In Interspecies Communication, ethnomusicologist Gavin Steingo examines several significant cases of attempted communication beyond the human--several cases, that is, where the dualistic relationship of human to non-human is dramatically challenged. Analyzing scenarios including a small coastal community in South Africa where humans call to whales, a scientific laboratory in the Caribbean where humans tried to speak with dolphins, and a case of black performance art involving human-alien communication, Steingo charts various mechanisms that humans have devised to think about, and indeed to reach, beings very unlike ourselves. These speculative endeavors look--and listen--beyond what we are and what we know. The book focuses on the second half of the twentieth century, when Enlightenment conceptualizations of human and non-human were increasingly materialized. Following the Second World War, scientists embarked upon the deep exploration of oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential "final frontiers," the "outer" space of the cosmos and the "inner" space of oceans were conceptualized as structurally isomorphic twins, subject to the same method of scrutiny. Interspecies Communication examines the way that globally circulating ideas are taken up by a range of different subject positions-including, and especially, "peripheral" subject positions in the global South"--
A surprising study reveals a plethora of attempts to communicate with non-humans in the modern era. In Interspecies Communication, music scholar Gavin Steingo examines significant cases of attempted communication beyond the human—cases in which the dualistic relationship of human to non-human is dramatically challenged. From singing whales to Sun Ra to searching for alien life, Steingo charts the many ways we have attempted to think about, and indeed to reach, beings that are very unlike ourselves. Steingo focuses on the second half of the twentieth century, when scientists developed new ways of listening to oceans and cosmic space—two realms previously inaccessible to the senses and to empirical investigation. As quintessential frontiers of the postwar period, the outer space of the cosmos and the inner space of oceans were conceptualized as parallel realities, laid bare by newly technologized “ears.” Deeply engaging, Interspecies Communication explores our attempts to cross the border between the human and non-human, to connect with non-humans in the depths of the oceans, the far reaches of the universe, or right under our own noses.
Examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today - who face high unemployment, extreme inequality, and widespread crime - Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa's crucial social and political problems by, in fact, seeming to ignore them
With the rise of the gramophone circa 1900, the shellac disc mushroomed into the dominant sound format of the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor as well as early colonial expeditions to capture sounds, to offer a global portrait of this format. Spun at 78 revolutions per minute, the shellac disc had become an industrial standard, even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Yet the recording of sounds was only one element in the making of this global format. Using friction as a lens, Gavin Williams reveals the environments plundered, the materials seized, the ears entangled. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium and so too explores new ways of understanding listening in technological culture more broadly"--
Examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today - who face high unemployment, extreme inequality, and widespread crime - Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa's crucial social and political problems by, in fact, seeming to ignore them
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