Named one of the best cookbooks of the year, by The Montreal Gazette Today, increasing emphasis is being placed on the integrity of the way the food we eat is grown. We all dream about produce picked on a summer morning, making its way to our plates by noon. Christian Gaudreault, owner of Vancouver's Tomato Fresh Food Cafe, has spent the last 15 years serving food straight from the farm with delicious results. Christian and his wife Star share their best-loved and most sought-after recipes; at the heart of the book is their simple philosophy: learn how to let farmers' fields and local markets determine your menus, and cooking at home can be fun and uncomplicated, as well as healthy. The beautiful yet deceptively simple recipes feature ingredients that are farm-fresh but widely available in every part of the country. For Christian and Star, part of the meal-making experience is about acknowledging and knowing where your food comes from. It's also about the communal experience of eating, particularly at the Tomato, a casual, soul-enriching place where people from all walks of life share the common bond of food. The book features 32 full-colour photographs, as well as insightful sidebars on how to pick out the best produce and meats, essential products for the pantry, and of course, a history of the tomato, in all its juicy glory. Recipes include: Crab Cakes with Peppercorn Aioli, Pan-Seared Scallops with Mushroom Risotto, Grilled Long-Bone Pork Chop with Pear Chutney, Roasted Tomato and Artichoke Salad, Mediterranean Couscous Salad, Heirloom Tomato Gazpacho, Lemon Meringue Tart, and Peach Blueberry Galette.
With this lucid translation of Du litteraire au filmique, André Gaudreault's highly influential and original study of film narratology is now accessible to English-language audiences for the first time. Building a theory of narrative on sources as diverse as Plato, The Arabian Nights,and Proust, From Plato to Lumière challenges narratological orthodoxy by positing that all forms of narrative are mediated by an "underlying narrator" who exists between the author and narrative text. Offering illuminating insights, definitions, and formal distinctions, Gaudreault examines the practices of novelists, playwrights, and filmmakers and applies his theory to the early cinema of the Lumière brothers and more recent films. He also enhances our understanding of how narrative develops visually without language - monstration - by detailing how the evolution of the medium influenced narratives in cinema. From Plato to Lumière includes a translation of Paul Ricoeur's preface to the French-language edition as well as a new preface by Tom Gunning. It is a must-read for cinema and media students and scholars and an essential text on the study of narrative.
Today, increasing emphasis is being placed on the integrity of the way the food we eat is grown. We all dream about produce picked on a summer morning, making its way to our plates by noon. Christian Gaudreault, owner of Vancouver’s Tomato Fresh Food Café, has spent the last 15 years serving food straight from the farm with delicious results. In their first book, Christian and his wife Starllie share their best-loved and most sought-after recipes; at the heart of the book is their simple philosophy: if you learn how to let farmers’ fields and local markets determine your menus, cooking at home can be a fun and uncomplicated experience. These beautiful recipes feature ingredients that are farm-fresh but widely available in every part of the country. For Christian and Starllie, the heart of meal-making is about acknowledging and knowing where your food comes from; it’s also about the communal aspect of eating, particularly at the Tomato, a casual, soul-enriching place where people from all walks of life sit down together and share the common bond of food. The book features 32 full-color photographs, as well as insightful sidebars on how to pick out the best produce and meats, essential products for the pantry, and of course, a history of the tomato, in all its juicy glory. Recipes include: Crab Cakes with Peppercorn Aioli; Pan-Seared Scallops with Mushroom Risotto; Grilled Long-Bone Pork Chop with Pear Chutney; Roasted Tomato & Artichoke Salad; Mediterranean Couscous Salad; Heirloom Tomato Gazpacho; Lemon Meringue Tart; Peach Blueberry Galette.
Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.
With this lucid translation of Du litteraire au filmique, André Gaudreault's highly influential and original study of film narratology is now accessible to English-language audiences for the first time. Building a theory of narrative on sources as diverse as Plato, The Arabian Nights,and Proust, From Plato to Lumière challenges narratological orthodoxy by positing that all forms of narrative are mediated by an "underlying narrator" who exists between the author and narrative text. Offering illuminating insights, definitions, and formal distinctions, Gaudreault examines the practices of novelists, playwrights, and filmmakers and applies his theory to the early cinema of the Lumière brothers and more recent films. He also enhances our understanding of how narrative develops visually without language - monstration - by detailing how the evolution of the medium influenced narratives in cinema. From Plato to Lumière includes a translation of Paul Ricoeur's preface to the French-language edition as well as a new preface by Tom Gunning. It is a must-read for cinema and media students and scholars and an essential text on the study of narrative.
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