid, lively, and readable translation of the most famous work of England’s premier medieval poet. Preserving Chaucer’s rhyme and meter, Fisher makes these tales accessible to a contemporary ear while inviting readers to the Middle English original on facing pages. Her informative introduction highlights Chaucer’s artistic originality in his memorable portrayals of surprisingly modern women and men from across the spectrum of medieval society.
This classic work of medieval literature features the pious and profane stories of commoners on a pilgrimage in fourteenth-century England. One of the most famous works of literature written in Middle English, The Canterbury Tales were penned by Geoffrey Chaucer, who was widely regarded as the greatest poet of his time. The stories “run the gamut of tales known to people in the Middle Ages and include ribald stories such as the ‘Miller’s Tale’ and the ‘Reeve’s Tale’; medieval romances set against ancient backgrounds such as the ‘Knight’s Tale’; animal fables such as the ‘Nun’s Priest’s Tale’; Arthurian legends such as the ‘Wife of Bath’s Tale’; saint’s lives such as the “Prioress’ Tale”; and the “Second Nun’s Tale”; tragic tales, sort of, such as the Monk’s Tale’; and cautionary tales, such as the Pardoner’s Tale.’ . . . It is rightly considered one of the masterworks of English literature” (The Kansas City Public Library). “A raucous read.” —The Guardian
Featuring twenty major works of European poetry over a period of a thousand years, this collection charts the development of verse from the fall of the Roman Empire to the birth of the Renaissance. Contrary to popular belief, the poetry of the Dark Ages enjoyed a pioneering development, exploring new metres and complex imagery. Throughout the Middle Ages, poetry adopted numerous forms across the continent, from the epic greatness of the ‘chanson de geste’ to the sublime lyrical qualities of love poetry. This eBook provides a rich sample of medieval poetry; from the earliest dawn of English literature to the unparalleled brilliance of Dante; from the courtly adventures of Arthurian legend to the stirring lays of the Vikings; from the Eastern magic of Georgia to the ribald genius of Chaucer; this collection will immerse you in the perilous, amusing and tantalising world of the Middle Ages. (Version 1) * Beautifully illustrated with images relating to the poets’ lives and works * Concise introductions to the works * Most of the poems appear with their original medieval texts, as well as an English translation — ideal for students * Images of how the original manuscripts first appeared, giving your eReader a taste of the medieval texts * Excellent formatting of the poems * Easily locate the sections you want to read * Features three critical works on the development of medieval literature * Scholarly ordering of texts into chronological order Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: Medieval Poetry Hymn by Cædmon (7th century) Christ II by Cynewulf (8th century) (Tr. Raymond Wilson Chambers) Beowulf (c.1000) (Tr. William Morris) The Song of Roland (c. 1050) (Tr. C. K. Moncreiff) The Poem of the Cid (c. 1140) (Tr. Robert Southey) Chronicle of the Norman Conquest from ‘Roman de Rou’ by Wace (c. 1170) (Tr. Edgar Taylor) Yvain, the Knight of the Lion by Chrétien de Troyes (c. 1180) (Tr. William Wistar Comfort) Parzival by Wolfram von Eschenbach (c. 1210) (Tr. Jessie Weston) The Troubadours (1100-1350) by H. J. Chaytor The Knight in the Panther’s Skin by Shota Rustaveli (c. 1190) (Tr. Marjory Wardrop) The Song of the Nibelungs (c. 1200) (Tr. Daniel Bussier Shumway) Lays of Marie de France (c. 1210) (Tr. Eugene Mason) The Romance of the Rose by Guillaume de Lorris [PARTIAL TRANSLATION] (c. 1230) (Tr. Geoffrey Chaucer) Poetic Edda (c. 13th century) (Tr. Benjamin Thorpe) Wine, Women and Song: Mediæval Latin Students’ Songs (c. 13th century) (Tr. John Addington Symonds) The Divine Comedy by Dante Alighieri (1320) (Tr. H. F. Cary) Sir Gawain and the Green Knight (c. 1375) (Tr. Jessie Weston) Sonnets by Francesco Petrarca (c. 1374) (Tr. Thomas Campbell) Piers Plowman by William Langland (c. 1380) Edited by Thomas Wright The Canterbury Tales by Geoffrey Chaucer (c. 1400) The Criticism The Flourishing of Romance and the Rise of Allegory by George Saintsbury Medieval English Literature by W. P. Ker Epic and Romance: Essays on Medieval Literature by W. P. Ker Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
The first volume of our new Series Three offers the complete works of Geoffrey Chaucer, with medieval illustrations, scholarly features, informative introductions and the usual Delphi bonus material. * Beautifully illustrated with images relating to Chaucer's life and works * Concise introductions to the poems and other texts * Images of how the books were first illustrated, giving your eReader a taste of the medieval texts * Excellent formatting of the poetry * THE CANTERBURY TALES features the original Ellesmere Manuscript illustrations of the pilgrims * Offers two versions of the major texts THE CANTERBURY TALES and TROILUS AND CRISEDYE, each with individual contents tables and links: The Oxford University 1894 scholarly text, with original spellings and line numbers (ideal for students) AND a modernised spellings and annotated text version to help the general reader now you can truly enjoy Chaucers language! * Special criticism section, with essays by writers such as G. K. Chesterton, Virginia Woolf and James Joyce evaluating Chaucers contribution to literature * Features four biographies immerse yourself in Chaucer's medieval world! * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse our range of exciting titles CONTENTS: The Poetry THE ROMAUNT OF THE ROSE THE BOOK OF THE DUCHESS THE HOUSE OF FAME ANELIDA AND ARCITE PARLEMENT OF FOULES TROILUS AND CRISEYDE (ORIGINAL TEXT) TROILUS AND CRISEYDE (MODERNISED AND ANNOTATED) THE LEGEND OF GOOD WOMEN THE CANTERBURY TALES (ORIGINAL TEXT) THE CANTERBURY TALES (MODERNISED AND ANNOTATED) MINOR POEMS The Non-Fiction BOECE TREATISE ON THE ASTROLABE The Criticism CHAUCER AND HIS TIMES by Grace Eleanor Hadow ON MR. GEOFFREY CHAUCER by G. K. Chesterton ADVENTURES IN CRITICISM by Sir Arthur Thomas Quiller-Couch LECTURES ON CHAUCER AND SPENSER by William Hazlitt Extract from MY LITERARY PASSIONS by William Dean Howells THE RENAISSANCE AND THE REFORMATION by Andrew Lang THE PASTONS AND CHAUCER by Virginia Woolf Extract from INTRODUCTION TO THE PAINTINGS by D. H. Lawrence Extract from REALISM AND IDEALISM IN ENGLISH LITERATURE by James Joyce The Biographies CHAUCER AND HIS ENGLAND by G. G. Coulton CHAUCER by Sir Adolphus William Ward CHAUCERS OFFICIAL LIFE by James Root Hulbert BRIEF LIFE OF GEOFFREY CHAUCER by D. Laing Purves Please click here to browse our other titles
Geoffrey Chaucer's "The Canterbury Tales" is epic in everyway; it have love, humor, history, religion--it has it all! Who wouldn't want to read this true classic? Unfortunately, reading it and understanding it can be two very different things because the English often just does not make sense to the modern reader. Let BookCaps help with this modern translation. If you have struggled in the past reading old English, then BookCaps can help you out. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.
THE object of this volume is to place before the general reader our two early poetic masterpieces — The Canterbury Tales and The Faerie Queen; to do so in a way that will render their "popular perusal" easy in a time of little leisure and unbounded temptations to intellectual languor; and, on the same conditions, to present a liberal and fairly representative selection from the less important and familiar poems of Chaucer and Spenser. There is, it may be said at the outset, peculiar advantage and propriety in placing the two poets side by side in the manner now attempted for the first time. Although two centuries divide them, yet Spenser is the direct and really the immediate successor to the poetical inheritance of Chaucer. Those two hundred years, eventful as they were, produced no poet at all worthy to take up the mantle that fell from Chaucer's shoulders; and Spenser does not need his affected archaisms, nor his frequent and reverent appeals to "Dan Geffrey," to vindicate for himself a place very close to his great predecessor in the literary history of England. If Chaucer is the "Well of English undefiled," Spenser is the broad and stately river that yet holds the tenure of its very life from the fountain far away in other and ruder scenes. The Canterbury Tales, so far as they are in verse, have been printed without any abridgement or designed change in the sense. But the two Tales in prose — Chaucer's Tale of Meliboeus, and the Parson's long Sermon on Penitence — have been contracted, so as to exclude thirty pages of unattractive prose, and to admit the same amount of interesting and characteristic poetry. The gaps thus made in the prose Tales, however, are supplied by careful outlines of the omitted matter, so that the reader need be at no loss to comprehend the whole scope and sequence of the original. With The Faerie Queen a bolder course has been pursued.
Is God to blame for natural disasters? Does He cause volcanic action, flooding, earthquakes, plague and genetic disease? Can He Prevent them? Why doesn’t He? Geoffrey E L Bennett uncovers deep Biblical insights linking them to twenty-first century cultural and scientific answers. Is God cruel or callous? Is He impotent or incompetent? How can I know if God even exists? Part one explores pain and shows how different cultural groups understand God to be vindictive and cruel, or else limited in power, or believe that suffering does not really exist. Part two examines Old Testament teaching on suffering, challenging the idea of ancient wisdom. Profound teaching is dissected from the minor and major prophets as well as the story of Job. Then the New Testament fulfillment of prophecy is examined, challenging perceived ideas, and finishes with an interpretation of the Apocalypse. The concluding solution to pain and suffering of God. Part three deals with scientific theories and twenty-first century concepts of the universe and the physical world, together with raw nature and biogenetic problems. What place does God have in our modern world? Do natural disasters “Acts of God” show a limited or incompetent Deity?
Family Fun' is for children of all ages, There are stories for small children like the one about Molly who was very upset because she couldn't find her Teddy bear at bedtime. To stories for older children like Brett who thought (like most twelve year olds) that he had found a haunted house. Poem are there as well and on some pages there are pictures to colour. The older children can read their stories and parents can read to little children. In our lives our imaginations create many types of dreams and adventures and I think that 'Family Fun' could help young minds to stay active. (Mrs G.)
The definitive history of the Spanish Armada, lavishly illustrated and fully revised “Will surely become the definitive account.”—Stephen Brumwell, Wall Street Journal In July 1588 the Spanish Armada sailed from Corunna to conquer England. Three weeks later an English fireship attack in the Channel—and then a fierce naval battle—foiled the planned invasion. Many myths still surround these events. The genius of Sir Francis Drake is exalted, while Spain’s efforts are belittled. But what really happened during that fateful encounter? Drawing on archives from around the world, Colin Martin and Geoffrey Parker also deploy vital new evidence from Armada shipwrecks off the coasts of Ireland and Scotland. Their gripping, beautifully illustrated account provides a fresh understanding of how the rival fleets came into being; how they looked, sounded, and smelled; and what happened when they finally clashed. Looking beyond the events of 1588 to the complex politics which made war between England and Spain inevitable, and at the political and dynastic aftermath, Armada deconstructs the many legends to reveal why, ultimately, the bold Spanish mission failed.
The Spanish Aramda is a radical interpretation of why Philip II's Armada of 1588 failed so disastrously. This new edition is based on a fresh examination of archival sources across Europe, combined with the archaeological investigation of some of its wrecked ships off the coasts of Scotland and Ireland. The new edition has been extensively revised to incorporate ten further years of research by the authors and others, and is likely to remain the standard account for years to come.
In this revised second edition Dr Killen continues his survey of Egyptian furniture-making techniques with a study of boxes, chests and footstools and traces their evolution from the earliest times. Wooden, papyrus and alabaster boxes and chests were used to hold, protect and store valuable objects, toilet utensils, instruments, tools, garments, curtains, game pieces and papyri amongst other things. Those from the Old Kingdom usually had flat lids and solid board sides, tied together at the corners. During later periods carcase construction became so sophisticated, with the introduction of frame and panel work, that it was possible to construct barrel, shrine and pent-shaped lids. Later chests were elaborately painted, some with funerary scenes, painted with hieroglyphs or had gilt fretwork decoration applied to the sides and lid. This book is copiously illustrated with drawings and photographs and contains a catalogue of additional known pieces of Egyptian furniture preserved in museum collections.
“This book has been more helpful to the students—both the better ones and the lesser ones—than any other book I have ever used in any of my classes in my more than a quarter century of university teaching.” —RICHARD L. KIRKWOOD, University of Wisconsin–Eau Claire This Norton Critical Edition includes: • The medieval masterpiece’s most popular tales, including—new to the Third Edition—The Man of Law’s Prologue and Tale and The Second Nun’s Prologue and Tale. • Extensive marginal glosses, explanatory footnotes, a preface, and a guide to Chaucer’s language by V. A. Kolve and Glending Olson. • Sources and analogues arranged by tale. • Twelve critical essays, seven of them new to the Third Edition. • A Chronology, a Short Glossary, and a Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
Stop working for the man – break free and make sure you’re getting paid what you’re worth Stop slogging away 9 – 5 for a set salary (plus the overtime you inevitably do and don’t get any credit for). Abandon the day job and go it alone. Start doing what you want to do, when you want to do it. There are currently 4 million self-employed people in the UK –be one of them, join them, set yourself free. It’s not about becoming an entrepreneurial whiz-kid, it’s about working the way you want to work, on the things you want to work on, and in the location you want to do it from. Remember, you don’t have to sit in an office to get a job done. Self-Made Me shows you how to work how and where you want and earn exactly what you’re worth – not what an employer wants to get away with giving you. Be your own boss and increase your value. It’s never been easier to be self-employed than it is today, with increased communications, mobile working and outsourcing This straight-forward and engaging guide will help you make being self-employed a success Shows you how to get paid what you are actually worth, and how to work as hard or as little required to create the lifestyle you choose Self Made Me is for a new breed of people, and will show you how to make self-employment work for you.
Drawing on vital new evidence, a top historian dramatically reinterprets the life and reign of Holy Roman Emperor Charles V, ruler of the world's first transatlantic empire "Masterly."--William Anthony Hay, Wall Street Journal "Seldom does one find a work of such profound scholarship delivered in such elegant and engaging prose. Drawing deftly on an astonishing volume of documentary evidence, Parker has produced a masterpiece: an epic, detailed and vivid life of this complex man and his impossibly large empire."--Susannah Lipscomb, Financial Times Selected as a book of the year (2020) by Simon Sebag Montefiore in Aspects of History magazine The life of Emperor Charles V (1500-1558), ruler of Spain, Germany, the Netherlands, and much of Italy and Central and South America, has long intrigued biographers. But the elusive nature of the man (despite an abundance of documentation), his relentless travel and the control of his own image, together with the complexity of governing the world's first transatlantic empire, complicate the task. Geoffrey Parker, one of the world's leading historians of early modern Europe, has examined the surviving written sources in Dutch, French, German, Italian, Latin, and Spanish, as well as visual and material evidence. He explores the crucial decisions that created and preserved this vast empire, analyzes Charles's achievements within the context of both personal and structural factors, and scrutinizes the intimate details of the ruler's life for clues to his character and inclinations. The result is a unique biography that interrogates every dimension of Charles's reign and views the world through the emperor's own eyes.
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