Gaston Rius's Books

Implementing or Migrating to an IBM Gen 5 b-type SAN

By: Mirza Baig,Liam Dowds,Silviano Gaona,Paulo Neto,Gaston Rius,Megan Gilge,IBM Redbooks

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Implementing or Migrating to an IBM Gen 5 b-type SAN

By: Mirza Baig,Liam Dowds,Silviano Gaona,Paulo Neto,Gaston Rius,Megan Gilge,IBM Redbooks

The IBM® b-type Gen 5 Fibre Channel directors and switches provide reliable, scalable, and secure high-performance foundations for high-density server virtualization, cloud architectures, and next generation flash and SSD storage. They are designed to meet the demands of highly virtualized private cloud storage and data center environments. This IBM Redbooks® publication helps administrators learn how to implement or migrate to an IBM Gen 5 b-type SAN. It provides an overview of the key hardware and software products and explains how to install, monitor, tune, and troubleshoot your storage area network (SAN). Read this publication to learn about fabric design, managing and monitoring your network, key tools such as IBM Network Advisor and Fabric Vision, and troubleshooting.

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Page Count

348

Publisher

IBM Redbooks

Published Date

ISBN 10

0738441821

ISBN 13

9780738441825

Regain Control of your Environment with IBM Storage Insights

By: Hasan Abdullah Hashmi,Gaston Rius,Megan Gilge,IBM Redbooks

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Regain Control of your Environment with IBM Storage Insights

By: Hasan Abdullah Hashmi,Gaston Rius,Megan Gilge,IBM Redbooks

This IBM® RedpaperTM publication introduces you to the new, cloud-based IBM Spectrum ControlTM Storage Insights (IBM Storage Insights, for short) offering, which is designed for small and medium businesses and organizations who need to quickly understand what is happening in their storage environment without implementing complex tools. IBM Storage Insights can be set up in less than 5 minutes and provides actionable insights about your storage in less than 30 minutes. IBM Storage Insights is an off-premise software as a service (SaaS) offering that is offered through the IBM Service Engage website. This simple, graphical tool has built-in reports to help you rapidly understand what is happening in your environment and provides recommendations about how you can maximize the benefits of your storage and improve your decision-making process. This publication is designed to help storage administrators learn about benefits, features, and key implementation scenarios. The retention period for daily performance data was updated in February 2017. IBM Marketplace links were added in March 2017.

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IBM Redbooks

Published Date

ISBN 10

0738454370

ISBN 13

9780738454375

The Cult of Sol Invictus

By: Gaston Halsberghe

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The Cult of Sol Invictus

By: Gaston Halsberghe

Preliminary material /Gaston H. Halsberghe -- THE LITERARY TEXTS /Gaston H. Halsberghe -- THE SUN CULT UP TO THE FIRST CENTURY OF THE EMPIRE /Gaston H. Halsberghe -- THE EASTERN RELIGIONS: THEIR DISTRIBUTION AND ADHERENTS /Gaston H. Halsberghe -- SOL INVICTUS ELAGABAL /Gaston H. Halsberghe -- THE CONTINUATION OF THE CULT OF SOL INVICTUS /Gaston H. Halsberghe -- THE REIGN OF AURELIAN /Gaston H. Halsberghe -- CONCLUSION /Gaston H. Halsberghe.

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Page Count

189

Publisher

BRILL

Published Date

ISBN 10

9004296255

ISBN 13

9789004296251

History of Egypt, Chaldæa, Syria, Babylonia, and Assyria (Complete)

By: Gaston Maspero

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History of Egypt, Chaldæa, Syria, Babylonia, and Assyria (Complete)

By: Gaston Maspero

Professor Maspero does not need to be introduced to us. His name is well known in England and America as that of one of the chief masters of Egyptian science as well as of ancient Oriental history and archaeology. Alike as a philologist, a historian, and an archaeologist, he occupies a foremost place in the annals of modern knowledge and research. He possesses that quick apprehension and fertility of resource without which the decipherment of ancient texts is impossible, and he also possesses a sympathy with the past and a power of realizing it which are indispensable if we would picture it aright. His intimate acquaintance with Egypt and its literature, and the opportunities of discovery afforded him by his position for several years as director of the Bulaq Museum, give him an unique claim to speak with authority on the history of the valley of the Nile. In the present work he has been prodigal of his abundant stores of learning and knowledge, and it may therefore be regarded as the most complete account of ancient Egypt that has ever yet been published. In the case of Babylonia and Assyria he no longer, it is true, speaks at first hand. But he has thoroughly studied the latest and best authorities on the subject, and has weighed their statements with the judgment which comes from an exhaustive acquaintance with a similar department of knowledge. Naturally, in progressive studies like those of Egyptology and Assyriology, a good many theories and conclusions must be tentative and provisional only. Discovery crowds so quickly on discovery, that the truth of to-day is often apt to be modified or amplified by the truth of to-morrow. A single fresh fact may throw a wholly new and unexpected light upon the results we have already gained, and cause them to assume a somewhat changed aspect. But this is what must happen in all sciences in which there is a healthy growth, and archaeological science is no exception to the rule. The spelling of ancient Egyptian proper names adopted by Professor Maspero will perhaps seem strange to many. But it must be remembered that all our attempts to represent the pronunciation of ancient Egyptian words can be approximate only; we can never ascertain with certainty how they were actually sounded. All that can be done is to determine what pronunciation was assigned to them in the Greek period, and to work backwards from this, so far as it is possible, to more remote ages. This is what Professor Maspero has done, and it must be no slight satisfaction to him to find that on the whole his system of transliteration is confirmed by the cuneiform tablets of Tel el-Amarna. The difficulties attaching to the spelling of Assyrian names are different from those which beset our attempts to reproduce, even approximately, the names of ancient Egypt. The cuneiform system of writing was syllabic, each character denoting a syllable, so that we know what were the vowels in a proper name as well as the consonants. Moreover, the pronunciation of the consonants resembled that of the Hebrew consonants, the transliteration of which has long since become conventional. When, therefore, an Assyrian or Babylonian name is written phonetically, its correct transliteration is not often a matter of question. But, unfortunately, the names are not always written phonetically. The cuneiform script was an inheritance from the non-Semitic predecessors of the Semites in Babylonia, and in this script the characters represented words as well as sounds. Not unfrequently the Semitic Assyrians continued to write a name in the old Sumerian way instead of spelling it phonetically, the result being that we do not know how it was pronounced in their own language. The name of the Chaldæan Noab, for instance, is written with two characters which ideographically signify "the sun" or "day of life," and of the first of which the Sumerian values were ut, babar, khis, tarn, and par, while the second had the value of zi. Were it not that the Chaldæan historian Bêrôssos writes the name Xisuthros, we should have no clue to its Semitic pronunciation.

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Page Count

3482

Publisher

Library of Alexandria

ISBN 10

1465523804

ISBN 13

9781465523808

The Phantom of the Opera

By: Gaston Leroux

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The Phantom of the Opera

By: Gaston Leroux

In 1910, the mystery novelist Gaston Leroux, working from scraps of history, theatrical lore, and his own fertile imagination, created a masterpiece in Le fantôme de l’opéra, the story of a disfigured composer who lives in the labyrinthine depths of the Paris Opera. After the breathtaking debut of Christine Daaé, the whispers of an Opera ghost seem to become reality as the young singer vanishes. As the Phantom strikes again and again, targeting foes from a jealous diva to a romantic rival, Leroux spins a thriller of obsession and violence with, at its center, a tormented murderer who awakens our deepest fears and sympathies. The inspiration for Andrew Lloyd Webber’s long-running musical, Leroux’s novel is still more riveting than anything Broadway could produce.

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