No Canadian city has been exposed, cinematically speaking, more often than Toronto. Published to coincide with the city’s 175th birthday, Toronto on Film examines the way the city has been presented in cinema. Geoff Pevere examines Toronto’s portrayal by filmmakers such as David Cronenberg and Atom Egoyan and in seminal works such as Don Owen’s Nobody Waved Goodbye and Don Shebib’s Goin’ Down the Road. Just like the real city, the reel city of Toronto is a place of fascinating complexity, rich contradiction, and radical transformation, and Pevere presents an analysis of how filmmakers such as Deepa Mehta (Sam and Me; Bollywood Hollywood) and Srnivas Krishna (Masala) have created an alternative, more magical view of the city. Key landmarks such as the CN Tower and the Yonge Street strip are featured in some of the wilder and more recherché portraits of Toronto. Toronto on Film includes a new essay by critic and scholar Matthew Hays, writing on the development of queer-themed film in Toronto, as well as contributions by Piers Handling, Toronto International Film Festival co-director and CEO; former Take One editor and publisher Wyndham Wise (on the emergence of the independent film scene in 1960s Toronto); filmmaker and scholar Brenda Longfellow (on the birth of the Toronto New Wave); and Steve Gravestock, associate director of Canadian programming at TIFF. The book contains an annotated filmography of key Toronto films. Published by the Toronto International Film Festival and distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.
Since its release in July 1970, Donald Shebib’s low-budget road movie about displaced Maritimers in Toronto has become one of the most celebrated Canadian movies ever made. In this study of Goin’ Down the Road, renowned film critic Geoff Pevere provides an engaging account of how a film produced under largely improvised circumstances became the most influential Canadian movie of its day as well as an enduring cultural touchstone. Featuring extensive interviews with the film’s key participants, Pevere provides behind-the-scenes history and explores how the movie’s meaning and interpretation have changed over time. He gives special attention to the question of why the film’s creative mix of documentary techniques, road movie tropes, and social commentary have proven so popular and influential in Canadian filmmaking for decades.
Since its release in July 1970, Donald Shebib’s low-budget road movie about displaced Maritimers in Toronto has become one of the most celebrated Canadian movies ever made. In this study of Goin’ Down the Road, renowned film critic Geoff Pevere provides an engaging account of how a film produced under largely improvised circumstances became the most influential Canadian movie of its day as well as an enduring cultural touchstone. Featuring extensive interviews with the film’s key participants, Pevere provides behind-the-scenes history and explores how the movie’s meaning and interpretation have changed over time. He gives special attention to the question of why the film’s creative mix of documentary techniques, road movie tropes, and social commentary have proven so popular and influential in Canadian filmmaking for decades.
In the late 1970s and early 1980s, no Canadian band rocked harder, louder or to more hardcore fans than Teenage Head. This high-energy quartet – consisting of four guys who'd known each other since high school – were a balls-to-the-walls sonic assault. And they almost became world-famous. Almost. This is their story, told for the first time.
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