Bestselling angling author Gene Kugach has compiled a wide-range gallery of flies, some familiar, some obscure, that will enhance any fly tier's repertoire. Culled from tying demonstrations presented at the Chicago Fly Fishers, a Chicago-area club, this collection features favourite patterns and variations, as well as originals created by club members, including many by the author. Each fly is illustrated, its origin and uses given, and its tying steps explained in detail. Patterns include wets, drys, streamers, nymphs, crustaceans, leeches, terrestrials, and lure-streamer combinations.
For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans—critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka—prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison—perhaps the most celebrated African American author of the twentieth century—wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif." Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century.
The Texas Experiment: Politics, Power, and Social Transformation provides students with an all-encompassing view of Texas government. The book brings together the historical and the contemporary, the political and the personal, to walk students through the state′s past, present, and future. Through its rich historical narrative that tells the unvarnished story of how Texas came to be, to its depictions of the processes and structure of Texas government, and finally with its shifting demographics, we learn that the soul of Texas is multicultural, diverse, and thriving. The Texas Experiment empowers students to develop their social and personal responsibility so that they can all be a force of positive change in Texas′s vibrant culture. This title is accompanied by a complete teaching and learning package. Contact your SAGE representative to request a demo. Learning Platform / Courseware SAGE Vantage is an intuitive learning platform that integrates quality SAGE textbook content with assignable multimedia activities and auto-graded assessments to drive student engagement and ensure accountability. Unparalleled in its ease of use and built for dynamic teaching and learning, Vantage offers customizable LMS integration and best-in-class support. It’s a learning platform you, and your students, will actually love. Learn more. Assignable Video with Assessment Assignable video (available in SAGE Vantage) is tied to learning objectives and curated exclusively for this text to bring concepts to life. Watch a sample video now. LMS Cartridge: Import this title’s instructor resources into your school’s learning management system (LMS) and save time. Don’t use an LMS? You can still access all of the same online resources for this title via the password-protected Instructor Resource Site. Learn more.
What do Louis Armstrong, Ray Charles, Bob Dylan, Willie Nelson, Tom Waits, Cassandra Wilson, and Ani DiFranco have in common? In Highway 61 Revisited, acclaimed music critic Gene Santoro says the answer is jazz--not just the musical style, but jazz's distinctive ambiance and attitudes. As legendary bebop rebel Charlie Parker once put it, "If you don't live it, it won't come out of your horn." Unwinding that Zen-like statement, Santoro traces how jazz's existential art has infused outstanding musicians in nearly every wing of American popular music--blues, folk, gospel, psychedelic rock, country, bluegrass, soul, funk, hiphop--with its parallel process of self-discovery and artistic creation through musical improvisation. Taking less-traveled paths through the last century of American pop, Highway 61 Revisited maps unexpected musical and cultural links between such apparently disparate figures as Louis Armstrong, Willie Nelson, Bob Dylan and Herbie Hancock; Miles Davis, Lenny Bruce, The Grateful Dead, Bruce Springsteen, and many others. Focusing on jazz's power to connect, Santoro shows how the jazz milieu created a fertile space "where whites and blacks could meet in America on something like equal grounds," and indeed where art and entertainment, politics and poetry, mainstream culture and its subversive offshoots were drawn together in a heady mix whose influence has proved both far-reaching and seemingly inexhaustible. Combining interviews and original research, and marked throughout by Santoro's wide ranging grasp of cultural history, Highway 61 Revisited offers readers a new look at--and a new way of listening to--the many ways jazz has colored the entire range of American popular music in all its dazzling profusion.
Since the earliest days of colonial America, the relationship between cotton and the African-American experience has been central to the history of the republic. America's most serious social tragedy, slavery and its legacy, spread only where cotton could be grown. Both before and after the Civil War, blacks were assigned to the cotton fields while a pervasive racial animosity and fear of a black migratory invasion caused white Northerners to contain blacks in the South. Gene Dattel's pioneering study explores the historical roots of these most central social issues. In telling detail Mr. Dattel shows why the vastly underappreciated story of cotton is a key to understanding America's rise to economic power. When cotton production exploded to satiate the nineteenth-century textile industry's enormous appetite, it became the first truly complex global business and thereby a major driving force in U.S. territorial expansion and sectional economic integration. It propelled New York City to commercial preeminence and fostered independent trade between Europe and the United States, providing export capital for the new nation to gain its financial "sea legs" in the world economy. Without slave-produced cotton, the South could never have initiated the Civil War, America's bloodiest conflict at home. Mr. Dattel's skillful historical analysis identifies the commercial forces that cotton unleashed and the pervasive nature of racial antipathy it produced. This is a story that has never been told in quite the same way before, related here with the authority of a historian with a profound knowledge of the history of international finance. With 23 black-and-white illustrations.
An ideal text for aspiring teachers, the new Fourth Edition of Introduction to Teaching thoroughly prepares students to make a difference as teachers, presenting first-hand stories and evidence-based practices while offering a student-centered approach to learning.
When we think about religion and politics in the United States today, we think of conservative evangelicals. But for much of the twentieth century it was liberal Protestants who most profoundly shaped American politics. Leaders of this religious community wielded their influence to fight for social justice by lobbying for the New Deal, marching against segregation, and protesting the Vietnam War. Gene Zubovich shows that the important role of liberal Protestants in the battles over poverty, segregation, and U.S. foreign relations must be understood in a global context. Inspired by new transnational networks, ideas, and organizations, American liberal Protestants became some of the most important backers of the United Nations and early promoters of human rights. But they also saw local events from this global vantage point, concluding that a peaceful and just world order must begin at home. In the same way that the rise of the New Right cannot be understood apart from the mobilization of evangelicals, Zubovich shows that the rise of American liberalism in the twentieth century cannot be understood without a historical account of the global political mobilization of liberal Protestants.
Horses and mules served during the Civil War in greater number and suffered more casualties than the men of the Union and Confederate armies combined. Using firsthand accounts, this history addresses the many uses of equines during the war, the methods by which they were obtained, their costs, their suffering on the battlefields and roads, their consumption by soldiers, and such topics as racing and mounted music. The book is supplemented by accounts of the "Lightning Mule Brigade," the "Charge of the Mule Brigade," five appendices and 37 illustrations. More than 700 Civil War equines are identified and described with incidental information and identification of their masters.
The political value of African American literature has long been a topic of great debate among American writers, both black and white, from Thomas Jefferson to Barack Obama. In his compelling new book, Representing the Race, Gene Andrew Jarrett traces the genealogy of this topic in order to develop an innovative political history of African American literature. Jarrett examines texts of every sort—pamphlets, autobiographies, cultural criticism, poems, short stories, and novels—to parse the myths of authenticity, popular culture, nationalism, and militancy that have come to define African American political activism in recent decades. He argues that unless we show the diverse and complex ways that African American literature has transformed society, political myths will continue to limit our understanding of this intellectual tradition. Cultural forums ranging from the printing press, schools, and conventions, to parlors, railroad cars, and courtrooms provide the backdrop to this African American literary history, while the foreground is replete with compelling stories, from the debate over racial genius in early American history and the intellectual culture of racial politics after slavery, to the tension between copyright law and free speech in contemporary African American culture, to the political audacity of Barack Obama’s creative writing. Erudite yet accessible, Representing the Race is a bold explanation of what’s at stake in continuing to politicize African American literature in the new millennium.
A sweeping and original look at American slavery in the early nineteenth century that reveals the gamble slaves had to take to survive Images of American slavery conjure up cotton plantations and African American slaves locked in bondage until the Civil War. Yet early on in the nineteenth century the state of slavery was very different, and the political vicissitudes of the young nation offered diverse possibilities to slaves. In the century's first two decades, the nation waged war against Britain, Spain, and various Indian tribes. Slaves played a role in the military operations, and the different sides viewed them as a potential source of manpower. While surprising numbers did assist the Americans, the wars created opportunities for slaves to find freedom among the Redcoats, the Spaniards, or the Indians. Author Gene Allen Smith draws on a decade of original research and his curatorial work at the Fort Worth Museum in this fascinating and original narrative history. The way the young nation responded sealed the fate of slaves for the next half century until the Civil War. This drama sheds light on an extraordinary yet little known chapter in the dark saga of American history.
“Gene Wolfe is the smartest, subtlest, most dangerous writer alive today, in genre or out of it. This book [is] important and wonderful.” —Neil Gaiman on The Knight A novel in two volumes, The Wizard Knight is in the rare company of works of fantasy like The Once and Future King, or The Wizard of Earthsea, that drink directly from the wellspring of myth. Now it appears in a single-volume edition for the first time. A young man in his teens is transported from our world to a magical realm consisting of seven levels of reality. Transformed by magic into a grown man of heroic proportions, he takes the name Sir Able of the High Heart and sets out on a quest to find the sword that has been promised to him, the blade that will help him fulfill his ambition to become a true hero—a true knight. Inside, however, Sir Able remains a boy, and he must grow in every sense to survive what lies ahead... “[Wolfe] should enjoy the same rapt attention we afford to Thomas Pynchon, Toni Morrison, and Cormac McCarthy.” —The Washington Post on The Knight “Wolfe’s version of Faerie is both allusive and elusive, beautiful and fatally glamorous.” —Tad Williams on The Knight With a new introduction by Yves Meynard, acclaimed author of The Book of Knights. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
W.L. Moody, Jr., natural history series ; no. 14." Guide to 622 birds found in Texas with information on habitat preferences, abundance, seasonal occurance, and more.
Sir Isaac Newton famously said, regarding his discoveries, "If I have seen further it is by standing upon the shoulders of giants." The Evolving Universe and the Origin of Life describes, complete with fascinating biographical details of the thinkers involved, the ascent to the metaphorical shoulders accomplished by the greatest minds in history. For the first time, a single book can take the reader on a journey through the history of the universe as interpreted by the expanding body of knowledge of humankind. From subatomic particles to the protein chains that form life, and expanding in scale to the entire universe, this book covers the science that explains how we came to be. The Evolving Universe and the Origin of Life contains a great breadth of knowledge, from astronomy to physics, from chemistry to biology. It includes over 350 figures that enhance the comprehension of concepts both basic and advanced, and is a non-technical, easy-to-read text at an introductory college level that is ideal for anyone interested in science as well as its history.
!--StartFragment-- Examines a small part of slavery’s North American domain, the lower Chattahoochee river Valley between Alabama and Georgia In the New World, the buying and selling of slaves and of the commodities that they produced generated immense wealth, which reshaped existing societies and helped build new ones. From small beginnings, slavery in North America expanded until it furnished the foundation for two extraordinarily rich and powerful slave societies, the United States of America and then the Confederate States of America. The expansion and concentration of slavery into what became the Confederacy in 1861 was arguably the most momentous development after nationhood itself in the early history of the American republic. This book examines a relatively small part of slavery’s North American domain, the lower Chattahoochee river Valley between Alabama and Georgia. Although geographically at the heart of Dixie, the valley was among the youngest parts of the Old South; only thirty-seven years separate the founding of Columbus, Georgia, and the collapse of the Confederacy. In those years, the area was overrun by a slave society characterized by astonishing demographic, territorial, and economic expansion. Valley counties of Georgia and Alabama became places where everything had its price, and where property rights in enslaved persons formed the basis of economic activity. Sold Down the River examines a microcosm of slavery as it was experienced in an archetypical southern locale through its effect on individual people, as much as can be determined from primary sources. Published in cooperation with the Historic Chattahoochee Commission and the Troup County Historical Society. !--EndFragment--
This book contains essays from twelve leading Southern historians, activists, civil rights attorneys, law professors, and theologians. They discuss militarism, religion, the environment, voting rights, the Patriot Act, the economy, prisons and crime, and other subjects significant to the South and the Nation in the ongoing debate about the future of the United States. The writers come from, or have been active in the affairs of, each of the former Confederate states."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Dye wool without chemicals How to dye wool with acid dyes Gene's tips and techniques for dyeing yarn and wool yardage Essential for all wool fiber artists, especially those working in rug hooking, wool appliqu�, or quilting with wool Learn how to marbleize, spot dye, marry colors, and casserole dye to make exquisite wool
An unprecedented examination of how news stories, editorials and photographs in the American press—and the journalists responsible for them—profoundly changed the nation’s thinking about civil rights in the South during the 1950s and ‘60s. Roberts and Klibanoff draw on private correspondence, notes from secret meetings, unpublished articles, and interviews to show how a dedicated cadre of newsmen—black and white—revealed to a nation its most shameful shortcomings that compelled its citizens to act. Meticulously researched and vividly rendered, The Race Beat is an extraordinary account of one of the most calamitous periods in our nation’s history, as told by those who covered it.
An acclaimed music critic strips away the myths shrouding "Jazz's Angry Man, " in "the best examination yet of an American original" ("The Washington Post").
In this book, Gene A. Plunka argues that the most important single element that solidifies all of Genet's work is the concept of metamorphosis. Genet's plays and prose demonstrate the transition from game playing to the establishment of one's identity through a state of risk taking that develops from solitude. However, risk taking per se is not as important as the rite of passage. Anthropologist Victor Turner's work in ethnography is used as a focal point for the examination of rites of passage in Genet's dramas." "Rejecting society, Genet has allied himself with peripheral groups, marginal men, and outcasts--scapegoats who lack power in society. Much of their effort is spent in revolt or direct opposition in mainstream society that sees them as objects to be abused. As an outcast or marginal man, Genet solved his problem of identity through artistic creation and metamorphosis. Likewise, Genet's protagonists are outcasts searching for positive value in a society over which they have no control; they always appear to be the victims or scapegoats. As outcasts, Genet's protagonists establish their identities by first willing their actions and being proud to do so." "Unfortunately, man's sense of Being is constantly undermined by society and the way individuals react to roles, norms, and values. Roles are the products of carefully defined and codified years of positively sanctioned institutional behavior. According to Genet, role playing limits individual freedom, stifles creativity, and impedes differentiation. Genet equates role playing with stagnant bourgeois society that imitates rather than invents; the latter is a word Genet often uses to urge his protagonists into a state of productive metamorphosis. Imitation versus invention is the underlying dialectic between bourgeois society and outcasts that is omnipresent in virtually all of Genet's works." "Faced with rejection, poverty, oppression, and degradation, Genet's outcasts often escape their horrible predicaments by living in a world of illusion that consists of ceremony, game playing, narcissism, sexual and secret rites, or political charades. Like children, Genet's ostracized individuals play games to imitate a world that they can not enter. Essentially, the play acting becomes catharsis for an oppressed group that is otherwise confined to the lower stratum of society." "Role players and outcasts who try to find an identity through cathartic game playing never realize their potential in Genet's world. Instead, Genet is interested in outcasts who immerse themselves in solitude and create their own sense of dignity free from external control. Most important, these isolated individuals may initially play games, yet they ultimately experience metamorphosis from a world of rites, charades, and rituals to a type of "sainthood" where dignity and nobility reign. The apotheosis is achieved through a distinct act of conscious revolt designed to condemn the risk taker to a degraded life of solitude totally distinct from society's norms and values." --Book Jacket.
As music columnist for The Nation, Gene Santoro has established himself as an important new critical voice, able to write well on a broad spectrum of popular music and jazz without losing touch with the cutting edge of today's music scene. About Nat "King" Cole, Santoro comments: "adjectives can't describe the swinging, ingratiating self-confidence laced with tenderness that colors Nat "King" Cole's singing. His baritone/tenor is so airy and elemental, so palpably physical, it invites you in, then surrounds you glowingly..." And on the highly successful rock band Living Colour, Santoro is no less evocative: "hardcore metal raveups slam into bluesy ballads and psychedelicized pop, lilting Caribbean inflections collide with hiphop scrambles of prerecorded material and touches of funk." Dancing in Your Head gathers Santoro's liveliest reviews and essays for the first time, introducing a fresh and provocative perspective on several decades of musicians and their work. Santoro covers a wide musical vista, from the legendary blues singer Robert Johnson to Public Enemy's controversial rap lyrics, from the long running clash between blues and African American gospel to the rock iconoclast Neil Young, from the great James Brown to George Hay, the founder of the Grand Ole Opry. Documenting the evolution of jazz, rock and roll, and rap, Santoro's observations are incisive, honest, and reflective. Of his early exposure to Jimi Hendrix, John Coltrane and Bela Bartok, Santoro remarks, "That sense of wonder and discovery is what happens when you've been hit by art's immediate vatic power. It has never left me, has been touched and renewed by each encounter I've valued." Santoro examines the staying power of music legends Lou Reed, Eric Clapton, the Grateful Dead, and Sun Ra, the freewheeling jazz artist who prefers to call himself a tone artist rather than a musician. Special highlights include several pieces on Miles Davis; book reviews, including one on Gunther Schuller's two-volume History of Jazz; a lively and detailed profile of the Neville Brothers; and a discussion of jazz great Ornette Coleman that compares him to Orson Welles and Charles Ives. Taken together the pieces in Dancing In Your Head examine the historical roots of today's popular music while offering insight into performers and trends that dominate the current scene. Balancing a critical and historical sensibility with an unharnessed enthusiasm for all forms of music, Santoro is an ideal guide to the old and new.
Between 1925 and 1928 the Hot Five--the incomparable Louis Armstrong and four seasoned practitioners of the burgeoning jazz style--recorded fifty-five performances in Chicago for the OKeh label. Oddly enough, the quintet immortalized on vinyl with recent technology rarely performed as a unit in local nightspots. And yet, like other music now regarded as especially historic, their work in the studio summarized approaches of the past and set standards for the future. Remarkable both for popularity among the members of the public and for influence on contemporary musicians, these recordings helped make "Satchmo" a familiar household name and ultimately its bearer an adored public figure. They showcased Armstrong's genius, notably his leadership in transforming the practice of jazz as an ensemble improvisation into jazz as the art of the improvising soloist. In his study Professor Anderson--for the first time--provides a detailed account of the origins of this pioneering enterprise, relates individual pieces to existing copyright deposits, and contextualizes the music by offering a reliable timeline of Armstrong's professional activities during these years. All fifty-five pieces, moreover, are described in informed commentary [Publisher description].
Both brawls and elaborate martial arts have kept movie audiences on the edges of their seats since cinema began. But the filming of fight scenes has changed significantly through the years--mainly for the safety of the combatants--from improvised scuffles in the Silent Era to exquisitely choreographed and edited sequences involving actors, stuntmen and technical experts. Camera angles prevented many a broken nose. Examining more than 300 films--from The Spoilers (1914) to Road House (1989)--the author provides behind-the-scenes details on memorable melees starring such iconic tough-guys as John Wayne, Randolph Scott, Robert Mitchum, Lee Marvin, Charles Bronson, Clint Eastwood, Bruce Lee, Chuck Norris and Jackie Chan.
Virtually every month for fourteen years, Gene Burnett wrote a history piece under the title "Florida's Past" for Florida Trend, Florida's respected magazine of business and finance. The first volume of collected essays from that series proved so popular among book readers that two more volumes have been published. Pineapple Press is now proud to make them available in paperback. Burnett's easygoing style and his sometimes surprising choice of topics make history good reading. Each volume divides Florida's people and events into Achievers and Pioneers, Villains and Characters, Heroes and Heroines, War and Peace, and Calamities and Social Turbulence. Read a chapter and you'll find you've gone on to read more. Read this volume and you'll find yourself looking for the next two. Next in series > > See all of the books in this series
A novel in two volumes, The Wizard Knight is in the rare company of those works which move past the surface of fantasy and drink from the wellspring of myth. Magic swords, dragons, giants, quests, love, honor, nobility-all the familiar features of fantasy come to fresh life in this masterful work. The first half of the journey, The Knight -- which you are advised to read first, to let the whole story engulf you from the beginning -- took a teenage boy from America into Mythgarthr, the middle realm of seven fantastic worlds. Above are the gods of Skai; below are the capricious Aelf, and more dangerous things still. Journeying throughout Mythgarthr, Able gains a new brother, an Aelf queen lover, a supernatural hound, and the desire to prove his honor and become the noble knight he always knew he would be. Coming into Jotunland, home of the Frost Giants, Able -- now Sir Able of the High Heart --claims the great sword Eterne from the dragon who has it. In reward, he is ushered into the castle of the Valfather, king of all the Gods of Skai. Thus begins the second part of his quest. The Wizard begins with Able's return to Mythgathr on his steed Cloud, a great mare the color of her name. Able is filled with new knowledge of the ways of the seven-fold world and possessed of great magical secrets. His knighthood now beyond question, Able works to fulfill his vows to his king, his lover, his friends, his gods, and even his enemies. Able must set his world right, restoring the proper order among the denizens of all the seven worlds. The Wizard is a charming, riveting, emotionally charged tale of wonders, written with all the beauty one would expect from a writer whom Damon Knight called "a national treasure." If you've never sampled the works of the man Michael Swanwick described as "the greatest writer in the English language alive today," the two volumes of The Wizard Knight are the perfect place to start.
Best Bike Rides Seattle describes 41 of the greatest recreational rides in Seattle. Road rides, rail trails, bike paths, and single-track mountain bike rides all get included. Most rides are in the 5 to 30 mile range, allowing for great afternoon outings and family adventures.
Virtually every month for fourteen years, Gene Burnett wrote a history piece under the title "Florida's Past" for Florida Trend, Florida's respected magazine of business and finance. The first volume of collected essays from that series proved so popular among book readers that two more volumes have been published. Pineapple Press is now proud to make them available in paperback. Burnett's easygoing style and his sometimes surprising choice of topics make history good reading. Each volume divides Florida's people and events into Achievers and Pioneers, Villains and Characters, Heroes and Heroines, War and Peace, and Calamities and Social Turbulence. Read a chapter and you'll find you've gone on to read more. Read this volume and you'll find yourself looking for the next two. Next in series > > See all of the books in this series
At the heart of Georgia's secession from the Union in 1861 were two ideological cornerstones--the protection of white men's liberty and the defense of African slavery--Anthony Gene Carey argues in this comprehensive, analytical narrative of the three decades leading up to the Civil War. In Georgia, broad consensus on political essentials restricted the range of state party differences and the scope of party debate, but Whigs and Democrats battled intensely over how best to protect Southern rights and institutions within the Union. The power and security that national party alliances promised attracted Georgians, but the compromises and accommodations that maintaining such alliances required also repelled them. By 1861, Carey finds, white men who were out of time, fearful of further compromise, and compelled to choose acted to preserve liberty and slavery by taking Georgia out of the Union. Secession, the ultimate expression of white unity, flowed logically from the values, attitudes, and antagonisms developed during three decades of political strife.
The Sixth Edition offers a completely integrated text and media solution that will enable students to learn more effectively and professors to teach more efficiently. The text includes a new strategic problem-solving approach, an integrated Maths Tutorial, and new tools to improve conceptual understanding.
The Sixth Edition of Physics for Scientists and Engineers offers a completely integrated text and media solution that will help students learn most effectively and will enable professors to customize their classrooms so that they teach most efficiently. The text includes a new strategic problem-solving approach, an integrated Math Tutorial, and new tools to improve conceptual understanding. To simplify the review and use of the text, Physics for Scientists and Engineers is available in these versions: Volume 1 Mechanics/Oscillations and Waves/Thermodynamics (Chapters 1-20, R) 1-4292-0132-0 Volume 2 Electricity and Magnetism/Light (Chapters 21-33) 1-4292-0133-9 Volume 3 Elementary Modern Physics (Chapters 34-41) 1-4292-0134-7 Standard Version (Chapters 1-33, R) 1-4292-0124-X Extended Version (Chapters 1-41, R) 0-7167-8964-7
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