Long ago his mother had routinely cleaned the windows of the family home to invisibility. But the glass had shut him away nevertheless, a fading print of a boy, a creature as flat and boneless as the paper animals taped on the plaster. The symptoms of chronic disease had excluded him from the world outside-and the world inside, created from books piled high in the sickroom provided small compensation for his expected death. Only the vast histories of human conflict were a consolation. His reading and rereading of them intensified the enmity that nourished his remaining strength. Or that's what he chose to remember as he looked down on the quiet street below. In The Second Law of Dying, the ghostly presence of Nobel laureate Dr. Albert Schweitzer lays out the map of moral choices for Dr. Hugo Haultain as he grinds his way through the abyss of degradation that poisons his life. Across several continents and ending in Schweitzer's remote African hospital, varying and inevitable circumstances give the notorious and depleted Dr. Haultain the daily option of turning violently on the world-or not.
Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole—helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury’s paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors’ fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock ‘n’ roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation. No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the ’60s and ’70s—it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.
The Sturgeon General is an anthology of comedic writing, compiling short works of fiction and non-fiction and other miscellany for the hilarious good of all. Each issue features the work of a single comedy writer. This edition is a collection of non-fiction articles from writer Geoff Lemon. It includes his article from 2011 'You Shut Your Goddamn Carbon Taxin Mouth' – an hilarious rant against the nay-sayers of the proposed carbon tax, which was a viral phenomenon. The collection also includes an array of inspired and witty political and travel writing, including an epic series of misadventures in South America.
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