A beloved multidisciplinary treatise comes to Penguin Classics Since its initial publication in 1958, The Poetics of Space has been a muse to philosophers, architects, writers, psychologists, critics, and readers alike. The rare work of irresistibly inviting philosophy, Bachelard’s seminal work brims with quiet revelations and stirring, mysterious imagery. This lyrical journey takes as its premise the emergence of the poetic image and finds an ideal metaphor in the intimate spaces of our homes. Guiding us through a stream of meditations on poetry, art, and the blooming of consciousness itself, Bachelard examines the domestic places that shape and hold our dreams and memories. Houses and rooms; cellars and attics; drawers, chests, and wardrobes; nests and shells; nooks and corners: No space is too vast or too small to be filled by our thoughts and our reveries. In Bachelard’s enchanting spaces, “We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.” This new edition features a foreword by Mark Z. Danielewski, whose bestselling novel House of Leaves drew inspiration from Bachelard’s writings, and an introduction by internationally renowned philosopher Richard Kearney who explains the book’s enduring importance and its role within Bachelard’s remarkable career. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
[Bachelard] is neither a self-confessed and tortured atheist like Satre, nor, like Chardin, a heretic combining a belief in God with a proficiency in modern science. But, within the French context, he is almost as important as they are because he has a pseudo-religious force, without taking a stand on religion. To define him as briefly as possible – he is a philosopher, with a professional training in the sciences, who devoted most of the second phase of his career to promoting that aspect of human nature which often seems most inimical to science: the poetic imagination ..." – J.G. Weightman, The New York Times Review of Books
In The Dialectic of Duration, Gaston Bachelard addresses the nature of time in response to the writings of his great contemporary, Henri Bergson. The work is motivated by a refutation of Bergson’s notion of duration – ‘lived time’, experienced as continuous. For Bachelard, experienced time is irreducibly fractured and interrupted, as indeed are material events. At stake is an entire conception of the physical world, an entire approach to the philosophy of science. It was in this work that Bachelard first marshalled all the components of his visionary philosophy of science, with its steady insistence on the human context and subtle encompassing of the irrational within the rational. The Dialectic of Duration reaches far beyond local arguments over the nature of the physical world to gesture toward the building of an entirely new form of philosophy. Ongoing publication made possible through the generous support of the Melbourne School of Continental Philosophy.
The publication of FRAGMENTS OF A POETICS OF FIRE is a milestone in Bachelard studies that will influence the way we think about his themes & method for a long time to come. Dissatisfied with his earlier attempt to come to terms with the element of fire in "The Psychoanalysis of Fire" (1937), Bachelard returned to this theme in the book he was working on at the time of his death in 1962. Because of delays in &, eventually, the abandonment of a projected edition of his complete works, these FRAGMENTS OF A POETICS OF FIRE remained unpublished & their very existence unknown to all but a handful of Bachelard's readers. The author's daughter, Suzanne Bachelard, edited them for separate publication over a quarter-century later in 1988. For the first time we have an insight into the way Bachelard constructed his remarkable books. Miss Bachelard's introduction & extensive notes are an indispensable guide to the workings of his mind as "he shapes a meandering series of observations on the phoenix, Prometheus, & Empedocles into a coherent & engaging structure that respects the fluidity & openness of a living image - the powerful image of fire.
The instant -- The problem of habit and discontinuous time -- The idea of progress and the intuition of discontinuous time -- Conclusion -- Appendix A: "Poetic instant and metaphysical instant" by Gaston Bachelard -- Appendix B: Reading Bachelard reading Siloe: an excerpt from "Introduction to Bachelard's poetics" by Jean Lescure -- Appendix C: A short biography of Gaston Bachelard
Air and Dreams: An Essay on the Imagination of Movement - by Gaston Bachelard Trans. Edith and Frederick Farrell. Bachelard uses his extensive knowledge of the poetry of Poe, Blake, Shelley, and Nietzsche to amplify the images of the airy elements. THE BACHELARD TRANSLATIONS are the inspiration of Joanne H. Stroud, Director of Publications for The Dallas Institute of Humanities and Culture, who in 1981 contracted with Jose Corti to publish in English the untranslated works of Bachelard on the imagination. Gaston Bachelard is acclaimed as one of the most significant modern French thinkers. From 1929 to 1962 he authored twenty-three books addressing his dual concerns, the philosophy of science and the analysis of the imagination of matter. The influence of his thought can be felt in all disciplines of the humanities - art, architecture, literature, language, poetics, philosophy, and depth psychology. His teaching career included posts at the College de Bar-sur-Aube, the University of Dijon, and from 1940 to 1962 the chair of history and philosophy of science at the Sorbonne. One of the amphitheaters of the Sorbonne is called "L'Amphi Gaston Bachelard," an honor Bachelard shared with Descartes and Richelieu. He received the Grand Prix National Lettres in 1961-one of only three philosophers ever to have achieved this honor. The influence of his thought can be felt in all disciplines of the humanities-art, architecture, literature, poetics, psychology, philosophy, and language.
In this, his last significant work, an admired French philosopher provides extraordinary meditations on the relations between the imagining consciousness and the world, positing the notion of reverie as its most dynamic point of reference. In his earlier book, The Poetics of Space, Bachelard considered several kinds of "praiseworthy space" conducive to the flow of poetic imagery. In Poetics of Reverie he considers the absolute origins of that imagery: language, sexuality, childhood, the Cartesian ego, and the universe. Approaching the psychology of wonder from the phenomenological viewpoint, Bachelard demonstrates the aurgentative potential of all that awareness. Thus he distinguishes what is merely a phenomenon of relaxation from the kind of reverie which "poetry puts on the right track, the track of expanding consciousness
J'etudie! Je ne suis que le sujet du verbe etudier. Penser je n'ose. Avant de penser, il faut etudier. Seuls les philosophes pensent avant d'etudier . Dans son dernier livre La flamme d'une chandelle, Gaston Bachelard s'est defini comme un etudiant. Nous n'avons pas cru lui etre infidele en presentant ces Etudes reflechies, qui portent trace d'itineraires de recherche et de problematiques. Sont ici rassembles les textes suivants: Noumene et microphysique, La critique du concept de frontiere epistemologique, Idealisme discursif, Lumiere et substance et Le monde comme caprice et miniature.
French philosopher Gaston Bachelard (1884–1962) is best known in the English-speaking world for his work on poetics and the literary imagination, but much of his oeuvre is devoted to epistemology and the philosophy of science. Like Thomas Kuhn, whose work he anticipates by three decades, Bachelard examines the revolution taking place in scientific thought, but with particular attention to the philosophical implications of scientific practice. Atomistic Intuitions, published in 1933, considers past atomistic doctrines as a context for proposing a metaphysics for the scientific revolutions of the twentieth century. As his subtitle indicates, in this book Bachelard proposes a classification of atomistic intuitions as they are transformed over the course of history. More than a mere taxonomy, this exploration of atomistic doctrines since antiquity proves to be keenly pedagogical, leading to an enriched philosophical appreciation of modern subatomic physics and chemistry as sciences of axioms. Though focused on philosophy of science, the perspectives and intuitions Bachelard garnered through this work provide a unique and even essential key to understanding his extensive writings on the imagination. Roch C. Smith's translation and explanatory notes will help to make this aspect of Bachelard's thought accessible to a wider readership, particularly in such fields as aesthetics, literature, and history.
Bachelard] is neither a self-confessed and tortured atheist like Satre, nor, like Chardin, a heretic combining a belief in God with a proficiency in modern science. But, within the French context, he is almost as important as they are because he has a pseudo-religious force, without taking a stand on religion. To define him as briefly as possible - he is a philosopher, with a professional training in the sciences, who devoted most of the second phase of his career to promoting that aspect of human nature which often seems most inimical to science: the poetic imagination ..." - J.G. Weightman, "The New York Times Review of Books
Nous saisirons toutes les occasions pour insister de page en page sur le caractère novateur de l'esprit scientifique contemporain. Souvent ce caractère novateur sera suffisamment marqué par le simple rapprochement de deux exemples dont l'un sera pris dans la physique du XVIIIè ou du XIXè siècle et l'autre dans la physique du XXè siècle. De cette manière, on verra que, dans le détail des connaissances comme dans la structure générale du savoir, la science physique contemporaine se présente avec une incontestable nouveauté. GASTON BACHELARD.
Cette étude ne peut guère perdre son obscurité que si nous en fixons tout de suite le but métaphysique : elle s'offre comme une propédeutique à une philosophie du repos. Mais, comme on le verra dès les premières pages, une philosophie du repos n'est pas une philosophie de tout repos. Un philosophe ne peut pas chercher tranquillement la quiétude. Il lui faut des preuves métaphysiques pour qu'il accepte le repos comme un droit de la pensée ; il lui faut des expériences multiples et de longues discussions pour qu'il admette le repos comme un des éléments du devenir. Le lecteur devra donc pardonner le caractère tendu d'un livre qui fait bon marché des conseils et des exemples familiers pour aller tout de suite à la conviction que le repos est inscrit au cœur de l'être, que nous devons le sentir au fond même de notre être, intimement mêlé au devenir imparti à notre être, au niveau même de la réalité temporelle sur laquelle s'appuient notre conscience et notre personne. (GASTON BACHELARD)
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.