Gary Soto writes that when he was five "what I knew best was at ground level." In this lively collection of short essays, Soto takes his reader to a ground-level perspective, resreating in vivid detail the sights, sounds, smells, and textures he knew growing up in his Fresno, California, neighborhood. The "things" of his boyhood tie it all together: his Buddha "splotched with gold," the taps of his shoes and the "engines of sparks that lived beneath my soles," his worn tennies smelling of "summer grass, asphalt, the moist sock breathing the defeat of basesall." The child's world is made up of small things--small, very important things.
In a prose that is so beautiful it is poetry, we see the world of growing up and going somewhere through the dust and heat of Fresno's industrial side and beyond: It is a boy's coming of age in the barrio, parochial school, attending church, public summer school, and trying to fall out of love so he can join in a Little League baseball team. His is a clarity that rings constantly through the warmth and wry reality of these sometimes humorous, sometimes tragic, always human remembrances.
In thirteen stories full of wit and energy, Gary Soto illuminates the ordinary lives of young people. Meet Angel, who would rather fork over twenty bucks than have photos of his naked body plastered all over school; Philip, who discovers he has a "mechanical mind," whatever that means; Estela, known as Stinger, who rules Jos 's heart and the racquetball court; and many other kids, all of them with problems as big as only a preteen can make them. Funny, touching, and wholly original, Local News is Gary Soto in top form.
In his engaging new collection, National Book Award finalist Gary Soto creates poems that each begin with a line from Shakespeare and then continue in Soto's fresh and accessible verse. Drawing on moments from the sonnets, Hamlet, Macbeth, A Midsummer Night's Dream, Romeo and Juliet, and others, Soto illuminates aspects of the source material while taking his poems in directions of their own, strategically employing the color of "thee" and "thine," kings, thieves, and lovers. The results are inspired, by turns meditative, playful, and moving, and consistently fascinating for the conversation they create between the Bard's time and language and our own here and now.
Gary Soto is a widely published author of children's and young adult fiction, and he is an acclaimed poet--often referred to as one of the nation's first Chicano poets. With a sharp sense of storytelling and a sly wit, What Poets Are Like is a memoir of the writing life that shares the keen observation, sense of self and humor of such writers as Sherman Alexie and Nora Ephron. In some 60 short episodes, this book captures moments of a writer's inner and public life, close moments with friends and strangers, occasional reminders of a poet's generally low place in the cultural hierarchy; time spent with cats; the curious work of writing. He tells the stories of his time spent in bookstores and recounts the glorious, then tragic, arc of Cody's Bookstore in Berkeley, ending with the author whose scheduled event fell on the day after the business shut down, but who stood outside the locked door and read aloud just the same. As all writers do, Soto suffers the slings and arrows of rejection, often from unnamed Midwest poetry journals, and seeks the solace of a friendly dog at such moments. Soto jabs at the crumbs of reward available to writers--a prize nomination here, a magazine interview there--and notes the toll they take on a frail ego. The pleasure Soto takes in the written word, a dose of comic relief plus his appreciation of the decisive moment in life make this an engaging and readable writer's confession.
Ganador del premio de ilustración Pura Belpré 1996 The Spanish edition of a modern classic. Chato can't believe his luck. Not only is he the coolest low-riding cat in East L.A., but his brand-new neighbors are the plumpest, juciest, tastiest-looking family of mice to move into the barrio in a long time. So Chato and his best friend, Novio Boy, get out the pots and pans, the tortillas and the beans--everything you'd need for a welcoming feast, except for the main dish, and the guests of honor. Of course, in Chato's mind they are one and the same thing. But the mice are bringing a surprise guest of their own, who may be more than a cool cat can swallow.
Fourteen-year-old Lincoln Mendoza, an aspiring basketball player, must come to terms with his divided loyalties when he moves from the Hispanic inner city to a white suburban neighborhood.
Sudden Loss of Dignity represents where Gary Soto is in his life. He finds himself positioned in life as the older gent, or old guy. His poetry mirrors his personality, snarky and full of mockery. Soto writes about mainly aging and the loss of one's dignity as the years pass. It's very funny, poignant, sad, and especially true.
The award-winning author of "Baseball in April and Other Stories" deftly captures all the angst, expectation, and humor that comes with first love in this swift, lighthearted romance.
When Miata Ramirez leaves on the school bus the skirt that she is to wear in a dance performance, she needs all her wits to get it back without her parents' finding out that she has lost something yet again. Simultaneous.
Who would bring the door, la puerta, to a picnic instead of the pig, el puerco? An old man who's great at gardening but lousy at listening to his wife! "In the universal tradition of the wise-fool story, this gentle disaster tale is funny and affectionate....The combination is great for reading aloud." -- Booklist"Cepeda makes brilliant use of color, form, and perspective to add humor to the work. It's a story children will want to retell themselves." -- Kirkus Reviews
When nineteen-year-old Eddie drops out of college, he struggles to find a place for himself as a Mexican American living in a violence-infested neighborhood of Fresno, California.
Thirteen-year-old Gabe Mendoza is headed to the public library when he hears a voice call, "Son." Gabe sizes up an approaching vagrant. "It's me, your dad."Dad? Couldn't be. This man looks homeless--is homeless. He's hauling a suitcase with everything he possesses--nothing. To Gabe, the figure doesn't look right. He's wearing a sweatshirt on a hot summer afternoon. His neck is filthy, his teeth rotten in an unsmiling mouth. Gabe's father had abandoned him and his mother five years earlier. As the story unfolds, Gabe wrestles with confusion. Should he give his father a second chance--the father who is now destitute, possibly ill, pathetic, and an alcoholic? Life has never been easy for Gabe on the streets of Fresno. He's always escaping trouble, especially from Frankie Torres, who practices his gangbanging tactics on Gabe. The novella is quick as anger, but Gabe isn't angry. There's tenderness in his troubled heart. It is meant to be read more than once--each reading will reveal more about his mother, playground life, forgiveness, and the healing nature of dog that comes into his life. . . . The afternoon was hot, maddening hot. He stopped under a tree and spied the temperature on the corner bank building: 104. Through the wavering heat, he eyed a figure in a 49ers sweatshirt. Dang, Gabe thought. What's wrong with this guy? A sweatshirt in this heat? "Son," the figure beckoned to him. Son? Gabe wondered. Was this homeless man looking for a handout? "It's me, your dad." The figure in dirty clothes was pulling a large suitcase on wheels. The man did his best to hoist a smile. The vagrant did resemble his dad, whom Gabe hadn't seen in four years. His dad had driven away in the family's best car, with his clothes and the household computer in the backseat. He had also loaded the car with cases of soda and bottledwater, as if he were thirsty for a life other than the one he had with them. . . " He's homeless," Gabe whispered to himself. Everything he owned was stuffed in that suitcase on wheels, which he hauled like a donkey pulling a cart.
A sweetly humorous middle grade novel packed with action, basketball, and a dash of magical realism about friendship and family, first crushes, and belonging, from acclaimed author Gary Soto. Thirteen-year-old Jordan Mendoza has a huge crush on his classmate, Sierra, but he’s never going to win her affections if he stays a C student and keeps embarrassing himself on the basketball court. And it doesn’t help that his best friend, Antonio, likes to tease him about it all a little too much. But when Jordan dives into the waters of a dangerous irrigation canal to save a drowning puppy, he’s suddenly got even more on his mind than kissing Sierra and making the starting team. Can he nurse the abandoned puppy back to health (and will his parents let him keep her)? Who threw her into the canal—and is it possible that there are more puppies needing rescue? And why are the cops suddenly at Jordan’s door, looking for him? There’s something for every reader in this story’s mix of humor, sports, themes of thrilling independence, subtle strands of magical realism, and timely social commentary, all held together by a sweet and satisfying emotional core.
A timely new edition of a pioneering work in Latino literature, National Book Award nominee Gary Soto's first collection (originally published in 1977) draws on California's fertile San Joaquin Valley, the people, the place, and the hard agricultural work done there by immigrants. In these poems, joy and anger, violence and hope are placed in both the metaphorical and very real circumstances of the Valley. Rooted in personal experiences—of the poet as a young man, his friends, family, and neighbors—the poems are spare but expansive, with Soto's voice as important as ever. This welcome new edition has been expanded with a crucial selection of complementary poems (some previously unpublished) and a new introduction by the author.
Soto writes with a pure sweetness free of sentimentality that is almost extraordinary in modern American poetry. -- Andrew Hudgins. Soto insists on the possibility of a redemptive power, and he celebrates the heroic, quixotic capacity for survival in human beings and the natural world. -- Publishers Weekly. Soto has it all -- the learned craft, the intrinsic abilities with language, a fascinating autobiography, and the storyteller's ability to manipulate memories into folklore. -- Library Journal.
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