European empires were commonly depicted in bright color-coded maps printed during the nineteenth and twentieth centuries that conveyed the expanse of European power across the globe. Despite this familiar image of a world divided up into neat imperial enclaves, the reality of empire-building often told a different story. Empire Unbound argues that European empires were never the bounded, stable entities that imperialists imagined. In examining Mediterranean empire-building in a comparative context, Gavin Murray-Miller demonstrates that the era of 'new imperialism' which arose in the late nineteenth century fostered connections and synergies between regional powers that influenced the trajectories of imperial states in fundamental ways. Breaking with conventional national approaches, Murray-Miller traces the development of France's North African empire, noting how empire-building relied upon transnational networks and cooperation with Muslims elites across borders just as much as military conquest. By looking at the inter-connected relationships linking the French, British, Italian, and Ottoman empires from the 1880s through the First World War, Empire Unbound proposes a novel spatial framework for imperial studies, showing how migrations, extraterritorial legal regimes, and cross-border interactions both abetted and frustrated imperial designs at the turn of the century.
The Cult of the Modern focuses on nineteenth-century France and Algeria and examines the role that ideas of modernity and modernization played in both national and colonial programs during the years of the Second Empire and the early Third Republic. Gavin Murray-Miller rethinks the subject by examining the idiomatic use of modernity in French cultural and political discourse. The Cult of the Modern argues that the modern French republic is a product of nineteenth-century colonialism rather than a creation of the Enlightenment or the French Revolution. This analysis contests the predominant Parisian and metropolitan contexts that have traditionally framed French modernity studies, noting the important role that colonial Algeria and the administration of Muslim subjects played in shaping understandings of modern identity and governance among nineteenth-century politicians and intellectuals. In synthesizing the narratives of continental France and colonial North Africa, Murray-Miller proposes a new framework for nineteenth-century French political and cultural history, bringing into sharp relief the diverse ways in which the French nation was imagined and represented throughout the country’s turbulent postrevolutionary history, as well as the implications for prevailing understandings of France today.
CHOICE Outstanding Academic Title 2021 Revolutionary Europe is an original examination of radical political movements during Europe's long 19th century. It employs both national and transnational contexts, incorporating new debates in Atlantic history, empire studies and cultural history to give a comprehensive narrative of the period from 1775 to 1922. Rather than assessing revolution as a purely theoretical, socially-driven force or a structural phenomenon, the book presents revolution as a process of community building and cultural identification born from instances of acute social and political crisis. Taking into account various moments of political upheaval during the 19th century, including the French, Russian and 1848 revolutions, it explores the ways in which political actors attempted to construct new definitions of sovereignty and social unity in a period characterized by vast social, economic and governmental change. In a wide-ranging text that covers Britain and much of continental Europe in detail, as well as reaching out to the Americas and Atlantic and Mediterranean Worlds, Gavin Murray-Miller provides an authoritative transnational study of revolution in the 19th-century age of high nationalism.
Empire Unbound argues that European empires were not the bounded, stable entities that imperialists imagined. Gavin Murray-Miller demonstrates that the era of 'new imperialism' which arose in the late 19th century fostered connections and synergies between regional powers that influenced the trajectories of imperial states in fundamental ways.
CHOICE Outstanding Academic Title 2021 Revolutionary Europe is an original examination of radical political movements during Europe's long 19th century. It employs both national and transnational contexts, incorporating new debates in Atlantic history, empire studies and cultural history to give a comprehensive narrative of the period from 1775 to 1922. Rather than assessing revolution as a purely theoretical, socially-driven force or a structural phenomenon, the book presents revolution as a process of community building and cultural identification born from instances of acute social and political crisis. Taking into account various moments of political upheaval during the 19th century, including the French, Russian and 1848 revolutions, it explores the ways in which political actors attempted to construct new definitions of sovereignty and social unity in a period characterized by vast social, economic and governmental change. In a wide-ranging text that covers Britain and much of continental Europe in detail, as well as reaching out to the Americas and Atlantic and Mediterranean Worlds, Gavin Murray-Miller provides an authoritative transnational study of revolution in the 19th-century age of high nationalism.
The Cult of the Modern focuses on nineteenth-century France and Algeria and examines the role that ideas of modernity and modernization played in both national and colonial programs during the years of the Second Empire and the early Third Republic. Gavin Murray-Miller rethinks the subject by examining the idiomatic use of modernity in French cultural and political discourse. The Cult of the Modern argues that the modern French republic is a product of nineteenth-century colonialism rather than a creation of the Enlightenment or the French Revolution. This analysis contests the predominant Parisian and metropolitan contexts that have traditionally framed French modernity studies, noting the important role that colonial Algeria and the administration of Muslim subjects played in shaping understandings of modern identity and governance among nineteenth-century politicians and intellectuals. In synthesizing the narratives of continental France and colonial North Africa, Murray-Miller proposes a new framework for nineteenth-century French political and cultural history, bringing into sharp relief the diverse ways in which the French nation was imagined and represented throughout the country's turbulent postrevolutionary history, as well as the implications for prevailing understandings of France today"--
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