Gary Montague's story is equal parts uplifting and heartbreaking. It is the struggle for social acceptance; the struggle to be taken seriously and to be recognized as an equal; the story of a man- disciplined and sincere-ready to assume life's responsibilities. He struggled at every step along the way. To the casual reader, his trials are the consequence of limited sight, but his story is much more profound than the determination of a man to bear up under physical adversity.Gary's story is one of a man battling to overcome the pain and disappointment of prejudice and low expectations- the unthinking and unwarranted dismissal of society-the assumption that limited sight means a limited, lesser place in the world. If his story were to end there, it would tell the story of crushing disappointment and grim acceptance; but it does not, and that is what makes his story powerful and profound.His story is one of human resilience and ingenuity: the ability to find solutions on his own; to find ways to compete and to excel; to build a future; to marry and live a productive life. It is the story of a man, rich with humor, love and compassion, facing a lifetime of adversity, adversity that batters his heart and soul but cannot crush them, cannot take away his spirit and humanity. His life is rich with powerful lessons, lessons that speak to the power of determination and optimism and the unwavering resolve to live with dignity and self-respect.Fredric K. Schroeder, Ph.D. President, World Blind Union
In 1914, advertising was much less sophisticated that it is today, radio was in its infancy, television was undeveloped, telephones were just coming into use, the gargantuan party rallies of Hitler or Mussolini were still in the future, and the idea of using ocmmunications media to control the thoughts of an entire population was new, relatively unexplored, and not of interest to governments to any great extent. Propaganda was a part of life before 1914, and the term was coming into increasingly widespread usage. But other institutions of society, such as the church, the press, business, political parties, and philanthropy, were the major producers - not government.
The book is designed to stimulate lively debate and critical thinking about the modern process of presidential selection. Eleven issues that impact directly on the selection of the president of the United States are examined in a scholarly and argumentative format. Essays pro and con on each issue educate students in the dynamics of presidential selection and help them evaluate competing perspectives on today's pressing issues.
Historians have traditionally seen Prussia as the creator of modern strategic planning. The members of the Great General Staff in the carmine-striped trousers have long received credit for perfecting "off the shelf' plans for any contingency. In contrast, the French have been depicted as effete martinets or feckless hussars, fearless in battle but utterly unconcerned with such arcane matters as national strategy. The French Army in the years following Waterloo has been depicted as an institution mired in reactionary politics, and the entire period of French military history from 1815 to 1870 has most often been seen as a "halt in the mud." But in this important new book, Gary Cox demonstrates that nineteenth-century French defense policy was much more dynamic and creative than has been previously supposed. In The Halt in the Mud, Cox illustrates that contrary to most generally held opinions, France began formulating long-range strategic plans in the years immediately following Waterloo. Carefully buttressing his thesis with evidence gleaned from the French Army's own archives, Cox argues that these plans were firmly rooted in the Napoleonic conception of strategy and staff work and strongly influenced French strategic planning all the way down to the outbreak of the Great War. The author also analyzes the development of the crucial rivalry between France and Germany in the years leading up to the Franco-Prussian War. He traces the roots of this conflict, shows the essential similarities in approach between early German and French strategic planning, and then discusses why French and German strategic planning methods diverged so fundamentally. The Halt in the Mud fills an important gap in our understanding of how France and her army prepared for war in the nineteenth century and sheds new light on France's preparations for the Franco-Prussian War and her reaction to the catastrophic defeat of 1870.
From Bing Crosby's early days in college minstrel shows and vaudeville, to his first hit recordings, from his 11 year triumph as star of America's most popular radio show, to his first success in Hollywood, Gary Giddins provides a detailed study of the rise of this American star.
He was born Bela Ferenc Dezso Blasko on October 20, 1882, in Hungary. He joined Budapest's National Theater in 1913 and later appeared in several Hungarian films under the pseudonym Arisztid Olt. After World War I, he helped the Communist regime nationalize Hungary's film industry, but barely escaped arrest when the government was deposed, fleeing to the United States in 1920. As he became a star in American horror films in the 1930s and 1940s, publicists and fan magazines crafted outlandish stories to create a new history for Lugosi. The cinema's Dracula was transformed into one of Hollywood's most mysterious actors. This exhaustive account of Lugosi's work in film, radio, theater, vaudeville and television provides an extensive biographical look at the actor. The enormous merchandising industry built around him is also examined.
The identity of Jack the Ripper has consumed public curiosity since he first tormented the East End of London in 1888. Numerous theories have been offered as to his identity, but he remains in the shadows where, it seems, only imaginative literature has been able to elucidate his meaning to the modern world. This work surveys the literary, film, television, and radio treatments of Jack the Ripper and his crimes. The works of fiction are thoroughly analyzed, as are the major nonfiction works that have offered various theories about the Ripper's identity. Works whose narratives are obviously inspired by Jack the Ripper and his crimes are also discussed.
Surveys the state-of-the-art in industrial fermentation monitoring and control. The main aim of the report is to encourage industry to take up methodologies suggested by research. It draws its conclusions from a one-year study into issues such as: improving data analysis procedures and monitoring techniques; applying estimation methods to enhance on-line information; easing the task of establishing effective closed-loop control systems; utilizing artificial intelligence techniques to improve process fault detection and diagnosis and provide general operator assistance; using optimization approaches where possible to enhance bioprocess profitability from development laboratory scale to large-scale production.
Bowman describes Governor Gerald L. Balies' attempt to address the transportation problems caused by rapid suburban growth by reorienting the highway program from rural to suburban areas. He describes the political background and the political consequences of the program change. This is the only recent analysis of a state's attempt to change its approach to highway policy and the only analysis of highway politics of any American state.
There has been a tremendous amount of renewed interest in the output of Britain's Hammer Films. But there remain a great number of worthwhile British horror films, made at the same time by other companies, that have received little attention. The author provides a comprehensive listing of British horror films--including science fiction, fantasy, and suspense films containing horror-genre elements--that were released between 1956 and 1976, the "Golden Age" of British horror. Entries are listed alphabetically by original British title, from Vincent Price in The Abominable Dr. Phibes (1971) to Zeta One (1969). Entries also include American title, release information, a critique of the film, and the film's video availability. The book is filled with photographs and contains interviews with four key figures: Max J. Rosenberg, cofounder of Amicus Productions, one of the period's major studios; Louis M. Heyward, former writer, film executive and producer; Aida Young, film and television producer; and Gordon Hessler, director of such films as The Oblong Box and Murders in the Rue Morgue.
Science and technology had a significant influence on American culture and thought in the years immediately following World War II. The new wonders of science and the threat of the Soviet Union as a powerful new enemy made science fiction a popular genre in radio, television, and film. Mutant creatures spawned by radioactive energy and intergalactic dictators unleashing horrific weapons upon Earth were characteristic of science fiction at the time and served as warnings to the very real dangers posed by the atomic age. This work examines science and science fiction in American culture beginning in the year World War II ended and going to 1962, the year of John Glenn's orbital flight and the Cuban Missile Crisis. The radio work of Arch Oboler and the significance of his "Rocket from Manhattan," which aired only one month after the dropping of the first atomic bomb and asked serious questions about the use of atomic energy, are examined. Other topics are the conflict between the free world and the Communist world in the context of science fiction plot lines, the dangers of science as shown in films like Godzilla, Them!, The Day the Earth Stood Still, and radio and television programs, the flying saucer phenomenon and the treatment of such stories in the media (with special attention given to the 1956 documentary UFO), the changing and more positive depictions of scientists, television programs like Flash Gordon and Space Patrol, the shift in the balance of world power due to the successful launching of Sputnik I by the Russians in 1957, the "end of the world" theme in science fiction, and the American journey into space.
A thoroughly updated edition of the 2003 classic that home and professional bartenders alike refer to as their cocktail bible. Gary Regan, the "most-read cocktail expert around" (Imbibe), has revised his original tome for the 15th anniversary with new material: many more cocktail recipes—including smart revisions to the originals—and fascinating information on the drink making revival that has popped up in the past decade, confirming once again that this is the only cocktail reference you need. A prolific writer on all things cocktails, Gary Regan and his books have been a huge influence on mixologists and bartenders in America. This brand-new edition fills in the gaps since the book first published, incorporating Regan's special insight on the cocktail revolution from 2000 to the present and a complete overhaul of the recipe section. With Regan's renowned system for categorizing drinks helps bartenders not only to remember drink recipes but also to invent their own, The Joy of Mixology, Revised and Updated Edition is the original drinks book for both professionals and amateurs alike.
This book demonstrates how the theories and insights of anthropology have positively influenced the conduct of global business and commerce, providing a foundation for understanding the impact of culture on global business, and global business on culture.
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