Gemma Stafford—pastry chef, cookbook author, and creator of the hit online show Bigger Bolder Baking—presents her follow-up to her popular first book Bigger Bolder Baking, featuring 125 new mouthwatering recipes for any home baker to bake with confidence every day. Delicious desserts and impressive baked goods don’t have to be reserved for special occasions. Now anyone can serve up Bigger Bolder treats every day of the week, any time of day! In this must-have for any home baker, online sensation and master pastry chef Gemma Stafford shares an all-new collection of simple yet irresistible recipes for every baking opportunity—from breakfast, brunch, and teatime to dinner party desserts, leisurely weekend projects, and sweets for the everyday. Gemma’s millions of fans (“bold bakers”) have achieved incredible results with her recipes and so will you. Enjoy: Bakery-Style Lemon-Blueberry Muffins Mum’s Apple Crumb Cake 10-Minute Summer Berry Tiramisu Old-Fashioned Banana Pudding Chocolate Lovers’ Cheesecake Pecan Pie Cobbler Dulce de Leche Lava Cakes Carrot Cake Pancakes Easy-Triple Berry Crisp And many, many more! Featuring gorgeous photographs for each recipe to whet your appetite for every indulgence, Bigger Bolder Baking Every Day is your key to baking with confidence 24/7!
In recent history, the arts and sciences have often been considered opposing fields of study, but a growing trend in drawing research is beginning to bridge this divide. Gemma Anderson’s Drawing as a Way of Knowing in Art and Science introduces tested ways in which drawing as a research practice can enhance morphological insight, specifically within the natural sciences, mathematics and art. Inspired and informed by collaboration with contemporary scientists and Goethe’s studies of morphology, as well as the work of artist Paul Klee, this book presents drawing as a means of developing and disseminating knowledge, and of understanding and engaging with the diversity of natural and theoretical forms, such as animal, vegetable, mineral and four dimensional shapes. Anderson shows that drawing can offer a means of scientific discovery and can be integral to the creation of new knowledge in science as well as in the arts.
This book is a study of five remarkable sixteenth-century women. Part of the select group of Tudor women allowed access to a formal education, the Cooke sisters were also well-connected through their marriages to influential Elizabethan politicians. Drawing particularly on the sisters’ own writings, this book demonstrates that the sisters’ education extended far beyond that normally allowed for sixteenth-century women, challenging the view that women in this period were excluded from using their formal education to practical effect. It reveals that the sisters’ learning provided them with opportunities to communicate effectively their own priorities through their translations, verse and letters. By reconstructing the sisters’ networks, it demonstrates how they worked alongside – and sometimes against – family members over matters of politics and religion, empowered by their exceptional education. Providing new perspectives on these key issues, it will be essential reading for early modern historians and literary scholars.
Drug design is a complex, challenging and innovative research area. Structure-based molecular design has transformed the drug discovery approach in modern medicine. Traditionally, focus has been placed on computational, structural or synthetic methods only in isolation. This one-of-akind guide integrates all three skill sets for a complete picture of contemporary structure-based design. This practical approach provides the tools to develop a high-affinity ligand with drug-like properties for a given drug target for which a high-resolution structure exists. The authors use numerous examples of recently developed drugs to present "best practice" methods in structurebased drug design with both newcomers and practicing researchers in mind. By way of a carefully balanced mix of theoretical background and case studies from medicinal chemistry applications, readers will quickly and efficiently master the basic skills of successful drug design. This book is aimed at new and active medicinal chemists, biochemists, pharmacologists, natural product chemists and those working in drug discovery in the pharmaceutical industry. It is highly recommended as a desk reference to guide students in medicinal and chemical sciences as well as to aid researchers engaged in drug design today.
This second volume of contributions from leading practitioners and researchers around the world is a handbook for all those involved in 'hands-on' caring or in planning care for persons with dementia
An important text from the "twelfth-century Renaissance" of history writing re-evaluated, drawing out its complex representations of monarchs from Cnut to William Rufus.Geffrei Gaimar's Estoire des Engleis is its author's sole surviving work. His translation and adaptation of the Anglo-Saxon Chronicle, expanded with a number of lengthy interpolations which appear to draw upon oral traditions and other, unknown written sources, is all that remains of an ambitious history which once reached back as far as Jason and the Golden Fleece. However, the extent of Gaimar's achievement - as poet, historian, and translator - has been obscured by a tendency among scholars to dismiss him as a writer of romance masquerading as history, his work riddled with guesswork, errors, and outright fabrications. This volume aims to challenge such views of Gaimar by providing the first holistic study of his Estoire's incisive commentary upon kingship: its virtues, vices and conflicting models, as applied to rulers such as Edgar "the Peaceable", Cnut, and the ill-fated William Rufus. One good king, for Gaimar, is much like another. A bad king, by contrast, is vividly characterised as ineffectual, tyrannical, or both. Gaimar, a product of that extraordinary period in medieval English culture often termed the "twelfth-century Renaissance'" blends history with literary tropes to yield a sophisticated account of the invasions, betrayals, and familial conflicts that shaped his England's history.eaceable", Cnut, and the ill-fated William Rufus. One good king, for Gaimar, is much like another. A bad king, by contrast, is vividly characterised as ineffectual, tyrannical, or both. Gaimar, a product of that extraordinary period in medieval English culture often termed the "twelfth-century Renaissance'" blends history with literary tropes to yield a sophisticated account of the invasions, betrayals, and familial conflicts that shaped his England's history.eaceable", Cnut, and the ill-fated William Rufus. One good king, for Gaimar, is much like another. A bad king, by contrast, is vividly characterised as ineffectual, tyrannical, or both. Gaimar, a product of that extraordinary period in medieval English culture often termed the "twelfth-century Renaissance'" blends history with literary tropes to yield a sophisticated account of the invasions, betrayals, and familial conflicts that shaped his England's history.eaceable", Cnut, and the ill-fated William Rufus. One good king, for Gaimar, is much like another. A bad king, by contrast, is vividly characterised as ineffectual, tyrannical, or both. Gaimar, a product of that extraordinary period in medieval English culture often termed the "twelfth-century Renaissance'" blends history with literary tropes to yield a sophisticated account of the invasions, betrayals, and familial conflicts that shaped his England's history.
Leadership and management are increasingly considered important drivers of organizational performance. Yet despite the fact that they are viewed as essential components of integrated working, or partnerships, there is relatively little thoughtful work analyzing the relationship between the two sets of ideas. Until now. This updated second edition provides realistic, robust guidance for the leadership and management of interagency collaborative endeavors. It summarizes recent trends in policy, establishes what we can learn from research and practice, and sets out useful frameworks and approaches to address a range of problems that collaborations face.
An important and timely book.' - Philippa Gregory Joan of Navarre was the richest woman in the land, at a time when war-torn England was penniless. Eleanor Cobham was the wife of a weak king's uncle – and her husband was about to fall from grace. Jacquetta Woodville was a personal enemy of Warwick the Kingmaker, who was about to take his revenge. Elizabeth Woodville was the widowed mother of a child king, fighting Richard III for her children's lives. In Royal Witches, Gemma Hollman explores the lives of these four unique women, looking at how rumours of witchcraft brought them to their knees in a time when superstition and suspicion was rife.
Outsider Art is a name for the often mesmerizing creations of those who live and work at a distance from prevailing notions about mainstream artistic trends, individuals who are frequently unaware of themselves as artists or their works as art. This book presents and discusses some of the 20th century's most significant examples of Outsider Art. artists from around the world, including Gedewon, a cleric from Ethiopia who made unique and psychedelic talismans; William Hawkins, an African-American self-taught artist with a unique pop sensibility; the Mexican artist Martin Ramirez, creator of large-scale works that tell tales of mestizo life; Nek Chand Saini, whose Rock Garden in India is a leading visionary site; Hung Tung, whose colourful scrolls reflect both traditional Taiwanese culture and fantastic imagination; former Navajo medicine man Charlie Willeto, carver of raw, expressionistic figures and animals; Anna Zemankova, Czech maker of dreamy, biomorphic drawings, perhaps done in a trance or mediumistic state; and Italian artist Carlo Zinelli, whose bold graphic compositions display incredible patterns and energy. of international Outsider Art and demonstrates the importance of place and time - as well as internal genius - in these artists' creative processes.
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