This book addresses pioneering views and hot topics in contemporary Marxist philosophy, reflecting the latest advances and important achievements made over the past 30 years in China. Besides summarizes and reflects past and present advances in Marxist philosophy, this book also outlines a path for its future development in China. Presenting a comprehensive exploration of the most fundamental and significant theoretical issues in the field of contemporary Chinese Marxist philosophy, based on the latest research, it lays the foundation for Chinese philosophy in the new century, making it of great significance for promoting the study of contemporary Chinese philosophy.
This book describes grouping detection and initiation; group initiation algorithm based on geometry center; data association and track continuity; as well as separate-detection and situation cognition for group-target. It specifies the tracking of the target in different quantities and densities. At the same time, it integrates cognition into the application. Group-target Tracking is designed as a book for advanced-level students and researchers in the area of radar systems, information fusion of multi-sensors and electronic countermeasures. It is also a valuable reference resource for professionals working in this field.
This book presents basic research on delta operator systems (DOS) with actuator saturation. It proposes null controllable regions of delta operator systems, introduces the enlarging of the domain of attraction and analyzes the performance of DOSs subject to actuator saturation. It also discusses the domain of attraction on different systems in delta domain, and investigates the applications in complicated systems using delta operator approaches.
A monograph by the Chinese academia expounding on basic opinions of Marxist philosophy, evealing the ignored or forgotten views by the classical textbook system of Marxist philosophy and ystematically demonstrating the opinions that Marx has ever expounded but not sufficiently developed with the view of practical philosophy; meanwhile coinciding with major contemporary issues in order to upgrade them into the basic opinions of Marxist philosophy and highlighting the modernity and contemporary significance of Marxist philosophy and comparison with postmodern thought. Focusing on the studies of the basic features and opinions of Marxist philosophy, the first part puts Marxist philosophy into the grand theoretical backgrounds of history of western philosophy and modern western philosophy, including postmodernism, to explore anew its theme, system features and contemporary significance. Part Two reinvestigates the historical process and thinking logic of Marx in founding historical materialism, explores the evolution of the ontology of Marxist philosophy after Marx, and analyzes, from Marx's point of view, the western philosophy of history, methods of western social science, postmodernism, post-colonialism, and the thought changes of Husserl and Derrida, with a view to highlighting the contemporary significance of Marxist philosophy.
A monograph by the Chinese academia expounding on basic opinions of Marxist philosophy, evealing the ignored or forgotten views by the classical textbook system of Marxist philosophy and ystematically demonstrating the opinions that Marx has ever expounded but not sufficiently developed with the view of practical philosophy; meanwhile coinciding with major contemporary issues in order to upgrade them into the basic opinions of Marxist philosophy and highlighting the modernity and contemporary significance of Marxist philosophy and comparison with postmodern thought. Focusing on the studies of the basic features and opinions of Marxist philosophy, the first part puts Marxist philosophy into the grand theoretical backgrounds of history of western philosophy and modern western philosophy, including postmodernism, to explore anew its theme, system features and contemporary significance. Part Two reinvestigates the historical process and thinking logic of Marx in founding historical materialism, explores the evolution of the ontology of Marxist philosophy after Marx, and analyzes, from Marx's point of view, the western philosophy of history, methods of western social science, postmodernism, post-colonialism, and the thought changes of Husserl and Derrida, with a view to highlighting the contemporary significance of Marxist philosophy.
The Fragile Scholar examines the pre-modern construction of Chinese masculinity from the popular image of the fragile scholar (caizi) in late imperial Chinese fiction and drama. The book is an original contribution to the study of the construction of masculinity in the Chinese context from a comparative perspective (Euro-American). Its central thesis is that the concept of "masculinity" in pre-modern China was conceived in the network of hierarchical social and political power in a homosocial context rather than in opposition to "woman." In other words, gender discourse was more power-based than sex-based in pre-modern China, and Chinese masculinity was androgynous in nature. The author explains how the caizi discourse embodied the mediation between elite culture and popular culture by giving voice to the desire, fantasy, wants and tastes of urbanites.
The Fragile Scholar examines the pre-modern construction of Chinese masculinity from the popular image of the fragile scholar (caizi) in late imperial Chinese fiction and drama. The book is an original contribution to the study of the construction of masculinity in the Chinese context from a comparative perspective (Euro-American). Its central thesis is that the concept of "masculinity" in pre-modern China was conceived in the network of hierarchical social and political power in a homosocial context rather than in opposition to "woman." In other words, gender discourse was more power-based than sex-based in pre-modern China, and Chinese masculinity was androgynous in nature. The author explains how the caizi discourse embodied the mediation between elite culture and popular culture by giving voice to the desire, fantasy, wants and tastes of urbanites.
This book introduces readers to titanium matrix composites (TMCs) with novel network microstructures. The bottleneck problem of extreme brittleness and low strengthening effect surrounding TMCs fabricated by means of powder metallurgy has recently been solved by designing network microstructures, which yield both high strength and superior ductility. As such, network structured TMCs will increasingly offer materials characterized by low weight, high strength, high temperature resistance and superior deformability. The book systematically addresses the design, fabrication, microstructure, properties, modification, and toughening mechanisms of these composites, which will help us find innovative solutions to a range of current and future engineering problems.
In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.
This book examines in detail the basic trajectory of the cultural transformation and brings to light the extrinsic conditions and intrinsic mechanisms involved. It focuses on the period from after the Opium Wars to the New Culture Movement, as the New Culture Movement can be considered a pivotal phase in the cultural transformation of modern-day China. The New Culture Movement was a revolutionary eruption triggered by the accumulation of all the new qualitative cultural factors since the Opium Wars. Superficially, the movement’s goal seemed to be to overthrow the traditional culture. But in essence its true objective was to conduct an overall “screening” of that culture. The book elaborates a broad variety of points in this context, including: the ideological and cultural evolution following the Opium Wars; the pressing challenges faced by “Zhong Ti”; the initial shaping of social, public and cultural spaces and major trends in ideological and cultural transformation at the end of the Qing Dynasty; the political disarray and conflicts between the new and old ideology in the first years of the Republic; the rise of the New Culture Movement; and the role of conservatism in the transition to a modern culture.
Tang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language and diverse styles constitute great Literature in itself, as well as a rich topic for literary study. This two-volume set constitutes a classic analysis of Tang poetry in the “Golden Age” of Chinese poetry (618–907 CE). This volume focuses on the prominent Tang poets and poems. Beginning with an introduction to the “four greatest poets”—Li Bai, Du Fu, Wang Wei, and Bai Juyi—the author discusses their subjects, language, influence, and key works. The volume also includes essays on a dozen of masterpieces of Tang poetry, categorized by topics such as love and friendship, aspirations and seclusion, as well as travelling and nostalgia. As the author stresses, Tang poetry is worth rereading because it makes us invigorate our mental wellbeing, leaving it powerful and full of vitality. This book will appeal to researchers and students of Chinese literature, especially of classical Chinese poetry. People interested in Chinese culture will also benefit from the book.
In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.
The serial narrative is one of the most robust and popular forms of storytelling in contemporary China. With a domestic audience of one billion-plus and growing transnational influence and accessibility, this form of storytelling is becoming the centerpiece of a fast-growing digital entertainment industry and a new symbol and carrier of China’s soft power. Televising Chineseness: Gender, Nation, and Subjectivity explores how television and online dramas imagine the Chinese nation and form postsocialist Chinese gendered subjects. The book addresses a conspicuous paradox in Chinese popular culture today: the coexistence of increasingly diverse gender presentations and conservative gender policing by the government, viewers, and society. Using first-hand data collected through interviews and focus group discussions with audiences comprising viewers of different ages, genders, and educational backgrounds, Televising Chineseness sheds light on how television culture relates to the power mechanisms and truth regimes that shape the understanding of gender and the construction of gendered subjects in postsocialist China.
This book focuses on the behavioral interactions among possible stakeholders in carbon labeling practice, brings the attentions of stakeholders’ interests to explore the opportunities, and challenges related to carbon labeling practice, thus to provide insight into low-carbon consumption and production. It is essential reading for students, researchers, and policy makers as well as those with a wider interest in environmental science and sustainable development.
Radar networks are increasingly regarded as an efficient approach to enhancing radar capabilities in the face of popular anti-radar techniques and hostile operating environments. Reader-friendly and self-contained, this book provides a comprehensive overview of the latest radar networking technologies. The text addresses basic, relevant aspects of radar signal processing and statistical theories, including both civilian and military radar applications. It also discusses emerging topics that directly relate to networks, such as multiple-input–multiple-output (MIMO) radars, waveform design, and diversity via multiple transmitters. Other topics covered include target recognition and imaging using radar networks. Features Gives a comprehensive view of the latest radar network technologies Covers both civilian and military applications of radar Provides basic statistics and signal processing necessary for understanding radar networks Includes up-to-date information on MIMO radars Presents waveform design and diversity for radar networks with multiple transmitters
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