Eight Tibetan opera narratives express Buddhist concepts in myths and stories for the enjoyment and edification of readers of all ages. Timeless Buddhist ideas come to life in the myths and stories in Tales from the Tibetan Operas. Poetically vibrant, these eight classic lhamo stories have continued to delight and edify Tibetan audiences of all backgrounds, from village children to learned scholar-monks and Dalai Lamas. Western readers can now also get a glimpse into ancient Indian and Tibetan history and mythology through these cultural touchstones. The operas revolve around the drives of the human condition: the desire for power, the irresistible seduction of attraction, thoughts of revenge, attachment to family, the fear of separation and pain, the wish to be free from oppression. On visual display are the human and nonhuman characters of history and folklore — kings, queens, conniving ministers, ordinary folk, yogis, monks, and powerful beings from other realms such as gods and nagas — engaged in plotting, kidnapping, fighting and death, journeys to faraway lands, separation, and reconciliation, often with a quest for seemingly impossible treasure. The suspenseful tales have many dramatic plot twists, but they all end in happiness, where the good achieve their goals and the bad receive their just desserts. The operas thus bring to the people the fundamental ethical laws of behavior and teachings of natural justice based on Buddhist doctrine. The book features more than fifty gorgeous photos of the operas being performed in Tibet and India.
Leaders of the Dalai Lama’s tradition illuminate the issues surrounding the Shukden controversy. Before the twentieth century, the figure of Shukden, or Dölgyal, was an obscure one in the pantheon of Tibetan Buddhism’s many oracles and protectors. But after individuals within the Geluk tradition began to promote and disseminate the practice, division arose among Buddhists of different sects. Later, incidents within the exile community, as recounted in this book, prompted the Dalai Lama to investigate the practice more deeply. The fruits of this research are presented here, as are the statements made by His Holiness about it over the past forty years. Understanding the Case against Shukden uncovers the historical context behind this contentious practice, which dates back to the time of the Fifth Dalai Lama in the seventeenth century, and clarifies why the present Dalai Lama has been so vocal in countering it. Understanding the Case against Shukden is a clarion call for unity among the Tibetan people and a vision for a more harmonious Tibetan Buddhist community.
Leaders of the Dalai Lama’s tradition illuminate the issues surrounding the Shukden controversy. Before the twentieth century, the figure of Shukden, or Dölgyal, was an obscure one in the pantheon of Tibetan Buddhism’s many oracles and protectors. But after individuals within the Geluk tradition began to promote and disseminate the practice, division arose among Buddhists of different sects. Later, incidents within the exile community, as recounted in this book, prompted the Dalai Lama to investigate the practice more deeply. The fruits of this research are presented here, as are the statements made by His Holiness about it over the past forty years. Understanding the Case against Shukden uncovers the historical context behind this contentious practice, which dates back to the time of the Fifth Dalai Lama in the seventeenth century, and clarifies why the present Dalai Lama has been so vocal in countering it. Understanding the Case against Shukden is a clarion call for unity among the Tibetan people and a vision for a more harmonious Tibetan Buddhist community.
Eight Tibetan opera narratives express Buddhist concepts in myths and stories for the enjoyment and edification of readers of all ages. Timeless Buddhist ideas come to life in the myths and stories in Tales from the Tibetan Operas. Poetically vibrant, these eight classic lhamo stories have continued to delight and edify Tibetan audiences of all backgrounds, from village children to learned scholar-monks and Dalai Lamas. Western readers can now also get a glimpse into ancient Indian and Tibetan history and mythology through these cultural touchstones. The operas revolve around the drives of the human condition: the desire for power, the irresistible seduction of attraction, thoughts of revenge, attachment to family, the fear of separation and pain, the wish to be free from oppression. On visual display are the human and nonhuman characters of history and folklore — kings, queens, conniving ministers, ordinary folk, yogis, monks, and powerful beings from other realms such as gods and nagas — engaged in plotting, kidnapping, fighting and death, journeys to faraway lands, separation, and reconciliation, often with a quest for seemingly impossible treasure. The suspenseful tales have many dramatic plot twists, but they all end in happiness, where the good achieve their goals and the bad receive their just desserts. The operas thus bring to the people the fundamental ethical laws of behavior and teachings of natural justice based on Buddhist doctrine. The book features more than fifty gorgeous photos of the operas being performed in Tibet and India.
This text incorporates programming aspects of strength and conditioning including training methods to develop muscular strength and power, flexibility, and the development of effective warm-up regimens. Performance analysis techniques in sport are introduced while the constraints-led approach to motor skills acquisition is presented as a framework that can guide the development of practices for the strength and conditioning practitioner. The biomechanical and motor skill acquisition concepts introduced in the text are then applied to fundamental movements including jumping, landing, and sprint running.
This book examines the militant Irish republican movement in the United States from the final months of the Irish Civil War through to the Second World War. The narrative carefully and creatively intertwines the personalities, events and policies that shaped the activism during this period and shows the evolution of its inherently transnational nature. Through a bottom-up historical analysis that incorporates an examination of more than eighty archival collections in the US, Ireland and Britain, the book presents for the first time an account of the anti-Treaty IRA veterans who arrived in the US after the Irish Civil War. Upon their settlement in Irish-American communities, these republicans directly influenced and guided the US-based militant republican organisation, Clan na Gael, transformed the overall dynamics of militant Irish republicanism in America and provided leadership and co-ordination for an IRA bombing campaign. With the inclusion of these veterans’ stories, the book provides a fresh interpretation of the inter-war movement in America that shows it to be far from as stagnant, wayward and detached from Irish affairs as has previously been claimed.
Anthony Sonaghan is hiding out in an old tenement house in Dublin: he fears he's reignited an ancient feud between the two halves of his family. Twenty-first-century Dublin may have shopping malls and foreign exchange students, but Anthony is from an Irish Travelling community, where blood ties are bound deeply to the past. When his roguish uncle Arthur shows up on his doorstep with a missing toe, delirious and apparently on the run, history and its troubles are following close behind him—and Anthony will soon have to face the question of who he really is. In prose of exceptional vividness, Gavin Corbett brings us a narrator with the power to build a new, previously unimagined world. His language, shot through with dreams and myths, summons a vision of Ireland in which a premodern spirit has somehow survived into contemporary life, brooding and overlooked. Funny, terrible, unsettling, fiercely unsentimental, This Is the Way is haunted by some of Ireland's greatest writers even as it breaks new ground and asks afresh why the imagination is so necessary to survival.
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