Gary Giddins has been called "the best jazz writer in America today" (Esquire). Louis Armstrong has been called the most influential jazz musician of the century. Together this auspicious pairing has resulted in Satchmo, one of the most vivid and fascinating portraits ever drawn of perhaps the greatest figure in the history of American music. Available now at a new price, this text-only edition is the authoritative introduction to Armstrong's life and art for the curious newcomer, and offers fresh insight even for the serious student of Pops.
Tall, buxom and red-headed Moxxanne is a feisty third year law student on a mission. Actually, more than one mission. As a student reporter travelling to Gaylord, Manitoba, she is on assignment to find hometown background on the reclusive author Harry Breen who has eighteen novels to his credit and two successful Hollywood movie adaptations. Arriving in Gaylord, she learns that Harry is now old, dying and apparently broke. Believing Harry to be her biological uncle, she is keenly curious about the author whose novels she’s read while working summer jobs at the publishing house where her mother was once Harry’s editor, and she’s on a mission to convince Harry to part with the third and very valuable in his Zenith book trilogy. Along the way Moxxanne gets to know Orson, Harry’s best friend and fan; Alva, a feisty woman with a colourful past; Guy, Harry’s dour mechanic; and Leonard, Harry’s flying buddy. Together, they paint a picture for Moxxanne of the man she believes is her only biological uncle and who may be the only connection she has to her biological father, aka the sperm donor. However, when Harry requires experimental open heart surgery to save his life, Moxxanne learns that biology is not the only determiner of family.
The government of Louis XIV developed two taxes during the last thirty years of the king's reign that forced the privileged to pay. This book is a study of how those taxes developed and what caused them to be adopted. Louis XIV's Assault on Privilege examines Nicolas Desmaretz, one of the most important finance ministers of the Bourbon monarchy. McCollim brings to life the man who was arguably the central figure in the final transformative years of Louis XIV's reign. Controller General Desmaretz was the nephew of famed finance minister Jean-Baptiste Colbert and had extensive experience in the administration prior to 1683 when he suffered disgrace. His expertisewas so renowned in his day that other chief financial officials sought his advice in secret. Desmaretz has been called the ablest man ever to head French finances, and the war financing problems he faced from 1708-14 the greatestchallenge faced by the Bourbon monarchy until the French Revolution. Desmaretz became one of the chief financial officials early in the War of the Spanish Succession and took full charge of French finances from 1708-15.In that time, he introduced one of the two most radical financial measures ever taken by the Bourbon monarchy: the dixième, a tax on income. This tax revolutionized the relationship of French elites to the Crown because iteliminated the issue of status that affected all other forms of taxation: the dixième fell on all income, no matter the recipient. The tax lasted until 1717, appeared again during the Wars of the Polish (1733-35) and Austrian (1743-48) Successions, and became permanent, in a reduced form, as the vingtième, in 1749. The story of the dixième has been oddly ignored by fiscal historians. In his rich analysis, McCollim lays outfor historians precisely how the royal financial council actually made policy. His book establishes once and for all that from the perspective of state finance, and state taxation, the post-1710 French monarchy had left far behindthe institutional framework of the seventeenth century. Gary B. McCollim received his doctoral degree in history from The Ohio State University and is a retired federal employee.
This book has big bright pictures, and the reader is asked to search for characters and items from the cartoon, Disney's Gargoyles, in look and find challenges.
Shares the inside story of Wall Street's notorious ``chop houses,'' the crooked Mob-run brokerages where rampant thievery netted several billion dollars from gullible investors.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Having studied medicine, Rabelais sat down on the beach and contemplated a statue of Asklepius. "Oh worthy Asklepius, God of Healing! Where are you? Here I am, a little boy said pouring sand on Rabelais bare feet. What do you know about that? Rabelais was jolted out of his reverie. Are you Asklepius? No. Im Jason. Jason are you! Have you found your sheep? What sheep? In the story, Jason was looking for the Golden Fleece of a sheep. I didnt know that. But we have two sheep and five lambs. Well, I declare. Two sheep and five lambs. Want to go for a swim? Okay Rabelais looked around at the empty beach. Then he took off his clothes and followed the boy down the beach. They splashed each other and beat the waves of the Mediterranean. Lets float, the boy said. Okayon our backs. The two floated with their toes sticking up and eyes closed to the blazing sun. It was marvelous. Two fishes floating on the waves, a voice came out of the blue. Mommyyou found me, Jason said. Rabelais threshed in the water to get himself upright and see what was going on. Hello the soft voice of Mommy addressed him.
Out of colonial Natchitoches, in northwestern Louisiana, emerged a sophisticated and affluent community founded by a family of freed slaves. Their plantations eventually encompassed 18,000 fertile acres, which they tilled alongside hundreds of their own bondsmen. Furnishings of quality and taste graced their homes, and private tutors educated their children. Cultured, deeply religious, and highly capable, Cane River's Creoles of color enjoyed economic privileges but led politically constricted lives. Like their white neighbors, they publicly supported the Confederacy and suffered the same depredations of war and political and social uncertainties of Reconstruction. Unlike white Creoles, however, they did not recover amid cycles of Redeemer and Jim Crow politics. First published in 1977, The Forgotten People offers a socioeconomic history of this widely publicized but also highly romanticized community -- a minority group that fit no stereotypes, refused all outside labels, and still struggles to explain its identity in a world mystified by Creolism. Now revised and significantly expanded, this time-honored work revisits Cane River's "forgotten people" and incorporates new findings and insight gleaned across thirty-five years of further research. This new edition provides a nuanced portrayal of the lives of Creole slaves and the roles allowed to freed people of color, tackling issues of race, gender, and slave holding by former slaves. The Forgotten People corrects misassumptions about the origin of key properties in the Cane River National Heritage Area and demonstrates how historians reconstruct the lives of the enslaved, the impoverished, and the disenfranchised.
#1 best-selling guide to Brazil* Lonely Planet Brazil is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Party at Carnaval in Rio, come face to face with monkeys and other creatures in the Amazon, or snorkel the aquatic life-filled natural aquariums of Bonito, all with your trusted travel companion. Get to the heart of Brazil and begin your journey now! Inside Lonely Planet Brazil: Full-color maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, music, football, cinema, literature, cuisine, nature, wildlife Over 119 color maps Covers The Amazon, Rio de Janeiro, Sao Paulo, Brasilia, Salvador, Bahia, Pernambuco, Paraiba, Rio Grande de Norte, Parana, Ceara, Piaui, Maranhao, Santa Catarina, Mato Grosso and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Brazil, our most comprehensive guide to Brazil, is perfect for both exploring top sights and taking roads less traveled. Looking for a guide focused on Rio de Janeiro? Check out Lonely Planet Rio de Janeiro for a comprehensive look at all the city has to offer, or Make My Day Rio de Janeiro, a colorful and uniquely interactive guide that allows you to effortlessly plan your itinerary by flipping, mixing and matching top sights. Authors: Written and researched by Lonely Planet. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveler community. Lonely Planet covers must-see spots but also enables curious travelers to get off beaten paths to understand more of the culture of the places in which they find themselves. *Best-selling guide to Brazil. Source: Nielsen BookScan. Australia, UK and USA. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
The government of Louis XIV developed two taxes during the last thirty years of the king's reign that forced the privileged to pay. This book is a study of how those taxes developed and what caused them to be adopted. Louis XIV's Assault on Privilege examines Nicolas Desmaretz, one of the most important finance ministers of the Bourbon monarchy. McCollim brings to life the man who was arguably the central figure in the final transformative years of Louis XIV's reign. Controller General Desmaretz was the nephew of famed finance minister Jean-Baptiste Colbert and had extensive experience in the administration prior to 1683 when he suffered disgrace. His expertisewas so renowned in his day that other chief financial officials sought his advice in secret. Desmaretz has been called the ablest man ever to head French finances, and the war financing problems he faced from 1708-14 the greatestchallenge faced by the Bourbon monarchy until the French Revolution. Desmaretz became one of the chief financial officials early in the War of the Spanish Succession and took full charge of French finances from 1708-15.In that time, he introduced one of the two most radical financial measures ever taken by the Bourbon monarchy: the dixième, a tax on income. This tax revolutionized the relationship of French elites to the Crown because iteliminated the issue of status that affected all other forms of taxation: the dixième fell on all income, no matter the recipient. The tax lasted until 1717, appeared again during the Wars of the Polish (1733-35) and Austrian (1743-48) Successions, and became permanent, in a reduced form, as the vingtième, in 1749. The story of the dixième has been oddly ignored by fiscal historians. In his rich analysis, McCollim lays outfor historians precisely how the royal financial council actually made policy. His book establishes once and for all that from the perspective of state finance, and state taxation, the post-1710 French monarchy had left far behindthe institutional framework of the seventeenth century. Gary B. McCollim received his doctoral degree in history from The Ohio State University and is a retired federal employee.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Why is music so important to most of us? How does music help us both in our everyday lives, and in the more specialist context of music therapy? This book suggests a new way of approaching these topical questions, drawing from Ansdell's long experience as a music therapist, and from the latest thinking on music in everyday life. Vibrant and moving examples from music therapy situations are twinned with the stories of 'ordinary' people who describe how music helps them within their everyday lives. Together this complementary material leads Ansdell to present a new interdisciplinary framework showing how musical experiences can help all of us build and negotiate identities, make intimate non-verbal relationships, belong together in community, and find moments of transcendence and meaning. How Music Helps is not just a book about music therapy. It has the more ambitious aim to promote (from a music therapist's perspective) a better understanding of 'music and change' in our personal and social life. Ansdell's theoretical synthesis links the tradition of Nordoff-Robbins music therapy and its recent developments in Community Music Therapy to contemporary music sociology and music studies. This book will be relevant to practitioners, academics, and researchers looking for a broad-based theoretical perspective to guide further study and policy in music, well-being, and health.
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
The Electric Kool-Aid Acid Test for our own age, the story of a dreamer who turned American media upside down—and suffered the consequences Louis Rossetto had no money, no home, no job. Five years later he owned the hottest magazine in America and was poised to become an international tycoon, with America’s most powerful financiers by his side. Rossetto was the founder and editor of Wired, whose hyperactive Day-Glo pages proclaimed that every American institution was obsolete. Instantly, Wired, was everywhere—on television, passed around the halls of Congress, displayed in the office of the president of the United States. Wired,’s headquarters in San Francisco became a pilgrimage site for everybody who wanted to be at the white-hot center of the digital revolution. Not since the early days of Jann Wenner and Rolling Stone had anybody so brilliantly channeled the enthusiasms of his era. But this was only the beginning. Wired cast an uncanny spell, creating a feedback loop that grew stunningly out of control. Wired,’s online site, HotWired, designed and sold the first banner advertisements for the World Wide Web, unleashing a commercial frenzy. Wired, reached for empire, with a book-publishing company, a broadcast division, and foreign editions all over the globe. But as the market’s enthusiasm outstripped the limits of reason, Rossetto faced a battle over the fate of Wired that would prove the ultimate test of his radical ideas. Gary Wolf, one of Wired,’s most popular writers, takes no prisoners in this insider’s account, telling a story that is alternately thrilling, hilarious, heartbreaking, and absurd. Now that bumper stickers read-ing please god–just one more bubble have been sighted on the highways of California, Wired—A Romance goes beyond the dot.com clichés and paints a deeply affecting portrait of the boom.
Shares the inside story of Wall Street's notorious ``chop houses,'' the crooked Mob-run brokerages where rampant thievery netted several billion dollars from gullible investors.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This revised and expanded 5th edition contains more than 660 pages of research on the Dempsey, Romain, Laderoute, and Gervais families of the Ottawa Valley in Canada. It also contains more than 100 vintage photographs, as well as extensive historical research on the Quebec towns of Fort Coulonge and Waltham, and the Ontario towns of Pembroke, Westmeath, and La Passe. In other words, whatever your family's surname, the book contains resource material for anyone interested in Ottawa Valley history or interested in starting genealogical research of their own.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.