Prior to the mid-sixties, Grayville, TN was one of twenty-four “sundown towns.” A “sundown town” was a town that had a sign on the outskirts of town that said, “Negros are not allowed in the city limits after sundown.” Very few blacks lived in Grayville. Grayville High School seldom had black students. In August of 2020, a black doctor moved to Grayville. He moved from Weston, Ohio to be near his adopting white parents who lived in the Homeland Retirement Center in Pleasant Hill. Grayville never had a black basketball player, now it has three. The doctor has three sons. Joseph is a 6’ 9” senior and his twin brothers, Samuel and David both 6’ 6” juniors. The three brothers took Weston to the Ohio State basketball championship. Cox County youth grew up to have a “culturally absorbed prejudice.” That is what the three black players encountered.
Rev. Skipworth's courage, candor, and compassion jump from the pages of this compilation of his weekly newspaper columns, letters to the editor, rebuttals from area ministers, and responses from readers written in the heart of Tennessee's Bible-belt. This book is a give and take between a progressive follower of Jesus and his often irate readers/respondents, most of whom are biblical literalists and evangelical white Christians. With Skip, what you see or read is what you get. He not only tackles the hard issues, while writing vulnerably, but brilliantly translates and integrates his columns with the informed biblical and theological understandings of many of the most learned minds within progressive Christianity. While making their work understandable for his readers, friends, and foes alike, he painstakingly applies their insights to the divisive theological and political issues liberal clergy and laity have tragically failed to address honestly with each other. Skip deserves our gratitude for this informed and courageous gift and the whole church owes him our thoughtful reading and willing dialogue. From the foreward by Bishop Joseph Sprague.
From 1969 to 1973, the church encountered new subcultures of our society. A particular one that emerged was outlaw motorcycle gangs. Wear Your Collar is about how a minister and his congregation sought to get involved with and touch the lives of many of those gang members in the Cincinnati and Northern Kentucky area. The intent of the book is to provide a biblical imperative for the church to venture out into unique and different mission fields. The basic subject of the book is how Reverend Gene Skipworth became involved with the gangs, how it affected the church he served, what effect it had on his family, the experiences he encountered, the lives and personalities of individual gang members, and the results of that ministry. Whether a person is involved in the church or not, Wear Your Collar will have an appeal to the reader due to the uncommon nature of the book.
Rev. Skipworth's courage, candor, and compassion jump from the pages of this compilation of his weekly newspaper columns, "Letters to the Editor," rebuttals from area ministers, and responses from readers written in the heart of Tennessee's Bible Belt. This book is a give and take between a progressive follower of Jesus and his often-irate readers/respondents, most of whom are biblical literalists and evangelical white Christians. With Skip, what you see or read is what you get. He not only tackles the hard issues, while wearing vulnerably, but also brilliantly translates and integrates his columns with the informed biblical and theological understanding of many of the most learned minds within progressive Christianity. While making their work understandable for his readers, friends and foes alike, he painstakingly applies their insights to the divisive theological and political issues liberal clergy and laity have tragically failed to address honestly with each other. Skip deserves our gratitude for this informed and courageous gift, and the whole church owes him our thoughtful and willing dialogue. Taken from the Foreword by Bishop Joseph Sprague.
Prior to the mid-sixties, Grayville, TN was one of twenty-four “sundown towns.” A “sundown town” was a town that had a sign on the outskirts of town that said, “Negros are not allowed in the city limits after sundown.” Very few blacks lived in Grayville. Grayville High School seldom had black students. In August of 2020, a black doctor moved to Grayville. He moved from Weston, Ohio to be near his adopting white parents who lived in the Homeland Retirement Center in Pleasant Hill. Grayville never had a black basketball player, now it has three. The doctor has three sons. Joseph is a 6’ 9” senior and his twin brothers, Samuel and David both 6’ 6” juniors. The three brothers took Weston to the Ohio State basketball championship. Cox County youth grew up to have a “culturally absorbed prejudice.” That is what the three black players encountered.
Great Hollywood Wit rollicks with hilarious movie lines and backstage zingers-smart, tart, and (in Sir John Gielgud's case) wicked: "Ingrid Bergman speaks five languages and can't act in any of them." Julia Roberts, fashion buff: "I only put clothes on so that I'm not naked when I go out shopping." Retiring Burt Reynolds: "You can only hold your stomach in for so many years." Great Hollywood Wit is an unequaled cavalcade of hilarity that you'll laugh through again and again. A wonderful one-of-a-kind gift.
Wild Bill Elliott was a major western star. His screen persona met evil head-on and emerged victorious, bringing cheers from Saturday audiences. This book covers Elliott's entire career. It begins with a biographical sketch and then discusses each of his 78 starring roles as well as his more than 130 supporting roles. The film entries include studio, release date, alternate titles, cast and credit listings, songs, location filming, color, running time, source, story synopsis, notes and commentary, quotations from published reviews and a critical summation of the film. Appendices include Elliott's short films, TV and radio appearances and comic books.
The Texas Experiment: Politics, Power, and Social Transformation provides students with an all-encompassing view of Texas government. The book brings together the historical and the contemporary, the political and the personal, to walk students through the state′s past, present, and future. Through its rich historical narrative that tells the unvarnished story of how Texas came to be, to its depictions of the processes and structure of Texas government, and finally with its shifting demographics, we learn that the soul of Texas is multicultural, diverse, and thriving. The Texas Experiment empowers students to develop their social and personal responsibility so that they can all be a force of positive change in Texas′s vibrant culture. This title is accompanied by a complete teaching and learning package. Contact your SAGE representative to request a demo. Learning Platform / Courseware SAGE Vantage is an intuitive learning platform that integrates quality SAGE textbook content with assignable multimedia activities and auto-graded assessments to drive student engagement and ensure accountability. Unparalleled in its ease of use and built for dynamic teaching and learning, Vantage offers customizable LMS integration and best-in-class support. It’s a learning platform you, and your students, will actually love. Learn more. Assignable Video with Assessment Assignable video (available in SAGE Vantage) is tied to learning objectives and curated exclusively for this text to bring concepts to life. Watch a sample video now. LMS Cartridge: Import this title’s instructor resources into your school’s learning management system (LMS) and save time. Don’t use an LMS? You can still access all of the same online resources for this title via the password-protected Instructor Resource Site. Learn more.
Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding the Canon of Classic Film Noir, Gene Phillips provides an in-depth examination of several key noir films, including acknowledged masterpieces like Laura, The Maltese Falcon, Sunset Boulevard, and Touch of Evil, as well as films not often associated with film noir like Spellbound, A Double Life, and Anatomy of a Murder. Phillips also examines overlooked or underappreciated films such as Song of the Thin Man, The Glass Key, Ministry of Fear, and Act of Violence. Also considered in this reevaluation are significant neo-noir films, among them Chinatown, Hammett, L.A. Confidential, and The Talented Mr. Ripley. In his analyses, Phillips draws upon a number of sources, including personal interviews with directors and others connected with their productions, screenplays, and evaluations of other commentators. Out of the Shadows explores not only the most celebrated noir films but offers new insight into underrated films that deserve reconsideration. Of interest to film historians and scholars, this volume will also appeal to anyone who wants a better understanding of the works that represent this unique cycle in American filmmaking.
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