Drawing from his career as a corporate officer, with a solid biblical perspective, Moreau offers fulfilling solutions to job stress, isolation, overload, injustice, disappointment, prejudice, uncertainty—and great advice on recognition, teamwork, and success—within a Christian perspective.
This bestselling textbook by leading missionary scholars offers an engaging introduction to the work of missions in the contemporary world. It provides a broad overview of the biblical, theological, and historical foundations for missions. It also considers personal and practical issues involved in becoming a missionary, the process of getting to the mission field, and contemporary challenges a mission worker must face. Sidebars, charts, maps, and numerous case studies are included. This new edition has been updated and revised throughout and features a full-color interior. Additional resources for professors and students are available online through Baker Academic's Textbook eSources.
This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Chief Inspector Achille Lefebvre returns from a much-needed vacation to find that there are assassins on his tail, and, as if that weren’t enough, one of France’s wealthiest men has gone missing without a trace . . . In The Man Upon the Stair, Gary Inbinder’s brilliant detective Achille Lefebvre returns to solve the mystery of a disappeared millionaire in the sensational, atmospheric world of fin-de-siècle Paris. At the public execution of the anarchist assassin Laurent Moreau, the outgoing Chief Inspector warns his protégé, the newly promoted Lefebvre: “I’ve heard that some of Moreau’s cronies have sworn revenge. You don’t want to get killed your first week as chief.” Meanwhile, Lefebvre is charged with investigating the disappearance of the Baron de Livet, a brash millionaire with connections to Russian spies and a history of gambling, womanizing, and fighting in duels. The case is more complicated than it seems, of course, and Lefebvre and his team must make sense of a poisoned maid, an unidentifiable stage coach, and a missing briefcase full of cash. The Baron’s connection to the world of international espionage means that if the Inspector isn’t fast enough, the Baron’s disappearance might trigger a war. And Lefebvre mustn’t forget those stalking anarchists who are out for his blood, as he searches for the man who wasn’t there . . .
IS "JUNK DNA" REALLY JUNK, OR IS IT SIMPLY BIDING ITS TIME? Jack Nichols' dream was to be among those chosen to go to Mars. His dream was crushed when he was thrown out of the space program. Some would judge him provoked. Others would consider it a character flaw. Either way he wasn't going to Mars. As the second mission is returning to Earth something goes horribly wrong. Because of Nichols' knowledge of the Mars Explorer, he is ordered back to the World Space Agency. Nichols, a pathologist, and a member of Special Forces are sent to the International Space Station where the Mars Explorer is docked. Nichols and his team find far more than they are prepared for. There are times when chance events alter human history. Nichols' investigation of the calamity aboard the Mars Explorer becomes just such a time.
SURVIVORS OF STARSHIP PINNACLE TRAVELED LIGHTYEARS TO FIND A NEW WORLD Earth had been devastated by a genetic catastrophe. The survival of the human species at risk, the remnants of Earth's civilization constructed the starship Pinnacle. Only the best were chosen to attempt the mission; traveling to a distant star that had been identified as having an earth-like planet. After years in cryogenic stasis, the colonists aboard the starship arrived at their destination. They were young and optimistic. They named the planet "Eden." Eden was a world they would have dreamed if dreams could come true. Casey Conklin is the only old man in the colony. Guardian/physician, he spent his life watching over the youths frozen in cryogenic stasis. Unfortunately, the years of solitude have driven Casey insane. Even though his insanity has been medically treated, the other colonists sense a difference in him. Who has the more accurate grasp of reality? Is it the crazy old doctor, the hundreds of youthful colonists, or neither? What is reality?
Would you be willing to kill yourself......if your memories were transferred to a younger but otherwise identical body? Would it still be you, or would you be dead? Pie Traynor struggled to come to terms with his own death. His memories told him he had lived 2,000 years, but he had his doubts.Perhaps he would find the answer with the assistance of an alien amulet and a visit to the distant planet of Angkor-3.Or would he just have more unanswered questions?The long-awaited conclusion to the odyssey that started with Almost Human and was further explored in the prequel, Judas Gene.
This overview considers issues involved in becoming a missionary, the process of getting to the mission field, and contemporary challenges a mission worker must face.
Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Like many fin de siècle Parisians, Inspector Achille Lefebvre is looking forward to a pleasant summer holiday at a seaside resort with his wife, Adele—but a body found hanging from a bridge in a public park interferes with the inspector's plans. Paris: July, 1890. Inspector Achille Lefebvre and his wife Adele are enjoying their stay at a seaside resort—until a body found hanging from a bridge in a public park demands the Inspector's attention. Is it suicide or murder? A twisted trail of evidence draws Inspector Lefebvre into a shadowy underworld of international intrigue, espionage, and terrorism. Time is of the essence; pressure mounts on the Sûreté to get results. Achille's chief orders him to work with his former partner, Inspector Rousseau, now in charge of a special unit in the newly formed political brigade. But can Achille trust the detective who let him down in another case? Inspector Lefebvre uses innovative forensics and a network of police spies to uncover a secret alliance, a scheme involving the sale of a cutting-edge high explosive, and an assassination plot that threatens to ignite a world war.
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
This comprehensive text is suitable for researchers and graduate students of a ‘hot’ new topic in medical physics. Written by the world’s leading experts, this book aims to present recent developments in plasma medicine, both technological and scientific, reviewed in a fashion accessible to the highly interdisciplinary audience consisting of doctors, physicists, biologists, chemists and other scientists, university students and professors, engineers and medical practitioners. The book focuses on major topics and covers the physics required to develop novel plasma discharges relevant for medical applications, the medicine to apply the technology not only in-vitro but also in-vivo testing and the biology to understand complicated bio-chemical processes involved in plasma interaction with living tissues.
Historians have traditionally seen Prussia as the creator of modern strategic planning. The members of the Great General Staff in the carmine-striped trousers have long received credit for perfecting "off the shelf' plans for any contingency. In contrast, the French have been depicted as effete martinets or feckless hussars, fearless in battle but utterly unconcerned with such arcane matters as national strategy. The French Army in the years following Waterloo has been depicted as an institution mired in reactionary politics, and the entire period of French military history from 1815 to 1870 has most often been seen as a "halt in the mud." But in this important new book, Gary Cox demonstrates that nineteenth-century French defense policy was much more dynamic and creative than has been previously supposed. In The Halt in the Mud, Cox illustrates that contrary to most generally held opinions, France began formulating long-range strategic plans in the years immediately following Waterloo. Carefully buttressing his thesis with evidence gleaned from the French Army's own archives, Cox argues that these plans were firmly rooted in the Napoleonic conception of strategy and staff work and strongly influenced French strategic planning all the way down to the outbreak of the Great War. The author also analyzes the development of the crucial rivalry between France and Germany in the years leading up to the Franco-Prussian War. He traces the roots of this conflict, shows the essential similarities in approach between early German and French strategic planning, and then discusses why French and German strategic planning methods diverged so fundamentally. The Halt in the Mud fills an important gap in our understanding of how France and her army prepared for war in the nineteenth century and sheds new light on France's preparations for the Franco-Prussian War and her reaction to the catastrophic defeat of 1870.
He was born Bela Ferenc Dezso Blasko on October 20, 1882, in Hungary. He joined Budapest's National Theater in 1913 and later appeared in several Hungarian films under the pseudonym Arisztid Olt. After World War I, he helped the Communist regime nationalize Hungary's film industry, but barely escaped arrest when the government was deposed, fleeing to the United States in 1920. As he became a star in American horror films in the 1930s and 1940s, publicists and fan magazines crafted outlandish stories to create a new history for Lugosi. The cinema's Dracula was transformed into one of Hollywood's most mysterious actors. This exhaustive account of Lugosi's work in film, radio, theater, vaudeville and television provides an extensive biographical look at the actor. The enormous merchandising industry built around him is also examined.
This revised and expanded 5th edition contains more than 660 pages of research on the Dempsey, Romain, Laderoute, and Gervais families of the Ottawa Valley in Canada. It also contains more than 100 vintage photographs, as well as extensive historical research on the Quebec towns of Fort Coulonge and Waltham, and the Ontario towns of Pembroke, Westmeath, and La Passe. In other words, whatever your family's surname, the book contains resource material for anyone interested in Ottawa Valley history or interested in starting genealogical research of their own.
Adventure fiction is one of the easiest narrative forms to recognize but one of the hardest to define because of its overlap with many other genres. This collection of essays attempts to characterize adventure fiction through the exploration of key elements--such as larger-than-life characters and imperialistic ideas--in the genre's 19th- and 20th-century British and American works like The Scarlet Pimpernel by Orczy and Captain Blood by Sabatini. The author explores the cultural and literary impact of such works, presenting forgotten classics in a new light.
In May 1804, Meriwether Lewis, William Clark, and their Corps of Discovery set out on a journey of a lifetime to explore and interpret the American West. The Lewis and Clark Expedition Day by Day follows this exploration with a daily narrative of their journey, from its starting point in Illinois in 1804 to its successful return to St. Louis in September 1806. This accessible chronicle, presented by Lewis and Clark historian Gary E. Moulton, depicts each riveting day of the Corps of Discovery’s journey. Drawn from the journals of the two captains and four enlisted men, this volume recounts personal stories, scientific pursuits, and geographic challenges, along with vivid descriptions of encounters with Native peoples and unknown lands and discoveries of new species of flora and fauna. This modern reference brings the story of the Lewis and Clark expedition to life in a new way, from the first hoisting of the sail to the final celebratory dinner.
In contrast to traditional Enlightenment studies that focus solely on authors and ideas, Gary Kates' employs a literary lens to offer a wholly original history of the period in Europe from 1699 to 1780. Each chapter is a biography of a book which tells the story of the text from its inception through to the revolutionary era, with wider aspects of the Enlightenment era being revealed through the narrative of the book's publication and reception. Here, Kates joins new approaches to book history with more traditional intellectual history by treating authors, publishers, and readers in a balanced fashion throughout. Using a unique database of 18th-century editions representing 5,000 titles, the book looks at the multifaceted significance of bestsellers from the time. It analyses key works by Voltaire, Adam Smith, Madame de Graffigny, Jean-Jacques Rousseau and David Hume and champions the importance of a crucial innovation of the age: the rise of the 'erudite blockbuster', which for the first time in European history, helped to popularize political theory among a large portion of the middling classes. Kates also highlights how, when, and why some of these books were read in the European colonies, as well as incorporating the responses of both ordinary men and women as part of the reception histories that are so integral to the volume.
A fascinating book. Monsieur d'Eon Is a Woman is instructive and a delight to read all at the same time."—Quentin Crisp Born in 1728, French aristocrat Charles d'Eon de Beaumont had served his country as a diplomat, soldier, and spy for fifteen years when rumors that he was a woman began to circulate in the courts of Europe. D'Eon denied nothing and was finally compelled by Louis XVI to give up male attire and live as a woman, something d'Eon did without complaint for the next three decades. Although celebrated as one of the century's most remarkable women, d'Eon was revealed, after his death in 1810, to have been unambiguously male. Gary Kates's acclaimed biography of d'Eon recreates eighteenth-century European society in brilliant detail and offers a compelling portrait of an individual who challenged its conventions about gender and identity.
Practical Data Analytics for Innovation in Medicine: Building Real Predictive and Prescriptive Models in Personalized Healthcare and Medical Research Using AI, ML, and Related Technologies, Second Edition discusses the needs of healthcare and medicine in the 21st century, explaining how data analytics play an important and revolutionary role. With healthcare effectiveness and economics facing growing challenges, there is a rapidly emerging movement to fortify medical treatment and administration by tapping the predictive power of big data, such as predictive analytics, which can bolster patient care, reduce costs, and deliver greater efficiencies across a wide range of operational functions. Sections bring a historical perspective, highlight the importance of using predictive analytics to help solve health crisis such as the COVID-19 pandemic, provide access to practical step-by-step tutorials and case studies online, and use exercises based on real-world examples of successful predictive and prescriptive tools and systems. The final part of the book focuses on specific technical operations related to quality, cost-effective medical and nursing care delivery and administration brought by practical predictive analytics. Brings a historical perspective in medical care to discuss both the current status of health care delivery worldwide and the importance of using modern predictive analytics to help solve the health care crisis Provides online tutorials on several predictive analytics systems to help readers apply their knowledge on today’s medical issues and basic research Teaches how to develop effective predictive analytic research and to create decisioning/prescriptive analytic systems to make medical decisions quicker and more accurate
This is a sustained argument about the idea of science fiction by a renowned critic. Overturning many received opinions, it is both controversial and stimulating Much of the controversy arises from Westfahl's resurrection of Hugo Gernsback - for decades a largely derided figure - as the true creator of science fiction. Following an initial demolition of earlier critics, Westfahl argues for Gernsback's importance. His argument is fully documented, showing a much greater familiarity with early American science fiction, particularly magazine fiction, than previous academic critics or historians. After his initial chapters on Gernsback, he examines the way in which the Gernsback tradition was adopted and modified by later magazine editors and early critics. This involves a re-evaluation of the importance of John W. Campbell to the history of science fiction as well as a very interesting critique of Robert Heinlein's Beyond the Horizon, one the seminal texts of American science fiction. In conclusion, Westfahl uses the theories of Gernsback and Campbell to develop a descriptive definition of science fiction and he explores the ramifications of that definition. The Mechanics of Wonder will arouse debate and force the questioning of presuppositions. No other book so closely examines the origins and development of the idea of science fiction, and it will stand among a small number of crucial texts with which every science fiction scholar or prospective science fiction scholar will have to read.
This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. Its focus is on science fiction in the English language, though due attention is given to international authors whose works have been frequently translated into English. Since science fiction became a recognized genre and greatly expanded in the 20th century, works published in the 20th and 21st centuries are most frequently discussed, though important earlier works are not neglected. The texts are designed to be helpful to numerous readers, ranging from students first encountering science fiction to experienced scholars in the field.
On February 15, 1851, Shadrach Minkins was serving breakfast at a coffeehouse in Boston when history caught up with him. The first runaway to be arrested in New England under the 1850 Fugitive Slave Law, this illiterate Black man from Virginia found himself the catalyst of one of the most dramatic episodes of rebellion and legal wrangling before the Civil War. In a remarkable effort of historical sleuthing, Gary Collison has recovered the true story of Shadrach Minkins’ life and times and perilous flight. His book restores an extraordinary chapter to our collective history and at the same time offers a rare and engrossing picture of the life of an ordinary Black man in nineteenth-century North America. As Minkins’ journey from slavery to freedom unfolds, we see what day-to-day life was like for a slave in Norfolk, Virginia, for a fugitive in Boston, and for a free Black man in Montreal. Collison recreates the drama of Minkins’s arrest and his subsequent rescue by a band of Black Bostonians, who spirited the fugitive to freedom in Canada. He shows us Boston’s Black community, moved to panic and action by the Fugitive Slave Law, and the previously unknown community established in Montreal by Minkins and other refugee Blacks from the United States. And behind the scenes, orchestrating events from the disastrous Compromise of 1850 through the arrest of Minkins and the trial of his rescuers, is Daniel Webster, who through the exigencies of his dimming political career, took the role of villain. Webster is just one of the familiar figures in this tale of an ordinary man in extraordinary circumstances. Others, such as Frederick Douglass, Richard Henry Dana, Jr., Harriet Jacobs, and Harriet Beecher Stowe (who made use of Minkins’s Montreal community in Uncle Tom’s Cabin), also appear throughout the narrative. Minkins’ intriguing story stands as a fascinating commentary on the nation’s troubled times—on urban slavery and Boston abolitionism, on the Underground Railroad, and on one of the federal government’s last desperate attempts to hold the Union together.
This comprehensive volume explores the intricate, mutually dependent relationship between science and exploration—how each has repeatedly built on the discoveries of the other and, in the process, opened new frontiers. A simple question: Which came first, advances in navigation or successful voyages of discovery? A complicated answer: Both and neither. For more than four centuries, scientists and explorers have worked together—sometimes intentionally and sometimes not—in an ongoing, symbiotic partnership. When early explorers brought back exotic flora and fauna from newly discovered lands, scientists were able to challenge ancient authorities for the first time. As a result, scientists not only invented new navigational tools to encourage exploration, but also created a new approach to studying nature, in which observations were more important than reason and authority. The story of the relationship between science and exploration, analyzed here for the first time, is nothing less than the history of modern science and the expanding human universe.
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