Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend’s idea about “cultural and temporal collision” (The “Dal” is short for Dallas).Why Texan and Japanese? Panter says, “Because they are trapped in Texas, Texans are self-mythologizing. Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.
Fantagraphics is proud to present a major, all-new book by Gary Panter. Songy of Paradise is an inspired interpretation of John Milton’s retelling of the story of Jesus being tempted by Satan after being baptized by John the Baptist and fasting for forty days and nights in the Judaean Desert. Panter’s version doesn’t rely on Milton’s words, but faithfully follows the structure of Milton’s Paradise Regained, with one notable exception: Jesus has been replaced by a hillbilly, Songy, who is on a vision quest before being tempted by a chimeric Satan figure. Gary Panter is one of America’s preeminent artists, designers, and cartoonists, whose work defined the L.A. punk scene and the vibrant work of the television show Pee-Wee’s Playhouse. Songy of Paradise presents Panter’s singular vision in an ornate, hardcover format that does justice to Panter’s densely packed pages, with a stunning two-color stamping on cloth covers. It will be an art object, a brilliant literary experiment, and the most eye-popping graphic novel of 2017.
A futuristic punk ventures through a madcap, dystopian fantasia in this astounding work of comics literature by a celebrated artist and illustrator. Gary Panter is one of America’s great creative forces: the illustrator for the trailblazing punk magazine Slash, set designer for the legendary TV show Pee-wee’s Playhouse, and one of the wildest, most innovative comics artists of all time. Jimbo: Adventures in Paradise is a leap into the uproarious life of Panter’s ever-cheerful punk everyman, Jimbo, and a perfect introduction to Panter’s ever-shifting style. Amid a jumbled cityscape of rundown New York City streets and futuristic Los Angeles freeways, Jimbo crowd-surfs at a riot, makes amends with Ernie Bushmiller’s Nancy, and rescues his pal Smoggo’s sister from giant cockroaches, all while the world teeters between extravagance and apocalypse. Veering from the crude to the elegant, the wise to the funny, Jimbo: Adventures in Paradise proves Panter is a master of cartooning, and still way ahead of the rest of us.
This fine art monograph/faux underground comic facsimile is a psychedelic trip through the hippie movement. In 2017, Gary Panter created an art installation, Hippie Trip, inspired by his first visit to a head shop in 1968. It expanded his mind to the possibilities of psychedelic art and music, analog crafts and drug culture. Crashpad is an extension of that installation and a riff on underground comics creators such as Zap's R. Crumb, Victor Moscoso, Robert Williams, and other icons of that era.
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial} In this spectacular graphic novel, Panter has transformed his protean punk hero Jimbo into the protagonist of a reinterpretation of Dante's Purgatorio. After years of comparing Dante and Boccaccio to find commonalities between the two, Panter developed a narrative of his own that includes literary and pop references regularly injected throughout the captions of the reinterpreted cantos.
Jimbo's Inferno is the hugely anticipated sequel (or prequel, as it was actually completed first) to Jimbo In Purgatory. In this volume, produced to the same exacting standards as 2004's Purgatory, Jimbo, accompanied by his trusty guide and ride Valise, visits Hell (here envisioned as a gigantic subterranean shopping mall called Focky Bocky), and in so doing runs across minotaurs, drug-addled punkettes, UFOs, giant robots, and more, leading him to such profound questions as, "Why do so many recreational activities involve smoke and heat?
In 2003 I started a project on my website offering custom drawings that find their inspiration from three keywords provided by the person commissioning the drawings ..."--Flyleaf.
Cartoons offer a satirical look at America through the experiences of Jimbo as his girlfriend is kidnapped by cockroaches and he faces his fears of nuclear war
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