The one and only chameleon is world renowned for its ability to change its skin color rapidly (throughout movement of pigment cells) and for the outrageous length of its tongue (more than one and a half times its body length!). Relatives of agamids and iguanas, chameleons are insect-eating, tree climbing reptiles that have highly specialized needs. Written by a team of experienced herp experts, Chameleons intends to instruct keepers on how to best care for their chameleons and covers the four most commonly kept species: Jackson’s chameleon with its prized triceratops horns on its head, panther chameleon with its spectacular coloration, veiled chameleon with its unusual casque on its head, and the rather large Parson’s chameleon. The book subsequently is divided into four parts, each including an introduction and natural history, captive care, and reproduction of the species. Part I, Jackson’s Chameleon was written by Sean McKeown; Part II, Panther Chameleon by Gary Ferguson, James B. Murphy, Achille Raselimanana, and Jean-Baptiste Ramanamanjato; Part III, Veiled Chameleon and Part IV, Parson’s Chameleon by Kenneth Kalisch. References and index included.
This report presents the findings of a project to examine media coverage of risk-related stories using three complementary approaches. The first approach was a rudimentary analysis of words used by the media. The second adopted a higher level of analysis, focusing on the writing style of journalists who made significant contributions to particular stories. The third used an experimental simulation to examine some of the key ingredients of stories that capture the public mood.
Gary was greatly influenced by Mike Spencer not only in his academic career but also his personal life. His friendship with Mike started when he was a young man and continued for over 40 years. He and Mike had many common interests. At their regular breakfast outings, Mike would share his thoughts on topics ranging from sports to education to his family. Breakfast with Mike details many of those discussions - some funny, some philosophical but always interesting. One of Mike's great loves was University of Illinois basketball. One of his favorite breakfast-time discussions was the team, their coach and the time they almost won a national championship.
Kansas City, 1929: Myrtle and Jack Bennett sit down with another couple for an evening of bridge. As the game intensifies, Myrtle complains that Jack is a “bum bridge player.” For such insubordination, he slaps her hard in front of their stunned guests and announces he is leaving. Moments later, sobbing, with a Colt .32 pistol in hand, Myrtle fires four shots, killing her husband. The Roaring 1920s inspired nationwide fads–flagpole sitting, marathon dancing, swimming-pool endurance floating. But of all the mad games that cheered Americans between the wars, the least likely was contract bridge. As the Barnum of the bridge craze, Ely Culbertson, a tuxedoed boulevardier with a Russian accent, used mystique, brilliance, and a certain madness to transform bridge from a social pastime into a cultural movement that made him rich and famous. In writings, in lectures, and on the radio, he used the Bennett killing to dramatize bridge as the battle of the sexes. Indeed, Myrtle Bennett’s murder trial became a sensation because it brought a beautiful housewife–and hints of her husband’s infidelity–from the bridge table into the national spotlight. James A. Reed, Myrtle’s high-powered lawyer and onetime Democratic presidential candidate, delivered soaring, tear-filled courtroom orations. As Reed waxed on about the sanctity of womanhood, he was secretly conducting an extramarital romance with a feminist trailblazer who lived next door. To the public, bridge symbolized tossing aside the ideals of the Puritans–who referred derisively to playing cards as “the Devil’s tickets”–and embracing the modern age. Ina time when such fearless women as Amelia Earhart, Dorothy Parker, and Marlene Dietrich were exalted for their boldness, Culbertson positioned his game as a challenge to all housebound women. At the bridge table, he insisted, a woman could be her husband’s equal, and more. In the gathering darkness of the Depression, Culbertson leveraged his own ballyhoo and naughty innuendo for all it was worth, maneuvering himself and his brilliant wife, Jo, his favorite bridge partner, into a media spectacle dubbed the Bridge Battle of the Century. Through these larger-than-life characters and the timeless partnership game they played, The Devil’s Tickets captures a uniquely colorful age and a tension in marriage that is eternal.
Manufacturing Possibilities examines adjustment dynamics in the steel, automobile and machinery industries in Germany, the U.S., and Japan since World War II. As national industrial actors in each sector try to compete in global markets, the book argues that they recompose firm and industry boundaries, stakeholder identities and interests, and governance mechanisms at all levels of their political economies. Micro level study of industrial transformation in this way provides a significant window on macro level processes of political economic change in the three societies. Theoretically, the book marks a departure from both neoliberal economic and historical institutionalist perspectives on change in advanced political economies. It characterizes industrial change as a creative, bottom-up process driven by reflective social actors. This alternative view consists of two distinctive claims. The first is that action is social, reflective, and ultimately creative. When their interactive habits are disrupted, industrial actors seek to repair their relations by reconceiving them. Such imaginative interaction redefines interest and causes unforeseen possibilities for action to emerge, enabling actors to trump existing rules and constraints. Second, industrial change driven by creative action is recompositional. In the social process of reflection, actors rearrange, modify, reconceive, and reposition inherited organizational forms and governance mechanisms as they experiment with solutions to the challenges that they face. Continuity in relations is interwoven with continuous reform and change. Most remarkably, creativity in the recomposition process makes the introduction of entirely new practices and relations possible. Ultimately, the message of Manufacturing Possibilities is that social study of change in advanced political economies should devote itself to the discovery of possibility. Preoccupation with constraint and failure to appreciate the capaciousness of reflective social action has led much of contemporary debate to misrecognize the dynamics of change. As a result, discussion of the range of adjustment possibilities in advanced political economies has been unnecessarily limited.
Nine Philosopher kings were commissioned to under gird the articles of Marxist faith while expunging dogma and religious doctrine. Their seeds of a pre-ordained organic philosophy were planted to upbring young sprouts to destroy the America republic and rebuild from that rubble the next Marxist country. The unrelenting pressures to indoctrinate children with the Marxist family of totalitarian ideologies that promises to ‘free the child’ comes to communities under various guises. The allure of promises made in the name of fairness, equity, tolerance and more recent of social justice has drawn a large percentage of millennials to socialism. Behind the race baited mantras, metro regional government is working for the eventual transformation of schools as learning centers staffed with soviet councils to transform neighborhoods into self-sustaining eco-villages. Children will be socialized as activists for their community to install Fascist green agendas, paired with Marxist social justice.
The House on Harlandale offers a historical scenario drawn on real people, real events, and the inevitable aftermath of conflicting ideologies. Like thousands of meteors racing to a point of collision, powerful forces fueled by Cold War paranoia came together in a small house in the Oak Cliff section of Dallas in November 1963. The result was the death of a president and a radical change in world politics. Diverse Cold War forces merged out of nationalistic ideology, lust for power, intolerance, hatred, and greed. Rogue US Intelligence operatives, Cuban patriots, Mafioso, and military hawks allied to a common goal. The government was stolen in a coup d’etat, using lies and fear to manipulate the masses into acceptance. This book is the story of how it may have all come together at the House on Harlandale.
A considered balance of depth, detail, context, and critique, Directions books offer the most student-friendly guide to the subject; they empower students to evaluate the law, understand its practical application, and approach assessments with confidence.
The seventh edition of Trusts & Equity builds on the successful approach taken in previous editions and continues to offer students a thorough and enthusiastic analysis of this complex field of law. Drawing on years of experience as a teacher, writer, and researcher, Gary Watt brings a lively, engaging approach to the subject in this detailed text. Framing the study of trusts and equity within a unique conceptual framework of the four key perspectives, precedent, principle, policy, and pragmatism, Watt explains the reasons behind key decisions with clarity and rigour. The subject is brought to life through engaging cultural and historical references, placing the law within contexts that readers will relate to. This book encourages you to engage actively with the subject and to think critically about its central issues. For further details on new cases and legislation included in this edition, please see page xi. Book jacket.
Most leadership books focus on traditional leadership, which is based on managerial practices and command-and-control assumptions. Traditional leadership methods produce short-term gains but often at the cost of employee disengagement, team isolation, and distrust. Twenty-first century leadership methods produce short-term gains while inspiring cre
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