From a hospital bed a dying man unfolds the tale of an arduous life on the fringes of a Hawai‘i sugar plantation in the 1920s. There Kim Sung Wha—laborer, patriot, revolutionary, aviator—envisioned building an airplane from ricepaper, bamboo, and the scrap parts of a broken-down bicycle, an airplane that would carry him back to his Korean homeland and to his wife and children. From the start Sung Wha’s dream is destined to fail, but this moving and passionate work is the story of a man who dares to life past the wreckage of shattered visions. His is a heroic story of loss, of deep love, and of rebirth.
Project Orion. It's a revolutionary space-based defense shield, only weeks away from deployment. Promising global protection from missile attack by rogue nations, Orion offers an "umbrella" of security to a terror-stricken world. But even the loftiest aims often conceal darker intentions. Behind closed doors, insiders maneuver to control the new superweapon with an agenda that places all mankind at risk. When Angela Browning, an ambitious journalist, receives a mysterious computer disk from an anonymous source, she can't believe the information it contains: photos of ancient structures on the planet Mars. But after diligent research, Angela discovers that the images originated from the Mars Observer probe, a satellite declared "lost" over a decade before. Perhaps even more troubling than the artifacts themselves is the implication that somehow, somewhere in the corridors of power, it's been decided that the discovery of intelligent life on Mars must be suppressed. Angela's quest for the truth eventually leads her to Jake Deaver, the commander of the last Apollo mission to the moon. Deaver, a maverick his whole career, may be the only one who can help her shed light on a conspiracy that reaches into the darkest corners of Washington politics. But the pair's investigation takes them dangerously close to Project Orion, and a powerful cabal determined to prevent anyone from jeopardizing their plans. Now Jake and Angela must face the stark reality that pursuing the truth may put both their lives at risk. And the choice they make will change the world forever.
Project Orion. It's a revolutionary space-based defense shield, only weeks away from deployment. Promising global protection from missile attack by rogue nations, Orion offers an "umbrella" of security to a terror-stricken world. But even the loftiest aims often conceal darker intentions. Behind closed doors, insiders maneuver to control the new superweapon with an agenda that places all mankind at risk. When Angela Browning, an ambitious journalist, receives a mysterious computer disk from an anonymous source, she can't believe the information it contains: photos of ancient structures on the planet Mars. But after diligent research, Angela discovers that the images originated from the Mars Observer probe, a satellite declared "lost" over a decade before. Perhaps even more troubling than the artifacts themselves is the implication that somehow, somewhere in the corridors of power, it's been decided that the discovery of intelligent life on Mars must be suppressed. Angela's quest for the truth eventually leads her to Jake Deaver, the commander of the last Apollo mission to the moon. Deaver, a maverick his whole career, may be the only one who can help her shed light on a conspiracy that reaches into the darkest corners of Washington politics. But the pair's investigation takes them dangerously close to Project Orion, and a powerful cabal determined to prevent anyone from jeopardizing their plans. Now Jake and Angela must face the stark reality that pursuing the truth may put both their lives at risk. And the choice they make will change the world forever.
Project Orion. It's a revolutionary space-based defense shield, only weeks away from deployment. Promising global protection from missile attack by rogue nations, Orion offers an "umbrella" of security to a terror-stricken world. But even the loftiest aims often conceal darker intentions. Behind closed doors, insiders maneuver to control the new superweapon with an agenda that places all mankind at risk. When Angela Browning, an ambitious journalist, receives a mysterious computer disk from an anonymous source, she can't believe the information it contains: photos of ancient structures on the planet Mars. But after diligent research, Angela discovers that the images originated from the Mars Observer probe, a satellite declared "lost" over a decade before. Perhaps even more troubling than the artifacts themselves is the implication that somehow, somewhere in the corridors of power, it's been decided that the discovery of intelligent life on Mars must be suppressed. Angela's quest for the truth eventually leads her to Jake Deaver, the commander of the last Apollo mission to the moon. Deaver, a maverick his whole career, may be the only one who can help her shed light on a conspiracy that reaches into the darkest corners of Washington politics. But the pair's investigation takes them dangerously close to Project Orion, and a powerful cabal determined to prevent anyone from jeopardizing their plans. Now Jake and Angela must face the stark reality that pursuing the truth may put both their lives at risk. And the choice they make will change the world forever.
Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. In 1985, the Village Voice offered me a job as senior art critic. This made my life easier and lousy at the same time. I now had to actually enter all those galleries instead of peeking in the windows. At times, the only tangible perk was having the chump for a fifth of vodka whenever twenty more phonies had flattered my ass off in the course of a working week. —from Vile Days From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, Vile Days brings together for the first time all of those vivid dispatches, too long stuck in archival limbo, so that the fire of Indiana's observations can burn again. In the midst of Reaganism, the grim toll of AIDS, and the frequent jingoism of postmodern theory, Indiana found a way to be the moment's Baudelaire. He turned the art review into a chronicle of life under siege. As a critic, Indiana combines his novelistic and theatrical gifts with a startling political acumen to assess art and the unruly environments that give it context. No one was better positioned to elucidate the work of key artists at crucial junctures of their early careers, from Sherrie Levine and Richard Prince to Jeff Koons and Cindy Sherman, among others. But Indiana also remained alert to the aesthetic consequence of sumo wrestling, flower shows, public art, corporate galleries, and furniture design. Edited and prefaced by Bruce Hainley, Vile Days provides an opportunity to track Indiana's emergence as one of the most prescient writers of his generation.
International Commercial Arbitration is an authoritative 4,250 page treatise, in three volumes, providing the most comprehensive commentary and analysis, on all aspects of the international commercial arbitration process that is available. The Third Edition of International Commercial Arbitration has been comprehensively revised, expanded and updated, To include all legislative, judicial and arbitral authorities, and other materials in the field of international arbitration prior to June 2020. It also includes expanded treatment of annulment, recognition of awards, counsel ethics, arbitrator independence and impartiality and applicable law. The revised 4,250 page text contains references to more than 20,000 cases, awards and other authorities and will enhance the treatise’s position as the world’s leading work on international arbitration. The first and second editions of International Commercial Arbitration have been routinely relied on by courts and arbitral tribunals around the world ((including the highest courts of the United States, United Kingdom, Singapore, India, Hong Kong, New Zealand, Australia, the Netherlands and Canada) and international arbitral tribunals (including ICC, SIAC, LCIA, AAA, ICSID, SCC and PCA), e.g.: U.S. Supreme Court – GE Energy Power Conversion France SAS, Corp. v. Outokumpu Stainless USA, LLC, 590 U.S. - (U.S. S.Ct. 2020); BG Group plc v. Republic of Argentina, 572 U.S. 25 (U.S. S.Ct. 2014); Canadian Supreme Court – Uber v. Heller, 2020 SCC 16 (Canadian S.Ct.); Yugraneft Corp. v. Rexx Mgt Corp., [2010] 1 R.C.S. 649, 661 (Canadian S.Ct.); U.K. Supreme Court – Jivraj v. Hashwani [2011] UKSC 40, ¶78 (U.K. S.Ct.); Dallah Real Estate & Tourism Holding Co. v. Ministry of Religious Affairs, Gov’t of Pakistan [2010] UKSC 46 (U.K. S.Ct.); Swiss Federal Tribunal – Judgment of 25 September 2014, DFT 5A_165/2014 (Swiss Fed. Trib.); Indian Supreme Court – Bharat Aluminium v. Kaiser Aluminium, C.A. No. 7019/2005, ¶¶138-39, 142, 148-49 (Indian S.Ct. 2012); Singapore Court of Appeal – Rakna Arakshaka Lanka Ltd v. Avant Garde Maritime Servs. Ltd, [2019] 2 SLR 131 (Singapore Ct. App.); PT Perusahaan Gas Negara (Persero) TBK v. CRW Joint Operation, [2015] SGCA 30 (Singapore Ct. App.); Larsen Oil & Gas Pte Ltd v. Petroprod Ltd, [2011] SGCA 21, ¶19 (Singapore Ct. App.); Australian Federal Court – Hancock Prospecting Pty Ltd v. Rinehart, [2017] FCAFC 170 (Australian Fed. Ct.); Hague Court of Appeal – Judgment of 18 February 2020, Case No. 200.197.079/01 (Hague Gerechtshof); Arbitral Tribunals – Lao Holdings NV v. Lao People's Democratic Republic I, Award in ICSID Case No. ARB(AF)/12/6, 6 August 2019; Gold Reserve Inc. v. Bolivarian Republic of Venezuela, Decision regarding the Claimant’s and the Respondent’s Requests for Corrections, ICSID Case No. ARB(AF)/09/1, 15 December 2014; Total SA v. The Argentine Republic, Decision on Stay of Enforcement of the Award, ICSID Case No. ARB/04/01, 4 December 2014; Millicom Int'l Operations B.V. v. Republic of Senegal, Decision on Jurisdiction of the Arbitral Tribunal, ICSID Case No. ARB/08/20, 16 July 2010; Lemire v. Ukraine, Dissenting Opinion of Jürgen Voss, ICSID Case No. ARB/06/18, 1 March 2011.
He was born Bela Ferenc Dezso Blasko on October 20, 1882, in Hungary. He joined Budapest's National Theater in 1913 and later appeared in several Hungarian films under the pseudonym Arisztid Olt. After World War I, he helped the Communist regime nationalize Hungary's film industry, but barely escaped arrest when the government was deposed, fleeing to the United States in 1920. As he became a star in American horror films in the 1930s and 1940s, publicists and fan magazines crafted outlandish stories to create a new history for Lugosi. The cinema's Dracula was transformed into one of Hollywood's most mysterious actors. This exhaustive account of Lugosi's work in film, radio, theater, vaudeville and television provides an extensive biographical look at the actor. The enormous merchandising industry built around him is also examined.
MATTHEW HENSON AND THE ICE TEMPLE OF HARLEM is the first in a new exciting retro rollicking adventure series from 2021 Munsey Award-nominee Gary Phillips. This re-imagined pulp novel follows the Doc Savage-style adventures of the first black man to reach the North Pole —Matthew Henson. The tail end of the Roaring 20s. Harlem. Hired by controversial spiritual leader Daddy Paradise to retrieve his adult daughter who has been kidnapped, adventurer Matthew Henson does just that. Then he must safeguard the two until the firebrand can deliver a momentous speech at a mass rally. Henson must employ all his survival skills to fulfill his task—skills that kept him whole in forbidden jungles, across Asia, and in sub-zero ice storms when he first reached the North Pole. Henson’s charge brings him face-to-face with such illustrious characters as gangster Dutch Schultz, who's looking to muscle out numbers racket boss Queenie St. Clair, and famed inventor Nikola Tesla who is using his electrical acumen to surveil plutocrats. Henson’s pal Bessie Coleman, America’s first black aviatrix lends a hand as well. With a death ray zeroing in on him, he races against the clock to save lives, and keep a mysterious and powerful meteor fragment he brought back from the Arctic years ago out of the hands of monied evil-doers. Set against the intellectual, artistic and political firmament that was the Harlem Renaissance, THE ICE TEMPLE OF HARLEM re-imagines explorer Matthew Henson in the style of Doc Savage and Indiana Jones. The one the Inuit adopted as their own and considered the best example of those from the distant South.
The Comics Journal Library series is the most comprehensive series of lavishly illustrated interviews conducted with cartoonists ever published. To celebrate our republication of the legendary EC line, we proudly present the first of a two-volume set of interviews with the artists and writers (and publisher!) who made EC great. Included in the first volume: career-spanning conversations with EC legends Will Elder, John Severin, Harvey Kurtzman, and Al Feldstein, as well as short interviews with EC short-timers Frank Frazetta and Joe Kubert. Also: EC Publisher William Gaines on his infamous Senate subcommittee testimony, and probing conversations between Silver Age cartoonist Gil Kane and Harvey Kurtzman, as well as contemporary alternative cartoonist Sam Henderson and MAD great Al Jaffee. Part of what made EC the best publisher in the history of mainstream comics was some of the most beautiful drawing ever published in comic books, and every interview is profusely illustrated by pertinent examples of the work under discussion.
Hellboy sets sail from the wreckage of a deserted island only to cross paths with a ghost ship. Taken captive by the phantom crew that plans to sell him to the circus, Hellboy is dragged along by a captain who will stop at nothing in pursuit of a powerful sea creature. Following the events of Hellboy: The Island, Gary Gianni draws Hellboy in an original graphic novel. The master of modern horror comics.-IGN ... Mignola's simple but elegant panel design should be studied by everyone who is or who wants to be a cartoonist. The script is a delight, too, as Hellboy's down-to-earth anger and everyman astonishment remains funny and refreshing. -Publishers Weekly
Aren't You That News Man? is a journey through the fascinating career of television reporter Gary Stromberg. Gary takes us behind the scenes and introduces us to a wacky group of characters who somehow managed to get newscasts on the air every night. He writes about the famous people he has met including Martin Sheen, Red Skelton, Steve Allen, James Ingram, and Paul Lynde. He also focuses in on the inspiring stories of regular folks who have stood up to the unexpected challenges that came their way. Gary explains how legendary baseball manager Casey Stengel offered him a chance to join the New York Mets. He reveals why he is grateful to the Beatles for helping him get into Northwestern. And, for the first time ever, he explains why Channel 8 workers pulled the pants off of a producer, and ran them up the flagpole in front of the station. He pays tribute to his boss Virgil Dominic, who assembled award-winning news departments in Atlanta and Cleveland. He spells out how has TV news has changed through the years. Gary takes a humorous look at the transformation. You will never look at the news the same way again.
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