A truly modern approach to criminological and forensic psychology, this engaging text explores all aspects of the field, from defining forensic psychology, through the psychological explanations of crime and specific crime types, to the application of psychology in detection and investigation, the court room, and prison. This new edition has been fully updated to include more coverage of social and developmental factors impacting crime, female offenders, and crime in times of crisis, along with a brand-new chapter on stalking and harassment. The inclusion of topical issues such as white supremacy and the #MeToo movement places this book fully in the moment and explores issues that affect us all. With detailed case studies of real-life crimes throughout, this text is a perfect companion to your studies of forensic psychology at any level. Helen Gavin was, before retiring in 2023, Subject Lead in Criminal Psychology at the University of Huddersfield.
Understanding Wine Chemistry Understand the reactions behind the world’s most alluring beverages The immense variety of wines on the market is the product of multiple chemical processes – whether acting on components arising in the vineyard, during fermentation, or throughout storage. Winemaking decisions alter the chemistry of finished wines, affecting the flavor, color, stability, and other aspects of the final product. Knowledge of these chemical and biochemical processes is integral to the art and science of winemaking. Understanding Wine Chemistry has served as the definitive introduction to the chemical components of wine, their properties, and their reaction mechanisms. It equips the knowledgeable reader to interpret and predict the outcomes of physicochemical reactions involved with winemaking processes. Now updated to reflect recent research findings, most notably in relation to wine redox chemistry, along with new Special Topics chapters on emerging areas, it continues to set the standard in the subject. Readers of the second edition of Understanding Wine Chemistry will also find: Case studies throughout showing chemistry at work in creating different wine styles and avoiding common adverse chemical and sensory outcomes Detailed treatment of novel subjects like non-alcoholic wines, non-glass alternatives to wine packaging, synthetic wines, and more An authorial team with decades of combined experience in wine chemistry research and education Understanding Wine Chemistry is ideal for college and university students, winemakers at any stage in their practice, professionals in related fields such as suppliers or sommeliers, and chemists with an interest in wine.
New Zealanders are too complacent about the continuing erosion of their right to know what government is doing on their behalf. Political risk has become a primary consideration in whether official information requests will be met, and successive governments have allowed free speech rights to be overridden. Drawing on decades of experience as a journalist and editor, Gavin Ellis chronicles the patterns of erosion and calls for entrenchment of the Bill of Rights Act. As supreme law, it would set a high bar that politicians must hurdle before freedom of expression could be curtailed.
G�nther F�rg (1952-2013) was a German painter, sculptor, and photographer with an irreverent approach to abstraction. F�rg's project tackled the latent instability between image and reality. His painterly surfaces may appear exquisitely sensitive, his installations elegantly precise, but these are mastered and executed with a cold detachment. His deft manipulations of the languages of abstraction obscured a darker message. This publication, the most comprehensive to date, offers an important new understanding of this extraordinary and complex artist. Three years in the making, it reinterprets F�rg's oeuvre to reveal an artistic project that raises important questions about the traditional role of an object as a conveyor of fixed meaning. The book's subtitle--"A Fragile Beauty"--is an indication of how F�rg successfully manipulated what is behind and beyond an object's appearance.
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