This book studies negotiations of gender politics in the process of nation formation in the aftermath of the Partition. One of the most traumatic events in South Asian history, the Partition forms the basis of numerous literary and cinematic interpretations. Drawing on Hindi, English, Urdu and Punjabi fiction, it shows how gender is irrevocably woven into the idea of the nation and the politics of it. It focuses on the works of Saadat Hasan Manto, Rajinder Singh Bedi, Ismat Chughtai, Yashpal, Khushwant Singh, Abdullah Hussein, Mumtaz Shah Nawaz and Attia Hosain to delve into the horrors of the Partition, toward women in particular, and their representations in literary and cinematic imaginations. As an important contribution to the study of the Partition of India, this volume will be of great interest to scholars and researchers of literature, culture studies, film studies, politics, gender studies and South Asian studies. .
This volume focuses on socio- spatial practices of indigenous communities in India. It explores the interrelation between the built environments and lifeworlds, i.e. practices, patterns, and structures of everyday life. The chapters deal with different ideas and definitions of indigeneity, while also addressing the complex equations between the production and perception of built forms, indigenous technologies, on the one hand, and social, environmental and political contexts, questions of aesthetics, identity, and self-representation on the other. From Adivasi art and sacred sites to craft villages and nomadic pastoralists in western India, from indigenous bangle makers in urban north India to terracotta crafts people on the south, each chapter focuses on different communities and the contours of their contemporary lifeworlds. The contributions actively attempt to foreground the logic and perspectives of the communities themselves as the epistemological centre of the architectural and material discourses on indigeneity. This book will be useful for students, teachers, and researchers of architecture, urban design, urban studies, urban development and planning, anthropology, sociology, and museum studies. It will also be of interest to urban planners and designers, policy planners, local government authorities, and professionals engaged in the discipline.
Indian Writing In English Has Undoubtedly Acquired Its Own Independent Identity; It No More Remains Mere Imitative And Derivative. Its Long Journey From Colonial To Post-Colonial, From Imperial To Democratic And From English To Hinglish Forms A Remarkable Chapter In The History Of World Literature. Tagore Earned The First Recognition And Naipaul Is The Recent Laureate. In Between These Nobel Laureates Came A Number Of Writers Whose Work Earned Worldwide Appreciation.The Present Book Is An Attempt To Present The Different Genres Of Indian Writing In English. It Aims At Tracing Its Distinctive Features, Such As Cultural Alienation, Romanticism, Realism, Naturalism, Modernism Etc. While Nehru Has Furnished The Best English To The Globe, Amitav Ghosh, Shashi Tharoor, Arundhati Roy, Shiv K. Kumar And Dattani Have Stirred The West With Their Great Works. The Works Of These Renowned Literary Figures Have Been Considered Thoroughly And Meticulously In The Present Book.It Is Hoped That While The Student Community Will Find It Easily Accessible, The Teachers Will Also Consider It Exciting Study Material.
Heavy metal pollution due to various industrial and agricultural activities is causing serious threats both to terrestrial and aquatic ecosystems. This book provides critical research analysis on the role of mycorrhiza on microbial enzymes, improvement of growth of seedlings under heavy metal polluted soil and the possible mechanism of detoxification of heavy metals by microbes, mycorrhiza and plants.
This book studies negotiations of gender politics in the process of nation formation in the aftermath of the Partition. One of the most traumatic events in South Asian history, the Partition forms the basis of numerous literary and cinematic interpretations. Drawing on Hindi, English, Urdu and Punjabi fiction, it shows how gender is irrevocably woven into the idea of the nation and the politics of it. It focuses on the works of Saadat Hasan Manto, Rajinder Singh Bedi, Ismat Chughtai, Yashpal, Khushwant Singh, Abdullah Hussein, Mumtaz Shah Nawaz and Attia Hosain to delve into the horrors of the Partition, toward women in particular, and their representations in literary and cinematic imaginations. As an important contribution to the study of the Partition of India, this volume will be of great interest to scholars and researchers of literature, culture studies, film studies, politics, gender studies and South Asian studies. .
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