Learning Music Theory with Logic, Max, and Finale is a groundbreaking resource that bridges the gap between music theory teaching and the world of music software programs. Focusing on three key programs—the Digital Audio Workstation (DAW) Logic, the Audio Programming Language (APL) Max, and the music-printing program Finale—this book shows how they can be used together to learn music theory. It provides an introduction to core music theory concepts and shows how to develop programming skills alongside music theory skills. Software tools form an essential part of the modern musical environment; laptop musicians today can harness incredibly powerful tools to create, record, and manipulate sounds. Yet these programs on their own don’t provide musicians with an understanding of music notation and structures, while traditional music theory teaching doesn’t fully engage with technological capabilities. With clear and practical applications, this book demonstrates how to use DAWs, APLs, and music-printing programs to create interactive resources for learning the mechanics behind how music works. Offering an innovative approach to the learning and teaching of music theory in the context of diverse musical genres, this volume provides game-changing ideas for educators, practicing musicians, and students of music. The author's website at http://www.geoffreykidde.com includes downloadable apps that support this book.
THE object of this volume is to place before the general reader our two early poetic masterpieces — The Canterbury Tales and The Faerie Queen; to do so in a way that will render their "popular perusal" easy in a time of little leisure and unbounded temptations to intellectual languor; and, on the same conditions, to present a liberal and fairly representative selection from the less important and familiar poems of Chaucer and Spenser. There is, it may be said at the outset, peculiar advantage and propriety in placing the two poets side by side in the manner now attempted for the first time. Although two centuries divide them, yet Spenser is the direct and really the immediate successor to the poetical inheritance of Chaucer. Those two hundred years, eventful as they were, produced no poet at all worthy to take up the mantle that fell from Chaucer's shoulders; and Spenser does not need his affected archaisms, nor his frequent and reverent appeals to "Dan Geffrey," to vindicate for himself a place very close to his great predecessor in the literary history of England. If Chaucer is the "Well of English undefiled," Spenser is the broad and stately river that yet holds the tenure of its very life from the fountain far away in other and ruder scenes. The Canterbury Tales, so far as they are in verse, have been printed without any abridgement or designed change in the sense. But the two Tales in prose — Chaucer's Tale of Meliboeus, and the Parson's long Sermon on Penitence — have been contracted, so as to exclude thirty pages of unattractive prose, and to admit the same amount of interesting and characteristic poetry. The gaps thus made in the prose Tales, however, are supplied by careful outlines of the omitted matter, so that the reader need be at no loss to comprehend the whole scope and sequence of the original. With The Faerie Queen a bolder course has been pursued.
Featuring twenty major works of European poetry over a period of a thousand years, this collection charts the development of verse from the fall of the Roman Empire to the birth of the Renaissance. Contrary to popular belief, the poetry of the Dark Ages enjoyed a pioneering development, exploring new metres and complex imagery. Throughout the Middle Ages, poetry adopted numerous forms across the continent, from the epic greatness of the ‘chanson de geste’ to the sublime lyrical qualities of love poetry. This eBook provides a rich sample of medieval poetry; from the earliest dawn of English literature to the unparalleled brilliance of Dante; from the courtly adventures of Arthurian legend to the stirring lays of the Vikings; from the Eastern magic of Georgia to the ribald genius of Chaucer; this collection will immerse you in the perilous, amusing and tantalising world of the Middle Ages. (Version 1) * Beautifully illustrated with images relating to the poets’ lives and works * Concise introductions to the works * Most of the poems appear with their original medieval texts, as well as an English translation — ideal for students * Images of how the original manuscripts first appeared, giving your eReader a taste of the medieval texts * Excellent formatting of the poems * Easily locate the sections you want to read * Features three critical works on the development of medieval literature * Scholarly ordering of texts into chronological order Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: Medieval Poetry Hymn by Cædmon (7th century) Christ II by Cynewulf (8th century) (Tr. Raymond Wilson Chambers) Beowulf (c.1000) (Tr. William Morris) The Song of Roland (c. 1050) (Tr. C. K. Moncreiff) The Poem of the Cid (c. 1140) (Tr. Robert Southey) Chronicle of the Norman Conquest from ‘Roman de Rou’ by Wace (c. 1170) (Tr. Edgar Taylor) Yvain, the Knight of the Lion by Chrétien de Troyes (c. 1180) (Tr. William Wistar Comfort) Parzival by Wolfram von Eschenbach (c. 1210) (Tr. Jessie Weston) The Troubadours (1100-1350) by H. J. Chaytor The Knight in the Panther’s Skin by Shota Rustaveli (c. 1190) (Tr. Marjory Wardrop) The Song of the Nibelungs (c. 1200) (Tr. Daniel Bussier Shumway) Lays of Marie de France (c. 1210) (Tr. Eugene Mason) The Romance of the Rose by Guillaume de Lorris [PARTIAL TRANSLATION] (c. 1230) (Tr. Geoffrey Chaucer) Poetic Edda (c. 13th century) (Tr. Benjamin Thorpe) Wine, Women and Song: Mediæval Latin Students’ Songs (c. 13th century) (Tr. John Addington Symonds) The Divine Comedy by Dante Alighieri (1320) (Tr. H. F. Cary) Sir Gawain and the Green Knight (c. 1375) (Tr. Jessie Weston) Sonnets by Francesco Petrarca (c. 1374) (Tr. Thomas Campbell) Piers Plowman by William Langland (c. 1380) Edited by Thomas Wright The Canterbury Tales by Geoffrey Chaucer (c. 1400) The Criticism The Flourishing of Romance and the Rise of Allegory by George Saintsbury Medieval English Literature by W. P. Ker Epic and Romance: Essays on Medieval Literature by W. P. Ker Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
The only collection in English of the major medieval versions of the story of "Troilus and Criseyde" - from Beno't de Sainte-Maure, Boccaccio, Chaucer, and Henryson. Reprinted from the 1964 edition. First published in 1934.
The first volume of our new Series Three offers the complete works of Geoffrey Chaucer, with medieval illustrations, scholarly features, informative introductions and the usual Delphi bonus material. * Beautifully illustrated with images relating to Chaucer's life and works * Concise introductions to the poems and other texts * Images of how the books were first illustrated, giving your eReader a taste of the medieval texts * Excellent formatting of the poetry * THE CANTERBURY TALES features the original Ellesmere Manuscript illustrations of the pilgrims * Offers two versions of the major texts THE CANTERBURY TALES and TROILUS AND CRISEDYE, each with individual contents tables and links: The Oxford University 1894 scholarly text, with original spellings and line numbers (ideal for students) AND a modernised spellings and annotated text version to help the general reader now you can truly enjoy Chaucers language! * Special criticism section, with essays by writers such as G. K. Chesterton, Virginia Woolf and James Joyce evaluating Chaucers contribution to literature * Features four biographies immerse yourself in Chaucer's medieval world! * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse our range of exciting titles CONTENTS: The Poetry THE ROMAUNT OF THE ROSE THE BOOK OF THE DUCHESS THE HOUSE OF FAME ANELIDA AND ARCITE PARLEMENT OF FOULES TROILUS AND CRISEYDE (ORIGINAL TEXT) TROILUS AND CRISEYDE (MODERNISED AND ANNOTATED) THE LEGEND OF GOOD WOMEN THE CANTERBURY TALES (ORIGINAL TEXT) THE CANTERBURY TALES (MODERNISED AND ANNOTATED) MINOR POEMS The Non-Fiction BOECE TREATISE ON THE ASTROLABE The Criticism CHAUCER AND HIS TIMES by Grace Eleanor Hadow ON MR. GEOFFREY CHAUCER by G. K. Chesterton ADVENTURES IN CRITICISM by Sir Arthur Thomas Quiller-Couch LECTURES ON CHAUCER AND SPENSER by William Hazlitt Extract from MY LITERARY PASSIONS by William Dean Howells THE RENAISSANCE AND THE REFORMATION by Andrew Lang THE PASTONS AND CHAUCER by Virginia Woolf Extract from INTRODUCTION TO THE PAINTINGS by D. H. Lawrence Extract from REALISM AND IDEALISM IN ENGLISH LITERATURE by James Joyce The Biographies CHAUCER AND HIS ENGLAND by G. G. Coulton CHAUCER by Sir Adolphus William Ward CHAUCERS OFFICIAL LIFE by James Root Hulbert BRIEF LIFE OF GEOFFREY CHAUCER by D. Laing Purves Please click here to browse our other titles
Troilus and Criseyde" is a narrative poem written by Geoffrey Chaucer, often considered one of the greatest English poets of the Middle Ages. Chaucer, known as the "Father of English Literature," composed this work in the 1380s. The poem is considered one of Chaucer's major achievements and is a significant piece of Middle English literature. Key features of "Troilus and Criseyde" include: 1. **Setting:** The poem is set against the backdrop of the Trojan War, focusing on the tragic love story between the Trojan prince Troilus and Criseyde (or Cressida), a woman associated with the Greek camp. 2. **Narrative Structure:** "Troilus and Criseyde" is written in rhyme royal, a seven-line stanza form. It follows the conventions of courtly love poetry, a popular genre in medieval literature. 3. **Characters:** The characters in the poem are richly developed, and their emotions and motivations are intricately portrayed. The central figures include Troilus, Criseyde, Pandarus (Criseyde's uncle), and other characters from Greek and Trojan mythology. 4. **Love, Betrayal, and Fate:** The narrative revolves around the theme of love and its complexities, exploring the intense and ultimately tragic love between Troilus and Criseyde. The story delves into issues of loyalty, betrayal, and the role of fate in shaping human lives. 5. **Influence:** Chaucer's work has had a lasting impact, and "Troilus and Criseyde" has inspired adaptations and interpretations in various art forms, including literature and drama. The poem showcases Chaucer's skill in narrative storytelling and his ability to capture the complexities of human emotion. "Troilus and Criseyde" stands as an important work within the broader context of medieval literature and is a testament to Chaucer's contribution to the development of the English literary tradition.
Out Late at Night A New Friend The Trapper's Story The Trapping Grounds Conversations and Plans Still in the Dark—The Canoe Again Alone in the Wilderness Trapping Among the Indians The Buffalo Hunt and its Consequences An Awful Awakening The Brigade and an Old Friend Found at Last
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