What do you do when your first season as head coach has been a disaster? If you are Arne Viimets, a brilliant but controversial iconoclast who likes to discuss football strategy with his dog, you ignore the advice of your alumni, your coaching staff, and, critically, your athletic director. You bench experienced starters in favour of undersized and unproven back-ups. You put together a team which features a rush end who ritually sprinkles antler ash on his head, an offensive tackle who plays the cello, a running back who listens to lectures by Richard Feynman before games, a rugby player from England who views Canadian football and his teammates with contempt, and a preternaturally gifted receiver whose discipline problems threaten to scuttle everything. And you dress Kevin Willister, who has nothing to offer except heart and attitude. It’s the second season. First and ten.
Arne Viimets is not a typical coach. Kevin Willister is not a typical player. This is not a typical football story. Arne Viimets has a passion for opera, he owns a dog named Chopin, and he quotes Thoreau at dinner parties. He also happens to have a brilliant football mind. When Arne is hired as head coach of the McGill Redmen, he is certain he can transform a habitually mediocre university football team into national champions. At least, that’s what he expects. Instead, his uncompromising attitude and brutal workouts draw flak from players and colleagues alike. Alumni are critical of his personnel decisions. His coaching staff is riddled with personality conflicts. His underperforming team is mired in dissension. And as Arne’s personal life becomes strangely entwined with his football one, it begins to look more and more like the game he loves will lead to his undoing.
An offence with attitude and a mean streak. A defence so radical it’s dubbed “the Weird.” A fractured coaching staff ready to come to blows. It is Head Coach Arne Viimets’ third year at McGill, and he’s been told his contract will not be renewed. The university is moving in a different direction, and he is not the man wanted at the helm of the football program. But what if he achieves the ultimate success? What if he brings his team to the Vanier Cup? It’s a long shot – McGill hasn’t even made the playoffs since Arne took over. To do so will require every element of his peculiar football genius. It will require his controversial best player to buy in. It will require his team to punch above its weight game after game. Ultimately, it will require Arne to hold his own life together as forces from all directions threaten to tear it apart.
Before we were all connected, before we were The Hive, there was individualism, privacy, ‘personal space’ . . . so quaint, so unnecessary . . . so dangerous . . . TOMMY PIERRE ANTIKAGAMAC, a star quarterback, is the most followed player in the world’s most popular sport: American football. While off-season training in the unpopulated European Fallowlands, he abruptly finds himself detached from the Hive. Agonizingly alone in his head for the first time in his life, he panics, becomes hopelessly lost, and then is captured by a fringe group of anti-Hive saboteurs. The Freemen, as they call themselves, have concocted an audacious plan to "cataclysmically disrupt the brain of the Hive," and Tommy may just be the key they need to make it successful. But Tommy’s arrival among the Freemen is not as serendipitous as it may appear. Neither he nor his captors suspect that it is not the terrorists, but Tommy, who is the threat to the Hive. And the Hive has ways of protecting itself.
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